The sun's scrambled high into the sky like a sure-footed kid climbing a tree-it's the itch under his collar and the sweat on his palms. He raises the hoe and swings it down into dry earth, sending up a puff of dust. There's always one weed left. Sun's baleful glare on his back, he drives the blade in again. He hears himself grunt (it sounds more
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"Ai ya," she mumbles to herself, before she pulls the tablet closer, puts on her nicest smile, and switches her end of the feed on. "Hey, y'alright?"
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Throwing an anxious look at the door, he stretches out on his belly, head propped up under a fist, to peer at what turns out to be a woman's smiling face.
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"S'alright, ain't gonna hurt ya. Name's Kaylee--mind if I ask yours?"
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Too late he remembers the question. "Dick Whitman. I didn't touch nothing," he protests without pausing for breath. "It--"
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"Hello there. You okay?"
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"I'm gonna make the bed," he adds, unable to think of another reason she'd be asking.
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"That's okay," Rose comments, still smiling. "Do you know where you are?"
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She hems and haws for a good while as to what to say, before managing awkwardly, "Hello? Little boy?"
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"Hello," he ventures, at once solemn and uncertain.
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"I know you must be confused or frightened, but it's alright." Which might have been a lie, really. The boy should be at home with his family, not in Taxon. "What's your name? My name is Temperance, but if you want, you can call me Tempe for short."
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"Dick Whitman. Archie's my pa." It's a flat statement--no hope, no affection. He waits for the look people get when they recognize his father's name. He's trained himself not to flinch.
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"Hello, young man. You appear to be new here. Has anyone else explained anything to you yet?"
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The voice doesn't--can't--belong to the face. It's rich and English.
He pulls back from the tablet and, still gawking, wills himself to nod.
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Very unfair. The child will be surrounded by things unknowable and bizarre, like Miss Ross. (Long mentally ignores the fact that many things were unknowable and bizarre to him at first too.)
The child also has the air of a student awaiting a chiding from a master, which Long has some experience with.
"You're not in trouble," he says with a bare hint of a smile. "Not yet, at any rate. I am Mr. Long; I'm not going to hurt you, lad. Are you hungry?"
In Long's admittedly limited experience, all children respond to food.
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"I got no money," he mumbles, his own voice something small and stunted. He is hungry. He's always hungry, it's just a question of degree. He steals a glance at the bottle of whisky--maybe...
He lowers his eyes and shakes his head.
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But even so. He dislikes it. Something should be done to rectify it, someone should be held accountable.
But he finds he doesn't have the words. He's never been much for conversation, and when he tries to put voice to thoughts they fail before they even get to his mouth. He doesn't know where to start. So instead he only watches, though with much less of his usual hostility.
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He's tired. His shoulders are stiff and his shoes pinch his feet. He found cigarettes and a wristwatch he didn't dare touch next to the bed. He stood at the window feeling by turns dizzy and scared and powerful.
He stares back. It's not a show of boldness--he's used to observing, to his gaze having no more force than a breath of wind.
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"You have a name?" It's the first thing to come to mind; assuring the boy that he's safe, which would be the first on the checklist, would be something of a lie considering the things he's seen since his arrival. And Rorschach has never seen the use in a lie, no matter how small or well-intentioned.
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“I'm new,” he says, echoing Mr. Long without understanding what he's new to.
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