No but you see I've got to explain all this because I don't, we don't know how much time there is left and I have to work on the, to finish this work of mine while I, why I've brought this whole pile of books notes pages clippings and god knows what, get it all sorted and organized when I get this property di- vided up and the business and worries that go with it while they keep me here to be cut up and scraped and stapled and cut up again my damn leg look at it, layered with staples like that old suit of Japanese armour in the dining hall feel like I'm being dis- mantled piece by piece, houses, cottages, stables or- chards and all the damn decisions and distractions I've got the papers land surveys deeds and all of it right in this heap somewhere, get it cleared up and settled before everything collapses and it's all swal- lowed up by lawyers and taxes like everything else because that's what it's about, that's what my work is about, the collapse of everything, of meaning, of lan- guage, of values, of art, disorder and dislocation wherever you look, entropy drowning everything in sight, entertainment and technology and every four year old with a computer, everybody his own artist where the whole thing came from, the binary system and the computer where technology came from in the first place, you see? I can't even go into it, you see that's what I have to go into before all my work is misunderstood an distorted and turned into a cartoon because it is a cartoon, a whole stupefied mob out there waiting to be entertained, turning the creative artist into a performer
sweet jesus. that hurt my eyes. the end of the first sentence is.. that question mark 6 lines from the bottom.. wtf. maybe ill hold off on that one for a bit
No but you see I've got to explain all this because I
don't, we don't know how much time there is left
and I have to work on the, to finish this work of mine
while I, why I've brought this whole pile of books
notes pages clippings and god knows what, get it all
sorted and organized when I get this property di-
vided up and the business and worries that go with it
while they keep me here to be cut up and scraped
and stapled and cut up again my damn leg look at it,
layered with staples like that old suit of Japanese
armour in the dining hall feel like I'm being dis-
mantled piece by piece, houses, cottages, stables or-
chards and all the damn decisions and distractions
I've got the papers land surveys deeds and all of it
right in this heap somewhere, get it cleared up and
settled before everything collapses and it's all swal-
lowed up by lawyers and taxes like everything else
because that's what it's about, that's what my work is
about, the collapse of everything, of meaning, of lan-
guage, of values, of art, disorder and dislocation
wherever you look, entropy drowning everything in
sight, entertainment and technology and every four
year old with a computer, everybody his own artist
where the whole thing came from, the binary system
and the computer where technology came from in
the first place, you see? I can't even go into it, you see
that's what I have to go into before all my work is
misunderstood an distorted and turned into a
cartoon because it is a cartoon, a whole stupefied mob
out there waiting to be entertained, turning the
creative artist into a performer
It goes on like that for 96 pages.
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