Family drama stuff will unfold as it will; those adjustments have more been matters of perspective than anything else. Work is work, and at this point both the company and the union are both in "damned if we do, damned if we don't" positions, so we've been at an impasse for a year. I can't concern myself with that too much because there isn't much for me to do there other than get my work done.
The new issue of Star Trek: The Motion Picture didn't really alter the structure of A Busy Man, but I went through it and replaced all of the tracks from the 20th Anniversary Edition and the bootleg other sources with the pristine versions from the La-La Land edition. I also replaced the First Contact tracks when that disc came out; not much difference for most of the cues (a bit intrinsically louder, which I would adjust to fit the rest of the album anyway), but "Flight of the Phoenix" was an essential upgrade.
Yeah, when you hear what I did with Lord of the Rings you'll understand why it took so long. There are literally thousands of edits, mixes and overdubs at play on that set, and yet I have to make it all flow to sound like that's what it was meant to sound like. Don't get me wrong, there were long periods during which I didn't work on it, but it was always in play.
I will mug every tourist on Fifth Avenue if I have to in order to get the Star Trek box set.
The new issue of Star Trek: The Motion Picture didn't really alter the structure of A Busy Man, but I went through it and replaced all of the tracks from the 20th Anniversary Edition and the bootleg other sources with the pristine versions from the La-La Land edition. I also replaced the First Contact tracks when that disc came out; not much difference for most of the cues (a bit intrinsically louder, which I would adjust to fit the rest of the album anyway), but "Flight of the Phoenix" was an essential upgrade.
Yeah, when you hear what I did with Lord of the Rings you'll understand why it took so long. There are literally thousands of edits, mixes and overdubs at play on that set, and yet I have to make it all flow to sound like that's what it was meant to sound like. Don't get me wrong, there were long periods during which I didn't work on it, but it was always in play.
I will mug every tourist on Fifth Avenue if I have to in order to get the Star Trek box set.
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