A2A
-Oh jesusfuck. This fucking song. AAAH. I would lol at this much harder if I didn't hate this song so hard. What's up with them using those 80s songs that were the bane of my existence as a kid? I think at least one person on the flist is going to come in her pants, though.
-But. Seriously. PHIL. PHIL. DANCING. DEAR GOD. Ow. Ow. I hurt.
-Ah. Renovation noise. I feel for you, Shaz. Kill them. Kill them all. I wonder if the repair jobs are Alex's subconscious interpretations of brain surgery?
-I hope that sequence of numbers is like that B7 plot where they discover it's a big epic clue written in 1337. One can hope at least.
-Don't you want, me baby? Don't you want me, OOOOOOOOOOH.
-Oh god, it's like Sandra Dickinson was suddenly cloned into a pair of twins.
-CHRIS WANTS LOVE. And Ray is so deep in the closet he's shaking paws with Aslan.
-GUV. GUV. You and your Sam angst.
-Oh jesus fuck, the hand. JESUS FUCKING WHAT. Augh.
-This smacks slightly of that LoM plot with the makeup ladies...
-SAAAM. WAAAAAAAAH. I bet those blacked-out bits in the report are of the Guv's epic gay manangst. Except again, I wish I hadn't been fucking cunting spoiled so I could actually enjoy this properly.
-CHRIS. AND HIS SAMLOVE.
-Oh shit, the Guv is hiding more crap. Oh noooooooooooo.
-Fuck off, Keats.
-What the fuck, Mastermind. I'm loving the creepy dream bits in this ep.
-Don't tell me the travelling salesman was that ONE PARTICULAR TRAVELLING SALESMAN WE MET IN LOM. LIKE, Y'KNOW, VIC TYLER.
-MORE SAM AAANGST. And the Guv so knows more about that chick than he lets on, doesn't he? And it's linked to Sam?
-I really shouldn't be thinking about slash when the Guv talks about falling out of love and being scared (!!!!), but holy fucking shit...
-I bet the whistling guy is a killer.
-Fuck off, Keats. They really have written perfect ickiness here. What with him using first names and invading people's personal space. Augh. Diediedie. Even though I'm still convinced he's an angel or something. Celestial Intervention Agency, man. *firm nod*
-Chris, I love you so fucking much. *wail*
-Hello, Mrs. Guv.
-HAHAHAHAHA, KATE WINSLET.
-"I'm looking for love. Got any?" AHAHAHAHAHAHAHAHAHAHAHAHAHA.
-Mmmm... The Hunger... been meaning to rewatch that for a while.
-Chris and Shaz D: Guv and Bolls D: Whiskey angst D:
-HAHAHAHA, THELMA & LOUISE. Everyone loves some Susan Sarandon lesbian action in this ep.
-Shaz is so going to get captured by the killer, isn't she?
-Oh *fuck*, Alex's dreams. Don't step out of the TARDIS, girl.
-Shaz, don't make me cry. Nooo.
-All the lesbian stuff in this is pointing towards the killer being Mrs. Guv, isn't it?
-Fucking hell, more mutilated bodies. Yuck. Just them pulling that dirt off the dead woman's face is... just... fuck. Horrible. That's proper horror movie territory we're in now. This is heavy shit.
-Hahaha, knew Ray had been a client.
-"There was a Mrs. Hunt once." "Oh, poor woman." Ahahahaha, they do love taking the piss out of the casting.
-Fuck off, Keats. And SHAZ D:D:D:D:D:D:D:D:D:D:D:
-I do love the woman the Guv's been stuck with. <3
-Oh god, when Ray asked the frumpy woman about the most unusual place she'd been made love to in, I actually yelped "BUM" before she answered. Ray's O_O look is priceless.<3 I have missed Dean and Marsh.
-Shaz is so in love with Bolls, isn't she?
-I knew this would lead to strip poker. Not that almost-naked Chris is ever wrong. Dude is surprisingly fit without his clothes on.
-Shit, fuck, Shaz, NOOO. Fuck, but this episode is disturbing. And why doesn't she go home? Don't jump into the Thames, Shaz. Don't.
-It still wigs me out that the murdered chick whose pic they keep flashing has very, very 2000s hair and makeup. My sister does her makeup like that.
-NO, SHAAAAAZ. FUCK NOOO.
-I KNEW BEFORE SHE FUCKING OPENED IT THAT IT'D BE SAM'S JACKET. FUCK. FUCK. FUCK. Somebody sniff it. Now.
-God, the way Shaz is holding herself, all huddled, like she's been suffering massive PTSD. Christ. The amount of female hurt in this ep is wigging me out on so many levels. And you know the Guv's going to be talking her into something that's going to get her killed. Fuck you, Guv. Can't you tell how fucked up she is right now? There's no way this isn't going to be a disaster.
-Creepy dude is good. Poor Shaz. Lamb to the slaughter.
-"She's a police officer. It's meant to be dangerous." Oh, Guv. I bet you said the same to Sam.
-Gah, murderer guy. Fucking hell. It's hard to get as stomach-turningly creepy as this guy. Just... ugh. This is harder and harder to watch.
-STAB HIM HARD, SHAZ. I bet something horrible will still happen to her.
-God, and she cries in the Guv's arms... and Chris's face... fuck, this is beautifully done.
-Oh, fuck. The jacket. Please sniff it.
-Oh no, Shaz. Don't say yes. Oh fuck. You just signed your death warrant, girl.
-WHAT THE FUCK, LIFE ON MARS, WHAT THE FUCK. You know, earlier in the episode, I wondered if Shaz was like Sam and Alex, stuck in this place because she'd been injured and shit, and this is... just... fuuuuuuuuuuuuuuuuuuuuck.
-AAAAAH. FUCK OFF, KEATS.
-HAHAHAHA, Phil'n'Beth snog. Had to happen.
-But AAAAAAAAAGH. I hope the Guv and Sam thing was a clusterfuck of epic, gay, angsty proportions and bullets that shouldn't have been fired and fuckit, I am basically talking Blake's 7-level epic tragic gay clusterfuck here. Don't let me down, guys.
AAAH, I WANT MORE. FUCK.