Francis Ford Coppola designed Apocalypse Now as a completely subjective experience. He wanted to immerse the audience into his mythic journey through the eyes and ears of Captain Willard (Martin Sheen), and to that end he created some of the most awe-inspiring imagery and broke new ground in sound design. His maniacal attention to detail and (at
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I think that much of the material in Apocalypse Now Redux undercuts what was so effective in the original cut. Willard is an observer, the only time you see him act decisively is when he is furthering his mission, so I found his stealing Kilgore's surfboard to be out of character. Furthermore, Kilgore himself, such a chilling presence in the original version of the film especially with his haunting final line, is reduced to a buffoon as the napalm strike blows out the wind and he chases the surfboard.
John Milius himself has said he preferred the film without the second appearance of the he Playboy bunnies, and while these scenes are fun, Willard's involvement is problematic here too (again, he works best as an observer), but also I don't think the broad comedy sits well in context of the rest of the film. The French Plantation scene contains a lot of information that the film worked just fine without and is ultimately dead weight. Worse, its place in the narrative undercuts the downward spiral of Willard's journey into Cambodia.
I actually liked what few expansions there were of Kurtz, though. There are even some more scenes with him on the Blu-ray that are fascinating as well.
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