John Constantine has inherited a bowling alley.
In a burst of bizarre irony - perhaps even the kind worthy of giant hamsters God's sense of humor - the man who owned the place had not a week ago died of bees (and Balthazar), so were he in other circumstances he might have approached this by like ...finding a new apartment. One not above a bowling
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"Not really." Something small enough to be concealed in a closed fist transfers from shirt pocket to hand with a movement touched by an echo of flourish: not a magician's sleight of hand, but in the same gesture family. "But we have to; I did have ulterior motives beyond the obvious."
The situation at hand is really not this ominous - and yet. "Here," if she will oblige him by leaning forward, "I got you something."
'Something' is the amulet which not so long ago was Hennessy's, then briefly Angela's, and now Cat's, apparently, if she puts up with what appears at first to be the sudden attempt to put jewelry on her after ten days of knowing a person. "It's not a marriage proposal," he ...clears that right up, "think of it as a bulletproof vest."
Because that worked last time, he sees no reason not to reuse the explanation.
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"It doesn't look that big." She holds it up and tilts her head down to examine it, glancing back up at him from under her eyelashes when she's determined it doesn't have any glowing pieces or a series of mystic runes. Still, it feels like it has weight beyond the obvious, some feeling brushing the edges of her perception - she covers it with the pad of her thumb and keeps her eyes on John. "Why are you giving me this?"
Since that will probably tell her what it does just as well as outright asking that question would.
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That brief moment of awesome which was uh, Cat's chest, past, he leans forward again to touch her temples, brief and light - his hands are cold, mostly from holding the glass in front of him. "People die around me," he continues, like he's observing gravity exists, if only he completely hated gravity and was going to be bitter at it forever. "And I can't be everywhere at once, so this will protect you from influence."
Which he's mentioned before, but in a less specific context. "I used to be better at that." His grin is sideways, rueful, self-directed and incisive - if he'd been faster they wouldn't be on the verge of their particularly unpleasant packing job.
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"I appreciate the thought, let me establish that before I tell you that was a terrible thing to say and you know it was, I guess probably to try to make me cautious or maybe to want to run off and hide somewhere." She sighs very softly, leaning in herself now, head down. "You really have a problem with that. John, I'm not new to this, you don't need to worry about me--and maybe if anybody should hang onto this necklace it's you, but I'm guessing if I tried to give it back you'd just look all annoyed and say no."
This would be a good place to let go of his hand and pull away, but she tilts her head and smiles faintly up at him, affection tinting her concern: "Take it back? And maybe give it to somebody who could use it."
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This is presumably no one's idea of a segue but John's, and this is why he shouldn't be allowed to talk to people. He holds onto her hand like he's forgotten she's there, a concept easily belied by his eye contact, which is constant and miserable. (It takes some ability to look into, rather than at, to recognize this as misery, which even so is more accurately guilt.) "Wear it," he continues, in a tone he wouldn't recognize was pleading if you told him, as most other people wouldn't, because - well, he talks like he does, "and pretend I didn't just paint such a flattering picture of myself. Pretend I'm being paranoid, it's a lot better than the alternative."
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"John," she says, her hand tightening on his, "Just--no, forget it." 'It' being whatever she might have said in lieu of releasing her grip so she can draw him into an embrace, fingers of one hand slipping up to the back of his neck and the soft borders of his hair.
"I'll wear it," she promises; it's not such a terrible concession, even if it's just to make him sleep easier, and while it's not a marriage proposal it still signifies something. He protects everyone, in principle, but in the specific--he's worried about her. "I know it's serious, I'm not just saying that."
She could promise not to go, or not to become one of these problems haunting his footsteps, but they're adults and they know better than that. So she can give him that, and do this.
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But he would if he had the chance, he's great at indulgence. And even though he's pretty sure - with the kind of rueful amusement that isn't positive it's pleased by this or not - that having come all this way with boxes in tow, there's no way Cat would let him skip out (again) on dealing with Beeman's effects, that's where he'll try to take this if it goes on for too long. So he lifts his head and adjusts the amulet a little, which doesn't need doing, and gifts her with "Serious as cancer. Come on, if I don't tackle this now we'll just end up upstairs."
His ego, coupled with some ...small stage of progress. Perhaps Cat will beat him about the head and shoulders depend on which one wins out.
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('Awful' as she uses it here is more in line with the way the word is used where she comes from: 'awe-ful', excellent, good. There's a twist of irony in it anyway, but it's not criticism all the same.)
"Do you have a filing system?" That's a sudden change of tone, but it's relevant, coupled with a sharpening of her focus. "I mean, along the lines of how we're going to sort things."
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It'll keep for now, though. The remainder of the pink mixture in his own glass goes untouched, although surely right now precious vitamins and minerals are roiling around his insides, attacking at will. Still in such close proximity - and then closer still, he leans forward a little to put a hand on her knee, something innocuously deviant playing around the corners of his mouth. "You need to see it. One thing you could say about Beeman was that he defied categorization."
The tiny, diminutive bowling alley owner who also damn near made the goddamn Philosopher's Stone, and knew ahead of time to bring John cough syrup, unassuming with a strange fondness for bugs and those ridiculous noisemaking toys -
Want anything from India?
Oh, just the usual, if you don't mind.
Beeman, this is a foreign country we're talking about. I could pick up anything.
No, no, I don't have one from India yet. Perfect, really, your going there.
Defying categorization, indeed. He changes his mind and tips the glass upward, riding the resulting cold headache like coming up out of a wave of ice. This could be symbolic of not leaving anything wasted, or it could just be a fucking smoothie. "And the last time I did this I put everything in one box."
It had almost surprised him, that everything about Lily fit in such a small thing, but then when a person had been dead for as long as she had - she was always losing things; sometimes neither of them could remember if they'd ever been there at all. Did I have a blue sweater? I thought I had a blue sweater, and he was too busy trying to remember without looking what color her eyes were to answer.
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"If you need a break you better tell me, once we're back there, we're not rushing this so as you end up being a mess after." That caution delivered, Cat gets behind her cart again and wheels it towards the door John came out of when she showed up; the wheels are smooth and rubber, and thus unlikely to scuff anything, which is one of those disposable details Cat pays attention to.
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So not an aphid, maybe, but Cat is still less remarkably lacking in the Jenga tower equivalent of relationship-related blockage; either way, if allowed, he will gently - in the physical sense, stop looking at me - remove her from cart-pushing duty, because this thing has to go up a set of stairs just past the door. Beeman's work space is not large, so the cart itself barely fits down the slatted metal walkway, but there's room to push it off to the side and out of the way. This does mean they're going to be doing this in the leftover area of about ten by ten feet, but they aren't exactly strangers to one another in that regard.
A few items are already separated out, mostly books running the gamut from 'disturbing' to 'more disturbing' to 'weird,' and a space has been cleared on the battered table where Enfys was doing her translation - and less recently, where John assembled the holy shotgun in a fit of rage-induced efficiency.
He's not unaware of the fact that they're going to have to do this in the spot where Beeman died; it would be impossible not to be. It was different leaning over the table with Enfys, that was significantly not immersing himself in the facts of his surroundings, that was work, and therefore distracting. He curses, reflexively, and hasn't wanted a cigarette this much since he got to the city. "I wouldn't put your hand anywhere you can't see; he liked bugs."
A pause, looking somewhere to the shelves ahead of the table. "Used to give him shit about that all the time, the bug thing. But he was - great, he could find anything, make anything. Smartest guy I ever knew, right up until the point where he trusted me."
'Faith,' specifically, was the word Beeman had used.
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--she remembers John thinks in terms of literal ghosts and doesn't voice that, picking up a box and beginning to fold it into shape with an air of practice as she watches John.
"If you're really blaming yourself for what happened to him, we're going to be in here a lot longer, because I will not let you leave until you get somewhere with that." This is the kind of bluntness that comes attendant with her, and while she hopes it's not going to be so jarring he'll throw her out she couldn't just let that pass anyway. It's delivered mildly, in spite of what it is, and she sets down her completed box before picking up another one, still standing. "Or I guess you can ask me to go, but then you'd be doing this on your own, and if you were going to do that you'd probably have done it already. Did he have a name besides Beeman you knew about?"
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"Most people get at least two." Jesus, does he even know this? There's a thing to assuage guilt. "He died because I got him involved in something bigger than either of us - right about where you're standing - and it was already a week full of fucking carnage. So if you can absolve me, be my guest. Tell me it wasn't my fault, or there was nothing I could have done; I've certainly never heard that before."
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There are good reasons that most people shy away from stating things that boldly, because people, as a rule, don't like hearing them - they hurt at the best of times, and she's only talking like this to John because she really does have limits to how wounded she can watch someone get. Bruce already fell apart practically in (at) her hands, and she can't do that again with John or anyone else.
"We're both grown-ups, John, I'm not going to tell you that you have to forgive yourself, because you don't, and if anybody could make you I'm definitely not that person, but if I don't call you on what you're saying I don't think there's anybody else here who's going to, and you're already fucking tired and you hurt and that is not going to help you." Now she does sit down cross-legged, next to a stack of cardboard in progress, which in terms of unspoken communication paired with her lowered eyes and quiet voice speaks to firmness of resolve and her own brand of fatigue that never seems able to slow her down, until it does. "And I care about you, which I know sounds like bullshit considering how long I've known you, but I mean it."
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And that's maybe too easy; he is not a person who trusts easily or often without consequence, but Cat is, likewise, a person who seems easy to trust. He stays standing, until that makes him uncomfortable - and it's possible to do that, he remembers the spider uncurling in sudden, unexpected relief and running - and then picks up a flattened box for something to do with his hands, and because he's not actually going to stand here and watch her do what he's supposed to be doing. "But you're not the first person to get tired of watching me destroy myself."
It would take a serious dearth of self-perception to avoid the awareness that he is not exactly the easiest human being to be friends with, and although his voice still carries some faint cast of bitterness the way other voices contain, say, breath, mostly he's gentle about it. Of course, contextually speaking this just means he's not actively trying to stab her with what he's saying. "Although you might win the prize for most persistent."
Whether or not this is a good thing seems to be up for interpretation. He looks at the shelves and immediately decides to start anywhere but with the noisemakers, thank you, electing instead to pick up what appears to be a ...fucking geiger counter (that's there, no one could make this up). This necessitates stepping around Cat some, with the semi-serious air that she might, say, attack his shins. "I'm not going to ask you to leave," eventually, after setting the machine aside because he might actually need to use it at some point, which is ...distressing. Or would be for someone normal. "If I wanted that I'd just go, it's not like I'd be kicking myself out of my own place."
Refraining at least from any verbal commentary on how good he is at that, which ....small wonders. Either way, it's not his bowling alley, as much as it obviously is now.
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"That doesn't mean I don't want to listen to you. I mean, you're the one who should be talking if you want to, I'm just eating up all the air because I talk too much when I'm worried and I can't really do anything about it. Do you think we should start with jars? Those stack easy and we can fit a lot of them in each box, if we sort them out by size." Not having looked up, all she knows about what he's doing is that he's moved something without boxing it. They still don't have a plan here, which seems like it might be worth addressing before she makes his day any more miserable than it is.
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