This production from Steven Moffat and Mark Gatiss has been well-hyped, which always makes me wary. But it does seem to have got off to a good start this evening. Here are some of the things I particularly liked about it:
- The fact that the first time we see Sherlock's face, it's viewed upside-down and from within a body-bag. A lovely statement of
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(I didn't mind Harry at all at the time, although I hope we meet her or Clara and she's not just an invisible lesbian character.)
I'm not a Holmes fan at all, so I have this in an utterly different context from you, which is cool. In fact, the only thing I've really seen is the recent movie, which portrayed the relationship as a possesive, highly dependent (at least in one direction, if not codependent) one; the source of debilitating jealousy from Holmes in regards to Mary, but clearly rooted in deep love, regardless of whether it's platonic or not.
But because I came to this with no context, I expect a mystery show set in modern day London, and all the 'not that there's any wrong with that' comments just read to me like explicitly saying "We're not homophobic here at Broadcasting House, but slashers are just MISTAKEN, OK?"
I guess I prefer subtext to remain subtext and platonic relationships to speak for themselves and that my TV didn't add to that kind of rhetoric.
Otherwise, I REALLY REALLY liked
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And it's interesting that you read the comments made in last night's episode as implying that slashers were mistaken, as I didn't take that from it at all. Obviously both Holmes and Watson were protesting that they weren't attracted to one another in last night's episode - but then again, they had only just met and there is plenty of time for it to develop. At least, it may well do so on Watson's side, but I think Holmes will always remain fairly asexual - which is much the same dynamic as can be teased out of the subtext in the Granada series.
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He's dead.
But I agree - an appearance by Harry, would be awfully cool.
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I could easily imagine two blokes who, not knowing each other, had just agreed to share a flat having exactly the conversation Holmes and Watson had in the café, complete with rather awkward and overdone "it's fine"-ness.
Edit: Sorry if this sounds like I think your view is wrong, it wasn't meant to read like that at all but I'm worried it does!
(Also edited about a million times for random spelling errors, crimes against grammar, &c)
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(How British that is)
Anyhoo. Just because it's good characterisation doesn't mean I want to see it all over my telly? I suppose it depends on whether you find that kind of awkwardness funny? I don't, because that awkwardness it rooted in the fact that it's not fine, really.
...I'm still watching it next week.
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*hugs you both for your genteel debating styles*
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