the semotics of the face in japanese art (or why Radical Edward doesn't always have a nose)

[thekit]

http://www.sacred-texts.com/bud/gbf/gbf06.htm

I'm going to come up for air to show you this interesting excerpt from Lafcadio Hearn's 1897 book Gleanings in Buddha-Fields. Hearn (also known as Koizumi Yakumo after gaining japanese citizenship) was one of the early

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[anonymous]

http://www.flickr.com/photos/digiboy/