[ Simmons was, by habit, an early riser, but no amount of habit could turn him into a morning person, not without a nigh-unhealthy amount of coffee. He grumbled into his pillow as he slowly drifted into consciousness and simultaneously tried to figure out exactly why something felt so... off. Simmons pushed his face farther into the pillow as he
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...Who the hell are you?
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This. This isn't happening. This can't be happening. It's impossible. I must be dreaming or hallucinating or, or something. Maybe the fumes from Grif's room finally got to me. 5 years of exposure to that can't be healthy for anyone. So I guess maybe I'm dying. Is this what I hallucinate in my final moments? I'm sure Freud would have something to say about this.
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Sorry, but, well, this is Mayfield, and I think you're my husband.
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What?
WHAT?
Can we back up a little here? Like, back to the beginning? Can we start with something that makes sense? I think that would be a good plan.
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You're in a town- a suburb somewhere in America in the 1950's -called Mayfield. We've all been dragged here and forced into these weird nuclear family units. I'm Jill Valentine. Who are you?
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You should probably talk to the kids. Kyon, our "son", and Relm, our "daughter". We're stuck together until we find a way out of here, so we might as well get along.
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...Look, I know this is horrible. I've only been here a few weeks myself, so I'm hardly an expert, but I can say this much: this place is dangerous. These people control reality. Try to keep your head down, and let's work together to get out of here.
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[ Simmons rubbed his face in a combination of frustration and warding off the sleepiness that was encroaching again now that the panic had worn off. And then he paused as he realized that both hands were 100% flesh. "Control reality," huh? ]
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