I love "Die, Maestro, Die!" I had a character listening to a CD of Lutch Crawford and his Gone Geese in my first novel.
We should talk Sturgeon sometime. He's my favorite short story writer (which isn't to say I don't sometimes find his work problematic in various ways).
We should! Overall I really like his stuff; I think it's just that reading ALL the stories in this way rather than in more of a greatest-hits-collection sort of way makes the varied quality of his work more apparent. I have a lot more of him to read, too.
I'd read most of his collections before I started in on the big Collected Stories, but yeah, it's interesting in those to see how he returns again and again to certain themes and subjects, and how some stories are like try-outs for ideas he did much better later. (The whole notion of the gestalt in "Die, Maestro, Die!" prefigures his classic novel/fix-up "More than Human", for instance.)
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We should talk Sturgeon sometime. He's my favorite short story writer (which isn't to say I don't sometimes find his work problematic in various ways).
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