New Who 5.9: Cold Blood
I couldn't post this last night, because I just could not get onto LJ at any point after Doctor Who ended. So what follows was actually written in Yahoo! Notepad yesterday evening, and lightly edited this morning in order to get the tenses right.
Gosh, well. I think I can only possibly start writing about this with the end first. Because that certainly took us all by surprise, especially after the 'Amy and Rory from the future' scene at the beginning of last week's episode. No wonder Rory got such character development last week, then. It's so that we would feel something when he suddenly died in front of us. And boy howdy, did I. I was literally choking back the tears. I also thought Karen Gillan's reaction as Amy was incredibly moving - especially her fighting against the Doctor and trying to get back out of the TARDIS to Rory. And then her forgetting him, while the Doctor still knows. Oh, I know it was obviously all being laid on thickly with a trowel. But damn, was it done well.
So where the hell does this go now? 26/06/2010 is no longer Amy's wedding day, because she doesn't have anyone to get married to any more - and doesn't even know it. And my earlier suggestion that Rory might be the 'good man' River Song kills is certainly looking pretty leaky now. But then again, we keep getting told that time can be rewritten - indeed, in this episode we were explicitly told that certain decisions create their own timelines, their own realities. It would be quite possible for Rory to return at some point later in the series. I'm sure we haven't heard the last of him, in fact. There is still that engagement ring to prompt questions, and perhaps memories, later on. And of course the Doctor is going to face and deal with the Time Crack, and it may well be that one of the outcomes of that will be that all its effects are undone.
It would certainly seem quite a Moffat-y thing to do to reverse Rory's death at the end of the series, anyway, although personally I hope that he does not. I'm very much of a mind with J.K. Rowling on the matter of fictional deaths. Not only is portraying death as reversible or negotiable, even in a fantastical setting, insensitive and irresponsible (which is basically what JKR has always said). It is also dramatically very unsatisfactory, because it leaves your viewers constantly unsure about how to feel when a character they have come to care about dies - is it real anyway, or not? I feel pretty much like that about Rory now, and it's annoying. Meanwhile, on the matter of the chunk of TARDIS shrapnel, I would just note that we have actually seen the Doctor blow up the TARDIS earlier this season - that's how he brought the Dream Lord's frozen!TARDIS dream-scenario to an end. So maybe inside the crack, every possible reality is true at once, and that explosion really did happen? Just a thought.
Anyway, as for the rest of the story, yes, it did play out much like Three's encounters with our reptilian cousins. As we met more of them, I was pleased to see that the reptiles had been characterised very much as individuals with very different aims and interests, rather than as a generic alien horde - one of the great strengths of The Silurians, and the great weaknesses of Warriors from the Deep. I especially liked the instant love between the Doctor and Malohkeh (the scientist), and am always a sucker for Stephen Moore (here playing the politician, Eldane) in anything. I enjoyed the negotiation scenes, especially in the light that the recent coalition negotiations now cast over the mutual discovery that the humans and reptiles had 'more similarities than differences'. Mind you, on an evening which also saw one of the chief architects of that coalition unceremoniously outed and mercilessly hounded from his cabinet post by a malicious far-right-wing rag out for blood at whatever cost to the nation's actual interests, it felt rather bittersweet as well. I feel rather like the Doctor about humanity in the wake of that - can we not collectively be better than the Telegraph has been today was yesterday?
Um, wandering off topic there... I felt that Matt Smith played the Doctor's reactions to the tensions between the two species very nicely - especially his barely-suppressed anger when he realised what had happened to Alaya, and his later admonition of Ambrose in the churchyard, letting her know in no uncertain terms that she had behaved wrongly, but also recognising that she had learnt from her experiences. Mind you, I was slightly depressed at the way Ambrose's story-line panned out overall. It seemed to boil down to "maternal instincts make people behave stupidly and irrationally". I appreciate that somebody had to be given some plausible reason for killing Alaya, and that I would probably be bitching about women in refrigerators if a man had killed Alaya in vengeance for a woman being snatched by the reptiles (which in fact Rory, who did have that potential motivation, steered admirably clear of). But I just felt it also tapped into the hysterical mother trope (a special, extra-misogynist branch of the more general hysterical woman trope), and I would prefer not to see that being perpetuated by Doctor Who.
Still, on the more feminist-positive side, Meera Syal as Nasreen Chaudhry remained absolutely awesome, yet still human and plausible, throughout. She wasn't at all sure about sharing the planet with reptiles at first, but as she heard the points from the other side, she gradually changed her mind. She also ended the story by making a firm decision about her own future which was entirely in keeping with everything we had learned about her character up to that point. So she can now safely be regarded as one of a long tradition of awesome older female characters in Doctor Who, alongside Professor Amelia Rumford, Mrs. Moore and many others. To me, the Doctor's fond farewell to her was not entirely just about her, but also about the value that all such characters have had in Doctor Who throughout the years.
So, Chris Chibnall may not be the most highly-regarded of Doctor Who writers, and it may well be that without the shock ending (which must surely have been largely Steven Moffat's work), this would have ended up as another largely predictable and forgettable story. But, as it was, it worked for me. Looking forward to yet more historical action next week.
Click here to view this entry with minimal formatting.
Gosh, well. I think I can only possibly start writing about this with the end first. Because that certainly took us all by surprise, especially after the 'Amy and Rory from the future' scene at the beginning of last week's episode. No wonder Rory got such character development last week, then. It's so that we would feel something when he suddenly died in front of us. And boy howdy, did I. I was literally choking back the tears. I also thought Karen Gillan's reaction as Amy was incredibly moving - especially her fighting against the Doctor and trying to get back out of the TARDIS to Rory. And then her forgetting him, while the Doctor still knows. Oh, I know it was obviously all being laid on thickly with a trowel. But damn, was it done well.
So where the hell does this go now? 26/06/2010 is no longer Amy's wedding day, because she doesn't have anyone to get married to any more - and doesn't even know it. And my earlier suggestion that Rory might be the 'good man' River Song kills is certainly looking pretty leaky now. But then again, we keep getting told that time can be rewritten - indeed, in this episode we were explicitly told that certain decisions create their own timelines, their own realities. It would be quite possible for Rory to return at some point later in the series. I'm sure we haven't heard the last of him, in fact. There is still that engagement ring to prompt questions, and perhaps memories, later on. And of course the Doctor is going to face and deal with the Time Crack, and it may well be that one of the outcomes of that will be that all its effects are undone.
It would certainly seem quite a Moffat-y thing to do to reverse Rory's death at the end of the series, anyway, although personally I hope that he does not. I'm very much of a mind with J.K. Rowling on the matter of fictional deaths. Not only is portraying death as reversible or negotiable, even in a fantastical setting, insensitive and irresponsible (which is basically what JKR has always said). It is also dramatically very unsatisfactory, because it leaves your viewers constantly unsure about how to feel when a character they have come to care about dies - is it real anyway, or not? I feel pretty much like that about Rory now, and it's annoying. Meanwhile, on the matter of the chunk of TARDIS shrapnel, I would just note that we have actually seen the Doctor blow up the TARDIS earlier this season - that's how he brought the Dream Lord's frozen!TARDIS dream-scenario to an end. So maybe inside the crack, every possible reality is true at once, and that explosion really did happen? Just a thought.
Anyway, as for the rest of the story, yes, it did play out much like Three's encounters with our reptilian cousins. As we met more of them, I was pleased to see that the reptiles had been characterised very much as individuals with very different aims and interests, rather than as a generic alien horde - one of the great strengths of The Silurians, and the great weaknesses of Warriors from the Deep. I especially liked the instant love between the Doctor and Malohkeh (the scientist), and am always a sucker for Stephen Moore (here playing the politician, Eldane) in anything. I enjoyed the negotiation scenes, especially in the light that the recent coalition negotiations now cast over the mutual discovery that the humans and reptiles had 'more similarities than differences'. Mind you, on an evening which also saw one of the chief architects of that coalition unceremoniously outed and mercilessly hounded from his cabinet post by a malicious far-right-wing rag out for blood at whatever cost to the nation's actual interests, it felt rather bittersweet as well. I feel rather like the Doctor about humanity in the wake of that - can we not collectively be better than the Telegraph has been today was yesterday?
Um, wandering off topic there... I felt that Matt Smith played the Doctor's reactions to the tensions between the two species very nicely - especially his barely-suppressed anger when he realised what had happened to Alaya, and his later admonition of Ambrose in the churchyard, letting her know in no uncertain terms that she had behaved wrongly, but also recognising that she had learnt from her experiences. Mind you, I was slightly depressed at the way Ambrose's story-line panned out overall. It seemed to boil down to "maternal instincts make people behave stupidly and irrationally". I appreciate that somebody had to be given some plausible reason for killing Alaya, and that I would probably be bitching about women in refrigerators if a man had killed Alaya in vengeance for a woman being snatched by the reptiles (which in fact Rory, who did have that potential motivation, steered admirably clear of). But I just felt it also tapped into the hysterical mother trope (a special, extra-misogynist branch of the more general hysterical woman trope), and I would prefer not to see that being perpetuated by Doctor Who.
Still, on the more feminist-positive side, Meera Syal as Nasreen Chaudhry remained absolutely awesome, yet still human and plausible, throughout. She wasn't at all sure about sharing the planet with reptiles at first, but as she heard the points from the other side, she gradually changed her mind. She also ended the story by making a firm decision about her own future which was entirely in keeping with everything we had learned about her character up to that point. So she can now safely be regarded as one of a long tradition of awesome older female characters in Doctor Who, alongside Professor Amelia Rumford, Mrs. Moore and many others. To me, the Doctor's fond farewell to her was not entirely just about her, but also about the value that all such characters have had in Doctor Who throughout the years.
So, Chris Chibnall may not be the most highly-regarded of Doctor Who writers, and it may well be that without the shock ending (which must surely have been largely Steven Moffat's work), this would have ended up as another largely predictable and forgettable story. But, as it was, it worked for me. Looking forward to yet more historical action next week.
Click here to view this entry with minimal formatting.