Yellow Fever/Yellow Immunity
You probably don't know who Yani Tseng is. But that's ok, because I don't even remember why I know who Yani Tseng is. She does, however, have a few things in common with SNSD: she's an '89er who's claimed a heaping chunk of #1s and just happens to be Asian. She's also the non-face face of the LGPA . . . at least in America
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They'll be joining a lot of their peers; there are a ton of idols doing drama work right now.
My tween/teen years were quite some time ago. XD /creepy old man
>:c i'm refusing to consider other viewpoints, work with me here buddy.
Friend, you are in the wrong comm if that is your stance. XD
The only "new" thing I know about is Adele and I cannot listen to "Someone Like Youuuuuuuuuuuuu" anymore. >(
they're very talented, though. ;3
They're SM trainees.
xiao zhu's kpop thing
Who?
(or maybe they'll like the korean unit better!)
This is exactly what I'm wondering.
Actually, I like when songs will surprise me with unexpected or cleverly crafted lyrics. Since they came up on my shuffled playlist earlier, Emily Haines has a few songs like that (she performs and releases albums both as a solo artist and as part of Metric). "Police and the Private" has a part that goes "There's a place that ends here I know / When they close the gates I'll cry." And the way she sings it always makes me wonder what sentence construction she means: "There's a place that ends here. I know when they close the gates I'll cry"? or "There's a place that ends here, I know. When they close the gates I'll cry"?
And "Monster Hospital" goes "I fought the war / But the war won't stop for the love of God," but again the way she sings it is super clever. There's a later lyric that completes where that lyric is leading: "But the war won." So what you get from the way she sings it sounds like "I fought the war / But the war won't / STOP for the love of God." But that "won't" is so awesomely placed because it sounds so close to "won" and the "stop for the love of God" part sounds like a plea/entreaty/command.
And "Succexy" is fun because I love that sense of the love of words, the mashing of "success" and "sexy." There's poetical play in Haines that I like.
Metric was even getting radio play with "Help I'm Alive" ("Hard to be soft / Tough to be tender" --> so good) and "Gold Guns Girls", which I kind of love every time it pops up when I'm driving. It's a song to speed to.
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