On set. Click black and white cardboard, the director tells the actors to act. Eighty-five takes today. But the coke helps. The little cocaine kid, the pied piper of the now, leading a generation of children to nosebleeds and brain damage. It's just like powdered sugar for your brain.
So what if I took the money? The work is hard,
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Could be a bit longer, my writing teacher would complain about it being incomplete and not answering enough questions. He might also admit that he has a bias against short stories, but note that you've done a lot in so little. I might agree with him that you could add more, but awesome happened with what you did.
I just sort of realized that you and I (stop me if I'm being presumptuous) are writing for the mood of a story. That pleasing mood of a dark feeling when you read it. Stronger when you write it. Neither of us seem to care about conflict and soap opera set-ups, our writings both seem more obsessed with more of just that mood. And often without a real resolution. Just explaining the emotion, not fixing it. Agree? I'm being too presumptuous?
Well done on the story...but it really could have a little more in it...but that might just be my writing class brain-washing me.
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