Keep your enemies close and your archenemies way the hell away from your flatmate
anonymous
April 13 2011, 07:33:35 UTC
"I do so hate to be childish" He puffed, punctuating each word with a violent thrust "but- FIRST."
As Mycroft came, Sherlock debated between the most effective methods of weaponizing an umbrella, and John wondered how exactly he was going to explain the sudden return of his limp.
END.
Well I hope this is what the OP was looking for! Or...was it not about Sherlock walking in on John and Mycroft? I sometimes forget that not everything is.
Has anyone here seen the Korean drama Beethoven Virus? NEITHER HAVE I! The concept sounds pretty cool though - so, dearest meme, gimme an orchestra AU! Perhaps Sherlock is the moody, brilliant, charismatic conductor of the London Symphony Orchestra? And John/Lestrade is the newly-hired flautist/violinist/whatever who finds himself inexorably drawn to the larger-than-life Sherlock? Or maybe Molly is the unassuming little cellist whose shy exterior belies her staggering musical talent? Late-night practice sessions, shouting matches in the practice room, sharing of music sheets which leads to utter disregard of personal space... AND THEN SEX.
Fill: Orchestration 1/?seaweedieApril 13 2011, 02:58:35 UTC
It's not going to be much of a continuous plot. Instead I think it's going to be a series of Orchestra!AU related oneshots. This just jumped in my head. =) (haha, first fill!)
John Watson has been commissioned by a Mr. Mycroft Holmes to write a piece for the London Philharmonic. He's been out of England so long the majority of the key players have gone, so he goes to listen to a rehearsal, because he can.
Sherlock Holmes can't be anything but first violinist. John can tell from the moment he sees the man, feline eyes half-closed, body expressive, being played just as the strings. Sherlock clearly doesn't move to anyone else's 'groove,' expects that everyone will simply follow as they very well should.
Lestrade is an energetic and clever conductor, but John thinks Sherlock probably doesn't really listen to the older man's directions either. Somehow they still sound phenomenal; watching the orchestra, it's clear everyone is following the two men. He just can't figure out which one of them is leading.
Dollhouse crossover/au
anonymous
April 13 2011, 02:05:01 UTC
The Dollhouse exists in the regular Sherlock'verse. John Watson is a doll, created by Jim Moriarty to infiltrate Sherlock's life.
Maybe John volunteered for the program after returning from Afghanistan because they promised to help with his PTSD, or maybe those aren't his memories at all. Maybe he's like Echo and retains multiple imprintings for maximum BAMFness. Maybe he rejects his imprints to help Sherlock. Maybe he does exactly what he's supposed to. Maybe Jim wins everything and it's awesome.
No character death please, unless it's the proverbial identity crisis kind. Any pairings between the three are welcome.
Re: Dollhouse crossover/au
anonymous
May 1 2011, 21:01:27 UTC
Oh my god, I came here with the intent of posting exactly this prompt! Sherlock would totally be trying to bring down the Dollhouse just for the challenge. Someone needs to do this.
Comments 9342
FIRST.
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As Mycroft came, Sherlock debated between the most effective methods of weaponizing an umbrella, and John wondered how exactly he was going to explain the sudden return of his limp.
END.
Well I hope this is what the OP was looking for! Or...was it not about Sherlock walking in on John and Mycroft? I sometimes forget that not everything is.
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Anything with knives. Cold, smooth steel running ever so gently across soft pale skin....er....anyway you get the point.
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I'm going to like part XIV.
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http://ariadnes-string.livejournal.com/42998.html
It's a beautiful story. Let's hope for another! with knives!
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Whatever shakes your boat, anons.
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John Watson has been commissioned by a Mr. Mycroft Holmes to write a piece for the London Philharmonic. He's been out of England so long the majority of the key players have gone, so he goes to listen to a rehearsal, because he can.
Sherlock Holmes can't be anything but first violinist. John can tell from the moment he sees the man, feline eyes half-closed, body expressive, being played just as the strings. Sherlock clearly doesn't move to anyone else's 'groove,' expects that everyone will simply follow as they very well should.
Lestrade is an energetic and clever conductor, but John thinks Sherlock probably doesn't really listen to the older man's directions either. Somehow they still sound phenomenal; watching the orchestra, it's clear everyone is following the two men. He just can't figure out which one of them is leading.
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One shots are perfectly fine :D It's all fine, in fact. Great start, I can't wait to see more! <33
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...I totally didn't make John a composer because that's what I want to do with my life. I swear. It's because he's Sherlock's chronicler. I swear. =p
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(Original prompt is here: http://sherlockbbc-fic.livejournal.com/4076.html?thread=11427308#t11427308)
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Maybe John volunteered for the program after returning from Afghanistan because they promised to help with his PTSD, or maybe those aren't his memories at all. Maybe he's like Echo and retains multiple imprintings for maximum BAMFness. Maybe he rejects his imprints to help Sherlock. Maybe he does exactly what he's supposed to. Maybe Jim wins everything and it's awesome.
No character death please, unless it's the proverbial identity crisis kind. Any pairings between the three are welcome.
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