I've been catching up on
videos from SXSW'06'The Future of Darknets' panel was certainly the most interesting thing here. For once, perhaps by accident, perhaps by design, IP dependants finally ended up in front of a room full of geeks who actually understand the technological, economic and social implications of DRM. It very quickly becomes
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Glad you've found my meandering worthwhile. I think half my meagre audience came from that one post!
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(The comment has been removed)
But still, hilarious pedantry!
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What we have now is a situation where these huge, cold, megalithic industries stand between the artists and us, doing nothing but leeching off that emotional link. At a corporate level it is unreasonable to suggest that they care about the music or the artists beyond the opportunity to make money out of them.
In the last century they offered a way, or the way, for artists to be heard, giving them access to the means of producing the physical media required to distribute their work to their audience. Now, that distribution-based model is dead (albiet livingdead), neither the audience nor the artists need them to distribute the work. They are scared, desperate to keep their business model alive at all cost, clawing at our attention with threats and messianic logic ("We are the Way, We are the Light, follow us and you shall have Plenty, stray from the Path and feel Our Wrath ( ... )
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