Fill: Red Sky in Morning 2/3
anonymous
May 19 2011, 11:13:49 UTC
The cab comes to a stop in front of the flat and he climbs out to greet his potential temporaryflatmate.
When their hands meet he swears he sees sparks fly and he can’t help the way his body shivers a bit.
He ignores the way there are clouds gathering on the horizon, ignores the heat he can feel seeping into his bones. It’s not the right time of year for that.
**
“You have a girlfriend?”
He wants to laugh, but he settles for saying, wryly, “Girls...not really my area.”
There’s a fluttering in his chest, because it’s unexpected this unassuming man who nonetheless seems to light up the room in brief, sharp bursts is engaging him in this conversation.
“Oh,” John says, looking momentarily confused before his face clears and he leans forward to ask, “So, do you have a boyfriend? Which is fine, by the way,” he hastily adds.
“I know it’s fine,” he answers teasinglyquickly, which is not at all what he meant to say.
“So you have a boyfriend?” John asks him.
He feels prickles on his skin, warning drops, brief pings of water before the deluge starts. He says, “No,” because it’s true. It’s not the whole story, and the wiggle room sets his heart racing, like the time he climbed into a tree as a child to have a better view of the clouds swirling, dark and foreboding, and thrilling. It’s on the tip of his tongue, now, to set the record straight, and he should, because he’s married, and he can see the interest shimmering in John Watson’s eyes, brief flashes of something electric and exciting and unknown. A storm of epic proportions.
John leaves him the perfect opening, too. "Oh, okay. So you're unattatched then. Just like me. Fine, good."
He finds himself at a crossroads; full-disclosure is the safe way, the easy path. It’s Mummy calling him in before he can get hurt, before the world explodes around him and he’s in danger of dying. The other path is the one he’s been treading this whole time, a dark and dangerous and infinitely more interesting one.
He wants to see what a storm is like close up, how it rents the air apart and shatters and destroys to put it all back together.
But he pulls back at the last minute when he thinks of warmth in winter, of cozy fireplaces and comfort.
The storm is still fascinating, even if there’s a window and a wall between him and it.
**
His chest is heaving as he stares down at the murderous cabbie, red blood seeping out onto the floor as he demands a name.
So close to death, so close, and there’s something magical about it, like standing near the top of a hill when lightning strikes. The air is tingling around him, and that feeling doesn’t go away when he looks across the police line and sees John Watson. His new flatmate.
**
When he watches the sunrise the next morning, the air still vibrates with the electricity of the night before.
The horizon is blood red, and some silly piece of trivia that he inexplicably hasn’t deleted bobs up to the front of his mind.
Red sky at night, shepherd’s delight, Red sky in morning, shepherd’s warning.
He dismisses it a moment later. It’s an old wives’ tale and absolute rubbish. It really should have been deleted years ago.
**
One time, he and Victor watched a documentary about storm chasers in America. It’d been interesting, after a fashion. He’d never seen storms quite like that before, the sheer size and force of them, beautiful in a raw, dangerous way.
He’d leaned against Victor lazily, ignoring the weather outside in favour of relishing the safety of the domestic scene. Once the programme was over, he’d turned away from the telly and had moved onto other things, giving very little thought to it afterwards.
Fill: Red Sky in Morning 3/3
anonymous
May 19 2011, 11:14:59 UTC
The documentary comes back to him one night not long after his flatmate moved in. They’ve been chasing a serial killer through London and-for once-John is ahead of him, Sherlock following behind, and it flashes though his mind in a moment, bright white light that overwhelms him. In the next instant, he thinks about how John is like those tornadoes-unexpected, unpredictable, sometimes small and sometimes so large and with the power to inspire and terrify. And he’s chasing after it, in spite of the danger, in spite of every instinct telling him to run indoors and find a safe place to ride it out.
He wonders what it would be like to be caught in the eye, to be tossed around and be inside it, to see something that no other person has seen directly.
When they catch the criminal, they’re both panting and John looks at him, eyes such a dark blue that they look like cumulonimbus clouds. Bright sparks flicker briefly and he feels like he could drown in those eyes, that the sheets of rain will consume him.
He doesn’t really want to be safe from that.
**
And maybe the storm will break over him, maybe he’ll race up to the highest point he can find-away from the comfort and safety indoors, out into the wild, untamed danger-and maybe he’ll spread his arms wide to welcome it.
But storms like that are so brief. Whole lives can be ruined in the blink of an eye. Sometimes, though, houses are spared. Sometimes there’s still a home to return to, still safety and comfort and the distant warmth of a cheery fire.
Re: Fill: Red Sky in Morning 3/3introductoryMay 19 2011, 22:53:38 UTC
Oh, wow.
This took me completely by surprise with how achy it was. I think anyone can identify with Sherlock's indecision -- wanting something you shouldn't have, something you shouldn't want. The way it ends is sort of heartbreakingly perfect: no decision having been made -- yet. Loved your use of the storm metaphor throughout; it never seemed forced, and it's particularly apt.
Re: Fill: Red Sky in Morning 3/3
anonymous
May 20 2011, 23:14:21 UTC
Thanks! Yeah, I think Sherlock is in a predicament that almost anyone can relate to. I'm glad the ambiguous ending worked. I honestly couldn't decide what he would choose, so I thought it was best left up to the audience. :)
When their hands meet he swears he sees sparks fly and he can’t help the way his body shivers a bit.
He ignores the way there are clouds gathering on the horizon, ignores the heat he can feel seeping into his bones. It’s not the right time of year for that.
**
“You have a girlfriend?”
He wants to laugh, but he settles for saying, wryly, “Girls...not really my area.”
There’s a fluttering in his chest, because it’s unexpected this unassuming man who nonetheless seems to light up the room in brief, sharp bursts is engaging him in this conversation.
“Oh,” John says, looking momentarily confused before his face clears and he leans forward to ask, “So, do you have a boyfriend? Which is fine, by the way,” he hastily adds.
“I know it’s fine,” he answers teasinglyquickly, which is not at all what he meant to say.
“So you have a boyfriend?” John asks him.
He feels prickles on his skin, warning drops, brief pings of water before the deluge starts. He says, “No,” because it’s true. It’s not the whole story, and the wiggle room sets his heart racing, like the time he climbed into a tree as a child to have a better view of the clouds swirling, dark and foreboding, and thrilling. It’s on the tip of his tongue, now, to set the record straight, and he should, because he’s married, and he can see the interest shimmering in John Watson’s eyes, brief flashes of something electric and exciting and unknown. A storm of epic proportions.
John leaves him the perfect opening, too. "Oh, okay. So you're unattatched then. Just like me. Fine, good."
He finds himself at a crossroads; full-disclosure is the safe way, the easy path. It’s Mummy calling him in before he can get hurt, before the world explodes around him and he’s in danger of dying. The other path is the one he’s been treading this whole time, a dark and dangerous and infinitely more interesting one.
He wants to see what a storm is like close up, how it rents the air apart and shatters and destroys to put it all back together.
But he pulls back at the last minute when he thinks of warmth in winter, of cozy fireplaces and comfort.
The storm is still fascinating, even if there’s a window and a wall between him and it.
**
His chest is heaving as he stares down at the murderous cabbie, red blood seeping out onto the floor as he demands a name.
So close to death, so close, and there’s something magical about it, like standing near the top of a hill when lightning strikes. The air is tingling around him, and that feeling doesn’t go away when he looks across the police line and sees John Watson. His new flatmate.
**
When he watches the sunrise the next morning, the air still vibrates with the electricity of the night before.
The horizon is blood red, and some silly piece of trivia that he inexplicably hasn’t deleted bobs up to the front of his mind.
Red sky at night, shepherd’s delight,
Red sky in morning, shepherd’s warning.
He dismisses it a moment later. It’s an old wives’ tale and absolute rubbish. It really should have been deleted years ago.
**
One time, he and Victor watched a documentary about storm chasers in America. It’d been interesting, after a fashion. He’d never seen storms quite like that before, the sheer size and force of them, beautiful in a raw, dangerous way.
He’d leaned against Victor lazily, ignoring the weather outside in favour of relishing the safety of the domestic scene. Once the programme was over, he’d turned away from the telly and had moved onto other things, giving very little thought to it afterwards.
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He wonders what it would be like to be caught in the eye, to be tossed around and be inside it, to see something that no other person has seen directly.
When they catch the criminal, they’re both panting and John looks at him, eyes such a dark blue that they look like cumulonimbus clouds. Bright sparks flicker briefly and he feels like he could drown in those eyes, that the sheets of rain will consume him.
He doesn’t really want to be safe from that.
**
And maybe the storm will break over him, maybe he’ll race up to the highest point he can find-away from the comfort and safety indoors, out into the wild, untamed danger-and maybe he’ll spread his arms wide to welcome it.
But storms like that are so brief. Whole lives can be ruined in the blink of an eye. Sometimes, though, houses are spared. Sometimes there’s still a home to return to, still safety and comfort and the distant warmth of a cheery fire.
Life is unpredictable like that.
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This took me completely by surprise with how achy it was. I think anyone can identify with Sherlock's indecision -- wanting something you shouldn't have, something you shouldn't want. The way it ends is sort of heartbreakingly perfect: no decision having been made -- yet. Loved your use of the storm metaphor throughout; it never seemed forced, and it's particularly apt.
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