Religion is a word that inspires apathy at best in Bruce Wayne; he didn't grow up with it outside a handful of awkward, politically-required visits on holidays. It brings up memories of cold, uncomfortable buildings and droning music and the expression on his mother's face as she barely suppressed rolling her eyes - certainly not shrines and
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By the time he walks up to Wayne Manor, though, he's had a chance to settle into a more relaxed persona than Remarkably Headache-Prone Prison Warden. With Jack, there isn't middle ground between tense and mellow so much as a thin line, which he's casually flip-flopped to the other side of by now with his usual less-than-healthy ease. This isn't stress relief, it's repression, but it's easier and anyway, he's curious what Bruce thinks is so important.
He rings the bell with one capricious finger and leans against the door frame to wait.
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Presently he's in a low setting of 'work mode', meaning the gravity of what, exactly, he's going to end up doing to Jack hasn't settled in and probably won't for a bit. He has something to prove and a method to confirm it, and it's ringing the side entrance's doorbell. Bruce opens up one side of the doors and nods a greeting at Jack before stepping aside to let him in, verbose as always.
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"So, you needed me desperately?" Maybe he thinks demonstrating how terrible an idea it is to let him control the conversation will inspire Bruce toward verbosity. (Maybe he's just like this.)
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"I need to take your picture." Yes, he's holding a camera.
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"Do you." He could ask why, but given it's Bruce he'd be asking, he assumes the answer would be a short, evasive and thus completely useless string of words; instead, he asks, "Shall I autograph it too? 'To Brucio, XOXO, Prince Jack'?"
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When he does look up it's with a brief, charming smile, and he snaps a picture before Jack can respond. Hope you were making a nice face!
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"In all seriousness, though, I'm guessing you didn't call me all the way over here to bear witness to your new hobby."
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For one sudden slightly disturbing moment (none of it shows on his face), Bruce wonders if it'll show a body. Something rotting. Something dead. He has no idea what will appear once the black turns to gray and then takes shape--
Nothing. Just a warped, unclear filter of the space in which Jack is standing in. A black hole, a void. No look into Jack's world, no alternative... he doesn't respond further, expression thoughtful, staring at the photo.
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But the silence and the look on Bruce's face worry him, in a slow, creeping way that doesn't kill his smile entirely, but it does put a damper on the expression. "What? Was I making a face? Lemme see."
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Perhaps this wasn't such a brilliant idea.
"It hasn't shown so far on a single person what's supposed to be shown," he says, and despite the guilt inching into his thoughts, he doesn't prevent Jack from looking. "Different clothes, different hair, injuries... being in totally different settings." He thought it might be what they were missing, because for the most part, people looked physically the same. But not all of them. A sliding scale, it seems, and now he's sure: it's showing the future. Ever-changing, except for one variable; you can't change that you're dead.
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"Different, but not random." He glances to Bruce there, testing. "Or you wouldn't have called me. You know plenty of people, Bruce, but you wanted to try this thing out on me. Why?"
He's putting the pieces together. But he doesn't have enough pieces, and he doesn't like where the ones he does have are going.
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"Because I don't have one, and you know that." The accusation in his tone is barely a breath's weight, but he doesn't need it. It's not as if he told Bruce about his death in any confidence, and hadn't the point of advertising it been to pretend it didn't matter? A miscalculation on his part, maybe.
"And now we both know for sure, I suppose. So thanks for that, Bruce." Well, he can't help being a little petty.
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He's quiet for another moment, then: "I'm not going to duck if you hit me."
So there's that.
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That probably isn't the healthiest reaction. It's brief, precariously balanced between genuine and genuinely pained.
"I'm not going to hit you." It might be better for him if he did, and he knows that, but that's not the way he works. Everything is twists and turns with Jack; nothing hurts straightforwardly. He'll shut this up inside him until it dies or it comes out somewhere else, a hundred times worse for having been locked away, but he can't just give up on controlling it from the start.
"But you may want to work on your people skills; you're remarkably terrible at this." That may be a genuine tease, right there. Maybe. If he refuses to lash out at Bruce, he can at least pull a facade of humor over the rest of his vulnerabilities.
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"Yeah," he says, probably an agreement, though he's still watching the other man closely. "I'm sure you'll be shocked to know I don't usually work closely with other people."
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