New York Post For the last 200 years, Beethoven’s compositions have also been symbols of the struggle for freedom against tyranny. The “Ode to Joy” from the conclusion to his Ninth Symphony remains the definitive anthem of universal brotherhood. It is no coincidence that the opening notes of his Fifth Symphony - whose rhythmic pattern duplicates the Morse Code notation for the letter “V” as in “V for Victory” - were used by the BBC for broadcasts to occupied Europe during the Second World War.
But to woke critics, Beethoven’s music has taken on a new, darker meaning. To musicologist Nate Sloan and songwriter Charlie Harding, stars of the “Switched on Pop” podcast produced in association with the New York Philharmonic, the Fifth Symphony is a stand-in for everything they don’t like about classical music and Western culture. As far as they’re concerned, it’s time to cancel Ludwig.
On
Vox.com, the pair blame Beethoven’s music for what they consider to be a stuffy elitist classical culture that bolsters the rule of white males and suppresses the voices of women, blacks and the LGBTQ community.