I'm holding the first class in the gallery, at Anthony Blunt's leave. The room is airy and more than large enough for the number of students who signed up. Some of the faces are more familiar than others, though I'm starting to recognize most of the island's inhabitants on sight, even if we haven't been introduced. There are chairs set out with
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"Excuse me, Mr. Rogers?" he says softly. For fuck's sake, did the guy have to be so huge?
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"Yes?"
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And with that, he bites his lip, trying not to think of the half dozen teacher-student fantasies that have popped up in his head.
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"I think we have room for one more," I tell him, smiling slightly.
"You heard the introduction," I say, having noted him when he entered but, in case he opted to reconsider, declined to draw attention to his presence, "so you'll know that everyone's working at their own level, really. May I?"
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Nodding, Maxxie hands over the book with a quiet, "Please do." He's proud of his work, though he knows there's still plenty of room to improve. Secretly, he hopes Rogers doesn't flick too far through the pages. Most of it's people, hardly any landscapes or abstracts or still life, just people posing or sitting still. But, while the study of the human form is important, there's a few pages in there of extremely close focus on male anatomy.
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"What's your name?" I ask, turning another page.
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He flashes Billy a brief smile and shrugs, helpless, before looking back to Mr. Rogers.
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"You know how to make your pictures look like pictures, but I think we can find a way to push that. You seem to have an interest in photorealism?" I venture.
"So let's teach you how to make your pictures look like life. The attention to detail is there-" I turn a page, make a glancing mental note of the anatomy detailed there, and snap the sketchbook easily shut with one hand.
Remember what I said about the sharing of art being intimate? There is also the sharing of intimate art.
"-but it's a little short on depth." Possibly the phrasing's a little on the nose, but changing sentences mid-way through would have given the impression that I'm thrown off-guard. As an observer, that's fine, but if I'm going to be his instructor then commenting on his subject matter isn't my place or interest, at least in regard to what he does outside of class.
"A little static. We can work on that, though. Welcome to the class, Max."
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Maxxie takes the comment just as, he thinks, he should, with an attentive nod that acknowledges and promises to do better. Any way you look at it, it's a fair comment. He hasn't really been pushing himself in his drawing, only mucking around for fun, sketching what he sees. He sees a fair bit of naked guys, but that doesn't have to stop just because his subject matter changes.
Finally, examination over and book back in hand, Maxxie smiles widely and says, "Thank you, Mr. Rogers. I really appreciate it."
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