Subtext

Mar 30, 2009 15:09

Today's word of the day is subtext, which is an important writing tool as well as the reason those new Comcast commercials have been bugging the heck out of me. You know, the ones with the cartoony fantasy town where Comcast cable service makes everything magical.

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These commercials feature imaginative details, an earwormy song, and a fun way to promote the features of Comcast's digital phone-internet-tv product. This should be one of the most effective and amazing commercial campaigns in years--but instead it comes off as creepy and annoying. It took me a few repeated viewings to figure out why...

Notice that these fantasyland customers who are extolling their "happy high-tech automatic exponentially ecstatic" lives in Comcast Town all have unnaturally deadpan expressions and emotionless robotic voices. It makes us wonder, on a subconscious level, whether they've been drugged or hypnotized or both. The context is that everything is wonderful while the subtext is that these people have been assimilated into some kind of cult. As a result, while our conscious mind is admiring the scenery, our subconscious wants us to run away before we also become plastic-faced techno-zombies.

Subtext is a double-edged sword for writing. When it's used purposely, it can be a powerful way to enhance a reader's experience without them even realizing what's going on. But when an unintended subtext undermines the intended meaning of an author's words, it can ruin an otherwise well-constructed story. Or commercial.

Also, I happen to have the Comcast triple-pack and haven't noticed any singing squirrels, giant monster battles, or rooftop hot tubbing going on in my neighborhood. Just saying.
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