In her essay on
John Cournos in American Writers In Europe: 1850 To The Present, Marilyn Schwinn Smith comments on a general lack of Cournos scholarship, stating that "although the quantity and quality of his publications testify to an ambition and and aspiration no less energetic than that of his better known, compatriot friends and colleagues …
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I'm hearing that to Gilbert & Sullivan tunes.
Thank you for slogging through this so that we don't have to. It sounds absolutely dire, and Cournos thoroughly unpleasant. What, indeed, could his wife possibly think of it, goodness knows. I'll concede that Sayers put him in a book first, but the biographical details are so different that the culpability seems very different - especially with his quoting her letters! There's copyright infringement, if nothing else!
Peter Smallpiece has surely got to be another snide comment, in which case it is fitting that it is Sayers who has the final say in their print wars, with Boyes being condemned as bad in bed. It's not the size, but what you do with it that counts!
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I hadn't thought of Cournos as also contributing to Paul Alexis, but I like it. The idea of the fantasy man, who is wonderful if only people would just acknowledge it.
Ed. Also, "a truly brilliant line of bullshit" - and good looking - does indeed explain a lot!
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(One sign that she got most of her Slavic trivia from Cournos is that Alexis's original first name is Pavlo, which is not Russian -- it's Ukrainian, as Cournos was ethnically. In Russian it's Pavel. This makes me twitch every time I see it, though it's possible in-universe that Alexis was also ethnically Ukrainian, or had passed through there on his way to New York, and was just really, REALLY deluded about his connection the Imperial family).
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I had always wondered about that! I kept trying to make it work out Watsonianly and eventually chalked it up to the murderers not knowing as much Russian as they should. The Doylistic explanation is much more satisfying.
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