Aug 16, 2010 12:48
I am dissecting the anatomy of a good feature, because I think a twenty-minute set should be more than just five or six slam poems.
Some things I've used or seen others use:
Cover poems
Short poems
Some type of intermission (Limericks, haiku, beatboxing, etc.)
First drafts
What else, LJ kids?
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I've also played audience interaction games, a la Tourettes. A sing-along or a wacky prize contest can make people sit up in their seats, and enhance the overall show. (Caveat: I was actually banned from the Mocha Hut in Decatur after one such game.) Geoff Trenchard likes to tell jokes between poems, which works pretty well.
I'm skeptical about first drafts, or even debuts, during features. Sure, poems have to be debuted somewhere, but reading a brand-new poem off paper at certain venues can make the audience feel like you're just practicing your poetry out on them. It can come off as disrespectful; after all, you're supposed to be the paragon of poetry for the night, so reading unfinished work can diminish your star appeal and make the audience feel second-rate. The ways to avoid this are A) Know your audience. Some cities, like Boston or Columbus, seem to appreciate new work off the page. Others, like Berkeley, prize delivery and eye ( ... )
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Re: new work...this just came from a conversation Emily and I had about her GM feature last night. Obviously, it was a home crowd, so it was appropriate, and she earned the right to do that by doing really polished work throughout the rest of her set.
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I also think it would be funny to have a scratch-off lottery ticket as a prize, knowing that the winner would have to redeem any winnings in Illinois.
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