After the war was over, Cole had often told people at parties that he'd served in the French Foreign Legion, which an outright lie (though he told the story with such playfulness that he couldn't imagine anyone believed it anyway), even if he did have a number of fancy dress uniforms tucked away in a closet that were fun to trot out on occasion.
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Ducking my head into the rec room to see who to blame for it, I see the problem right off. It's Cole Porter, with his arm in a sling from the shootout. I'd seen him that night, but with everything that happened, there'd been no time to talk. Jack had been with him at the time.
Seeing as how it's not some hack beating up the baby grand, I come on in. "Hey, man," I say with a nod, thinking it's probably weird to call Cole Porter 'man', but I'm hoping the friendly tone and smile while cover it over. "How's the arm?"
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Me, I don't like playing for an audience, and Cole Porter's not just any audience. But if it'd help, I'll stick my head down and try.
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He set his right hand down on the keys and played a simple melody. "Love for sale, appetizing young love for sale, love that's fresh and still unspoiled, love that's only slightly soiled..."
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Love for sale. Get out. That's just...no shit, man, really? I'm sitting with Cole Porter while he's working out the lyrics from Love for Sale?
Damn.
"You want me to write that down for you? I think it's a keeper." I know it is, but I'm guessing if it's rude to tell people they're fictional, it's even ruder to play a man's music for him before he writes it.
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