Three Nights Later, Part Two

Nov 08, 2010 19:12

Meg's OOM )

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ever_noteful November 9 2010, 01:30:03 UTC
He's moving, this time.

That would seem to be an improvement, because frankly the time he was just sitting completely motionless kind of freaked her out a little.

Now she just has to figure out if being careful means being careful about approaching him or not approaching him at all and she hates -- she hates -- not knowing how to deal with saying hello to someone she thinks of as a friend, because that shouldn't be something you have to analyze all this terribly much.

And then there's the realization that he can hear her trying to analyze the ramifications of saying hello to him or not, and how insanely rude is that? Given that she's thinking about him, and he no doubt knows that she's thinking about him, she really should just go ahead and say hello, except, of course, that actually saying hello is kind of redundant at this point, although it's also rude to interupt him while he's playing and --

Oh, to hell with it.

Hello, Edward.

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themidnightson November 9 2010, 01:56:27 UTC
Perhaps, the first second he's debating properness.
The ruse and moving and not too few of Kate's thoughts.

Except this is Meg, and even if he takes the third second, he turned his head. His fingers were still playing the piece, without any hesitant pause, but he turned his head, until he found her in his peripheral vision.

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ever_noteful November 9 2010, 02:00:27 UTC
It's more of a response than she got last time.

Meg raises her right hand in a very small wave, and takes exactly one further step toward the piano.

Edward?

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themidnightson November 9 2010, 02:04:52 UTC
He nodded, while looking back to his hands.

It, and his posture, are a little too rigid.
But the nodding definitely did happen.

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