Updatery: Fic, The Night Stalker, and Angel the Wolf Man

Nov 10, 2006 12:19

So I've been out of touch as usual for the usual and unusual string of reasons - writing my seasonal_spuffy story took up a chunk of these week, and thanks so much to everyone who read and commented! (I'm still working on the epilogue, after which I finish, I will finally be able to sit down and replies. In the meantime *big smooches*!)

And now, fic recs!

shapinglight's ( Read more... )

angel thoughts, fic recs, horror

Leave a comment

toysdream November 10 2006, 21:01:19 UTC
Thanks for jotting down all these cool Kolchak thoughts! Night Strangler really was pretty awesome - by the tail end I was thinking how much it reminded me of a Dario Argento movie, with its crazy lighting and the hero busting into the boarded-up undercity to confront an immortal alchemist. Obviously there's a strong connection here to Argento's Inferno, but also to Deep Red, especially with the bantering teamwork of the male and female leads.

Kolchak definitely does end up being the Boy Whose Job Is Crying Wolf, which seems rather appropriate. If the Big Bad Wolf lies at the very bottom of every horror-movie monster archetype, as we've discussed, then perhaps the various types of horror hero can be likewise classified based on their reactions to the wolf. We have the Kolchaks who expose the wolf, the Larry Talbots who are the wolf, the Beowulfs who slay the wolves that nobody else can or will, and so on and so forth. (In this case, I guess Buffy is a Beowulf and Angel is a Larry Talbot.)

There's one detail, however, in which Fox Mulder differs from Carl Kolchak. Mulder is someone who wants to believe--he's predisposed to seek supernatural or esoteric explanations, and one gets the feeling he'd be pretty disappointed if they ever had a case where Scully was able to solve everything with rational, mundane explanations. (Fortunately for him, this happens maybe once throughout the entire series.) But Kolchak doesn't have any predispositions. He's just following the clues wherever they lead him, always opting for the simplest and most logical explanation no matter how nutty it might sound to other people. While Mulder is trying to prove his view of the universe, Kolchak is just trying to dig up the truth on a case-by-case basis, and I don't think he really cares whether or not it involves moss monsters and headless ghost bikers. Like the detective in John Landis's Deer Woman, he's just looking for the best explanation based on the available evidence.

Maybe it's this slight variation that makes Kolchak a recognizable Richard Matheson character. While Nigel Kneale's heroes tend to be exceptional people driven by insatiable curiosity, Matheson's heroes are usually ordinary guys thrust into crazy situations. As curious and meddlesome as Kolchak may be, he's not driven to seek out ghosts and ghouls and vampires--they're coming to him, and he's just using his reporter's instincts to deal with them as rationally as he can, much like Neville in I Am Legend. I note that the TV series, in which Kolchak becomes something of a monster specialist, doesn't seem to have any Matheson involvement.

Reply

thedeadlyhook November 10 2006, 21:30:30 UTC
I note that the TV series, in which Kolchak becomes something of a monster specialist, doesn't seem to have any Matheson involvement.

Yes, and the amazing coincidence of him running across supernatural cases all the time became just as hard a sell after awhile as Scully being an eternal skeptic. ; )

There's one detail, however, in which Fox Mulder differs from Carl Kolchak. Mulder is someone who wants to believe--he's predisposed to seek supernatural or esoteric explanations, and one gets the feeling he'd be pretty disappointed if they ever had a case where Scully was able to solve everything with rational, mundane explanations.

Very true! And corrrect me if I'm wrong, but I think the series eventually forgot to address what he actually planned to DO with proof if he got it, whereas Kolchak's one goal is to get the news out. I think that's a lot of where The X-Files lost me, when it began to show Evol Gov't Agents and aliens every week, and Mulder doesn't ever go "okay, that's it" and just start publishing. As Carl would say, this is NEWS.

Reply

toysdream November 10 2006, 21:46:14 UTC
I think Mulder is probably in the wrong line of work. For all the access that his FBI badge brings him, any hard "evidence" he could ever hope to secure would just end up being warehoused in a crate next to the Ark of the Covenant. Maybe the idea was that he'd leak it to the Lone Gunmen so they could put it in their crummy little mimeographed fanzine, and I'm sure that would really make all the Muggles sit up and take notice. Or perhaps he'd drop it off at the New York Times offices a la the ending of Firestarter. Ah, such an innocent age...

I think history has shown that the only foolproof method for Getting The Word Out is a symbiotic partnership between a Crusading Journalist and a Sympathetic Insider Who Leaks Like A Sieve. Since The X-Files only had half that equation, Mulder's quest was probably doomed from the outset. And if he'd actually had an ally in the press, Mulder himself would have been almost redundant, since Deep Throat and Mister X could just feed their scoops directly to the reporter in question. I guess in the long run, it might have made sense for Mulder to either succeed Throat and X as the leaking insider, or drop out of the Bureau and become a crusading crank reporter.

Reply

thedeadlyhook November 10 2006, 21:55:41 UTC
I guess in the long run, it might have made sense for Mulder to either succeed Throat and X as the leaking insider, or drop out of the Bureau and become a crusading crank reporter.

I am now wishing that I'd had a computer at that point, so I could've gotten into XF fandom. There must have been fic written about something like this.

I think history has shown that the only foolproof method for Getting The Word Out is a symbiotic partnership between a Crusading Journalist and a Sympathetic Insider Who Leaks Like A Sieve

Bwah! Also, the reverse is sometimes seen - the hero, and the journalist who keeps their secrets, ala Matt Murdock and Ben Urich.

Reply

toysdream November 10 2006, 22:01:03 UTC
What's ironic about Mulder's situation is that, as best I can recall, the depiction of the media in that show tended to be pretty negative, and characters like Jose Chung and the movie producer who shows up in the last seasons tend to make a mockery out of Mulder's (highly mockable) life's work. Even if he did find "evidence," would you trust these clowns to help him publicize it?

Also, the reverse is sometimes seen - the hero, and the journalist who keeps their secrets, ala Matt Murdock and Ben Urich.

Or even, in the case of Superman and Spider-Man, the hero who's also a journalist and can publicize his own findings. Once again, comic books for the win!

Reply

thedeadlyhook November 10 2006, 22:30:59 UTC
The media is generally portrayed in a negative light on TV and in film - I remember that was brought up in my photography class, in regards to the assignment where we had to go out and ask strangers if we could take their picture. There's a long line of sleazy photogs especially in filmed entertainment. (Which, oddly enough, makes me almost curious to see that show FX is constantly pimping these days, Dirt.) But the crusading reporter seems to have had a heyday with All the King's Men and then fell mysteriously silent.

Or even, in the case of Superman and Spider-Man, the hero who's also a journalist and can publicize his own findings. Once again, comic books for the win!

Ms Marvel also ran a magazine. And in George Perez's update of Wonder Woman from a few years back, she had a publicist. Image spin!

Reply

ludditerobot November 11 2006, 11:47:37 UTC
But the crusading reporter seems to have had a heyday with All the King's Men and then fell mysteriously silent.

With a rise again with All The President's Men, culminating in "Are You At Risk?!?" stories and the like on your evening news.

And might I comment that Superman started with an alter-ego that's just an extension of his day job -- crusading reporter becomes crusading superhero. Despite Bill's words at the end of Kill Bill, there isn't a superhero that's more always himself than Superman.

Reply


Leave a comment

Up