doctor_k_ and I and a few others saw this excellent film this evening, which we are glad we saw, although it was very emotionally draining. Technically, a very nice animated film, it had a lovely sense of being clearly inspired by pen and ink black and white drawings (though it was quite a colourful film in its way, mostly big vibrant slabs from a fairly
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It was really noticeable how well the animation brought out the characters, through a subtle tick representing a facial line, or the small introductory sequences they afforded each of them. I suppose it was probably based on real footage as well? Don't know.
And then, just as that distancing, that mediation through twenty years, through psychoanalysis, hallucination etc. reached its peak, the chop back to exactly that type of evening news footage, out of animation and into "live action" was unbelievably effective. And also brought out a contrast between the film's ostensible subject (the echoing, attenuated trauma of Israeli soldiers half-responsible for a massacre) and its hidden subject (the real, incomprehensible suffering of those actually massacred).
Very good film.
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