Light Conditioning Recipe No. 20 and Paris 1919
Hello everyone:
Here's another Light Conditioning Recipe, this one is No. 20. This is from my series about optimum lighting effects according to a General Electric flyer from the 1950's.
In conversation yesterday I remembered that GE is also a military contractor designing, among other things, the switch on the atom bomb that makes it go BOOM! I love the compliant and anesthetized looks of the GE light conditioning participants. They're like characters out of a John Cheever novel.
This woman, the star of No. 20, has commas in her hair. Maybe that's why she paused while ironing.
Now about Paris 1919... this is the piece I wrote for the newspaper for the September issue. John Cale is performing his 1973 album Paris 1919 in its entirety at UCLA Royce Hall on Sept. 30th. I have tickets, of course. It's kind of a big deal to me. As I'm sure a lot of you know, John Cale is one of my all time favorite recording artists and this rare performance will be the only date of this tour in North America. He will perform this concert in Italy, England and France and the fourth show is L.A. Pleased as punch, I am.
Hope you enjoy reading and looking. Take care.
Sharon Anderson
John Cale: When Past & Future Collide- Paris 1919 live at Royce Hall, UCLA
By Sharon Anderson
Efficiency, efficiency they say
Get to know the date and tell the time of day
As the crowds begin complaining
How the Beaujolais is raining
Down on darkened meetings on the Champs-Élysées
--From the title track of Paris 1919 by John Cale
In 1973, John Cale recorded the album Paris 1919 in Los Angeles with the UCLA Orchestra. On September 30, 2010, John Cale returns to UCLA to perform the album in its entirety with his band and members of the UCLA Philharmonic.
John Cale is widely known as a founding member of the legendary rock band The Velvet Underground. Also a composer and producer, Cale is known for his avant-garde and sometimes atonal leanings. Cale has been a chameleon in the music world, creating and adopting genres only to make inspired sharp turns into new artistic directions. A live John Cale performance guarantees the same edgy and improvisational brilliance as contained his prolific collection of recordings which span over forty-five years.
Cale’s best known and most popular work is Paris 1919, declared a “masterpiece” by Rolling Stone magazine and “one of the most ambitious albums ever released under the name of pop.” The album is part travelogue: Tea with Graham Greene in colored costumes, stiffly holding umbrellas… This cinematic vision of the old world British Empire weaves its way through the recording. Paris 1919’s central theme is the Treaty of Versailles which helped to set the stage for what would become the Second World War. The album’s lyrics have a sense of foreboding as events eerily unravel into an unknown future as heard in the final moments of the album’s closing song, Antarctica Starts Here.
Her schoolhouse mind has windows now
Where handsome creatures come to watch
The anesthetic wearing off
Antarctica starts here
Paris 1919’s pop melodies and lush poeticism isn’t the least bit encumbered by what seem like heavy symbolic themes. In the final analysis, it’s just a great pop record. Like any great work of art, Paris 1919 can be enjoyed on many levels. It is a lyrical journey through the past, a recording that hearkens back to the Seventies and the lost art of the “concept album” and yet remains enjoyable for its simple, timeless beauty.
Returning to UCLA to perform the entire album is an unusual moment of symmetry in the unpredictable career of John Cale. When Past & Future Collide-Paris 1919 is a rare performance that should not be missed.
Date: September 30, 2010 at 8:00 p.m. in Royce Hall on UCLA campus. UCLA Live at Royce Hall Address: 340 Royce Drive, Westwood, UCLA Campus Los Angeles. Admission: $38-68. Phone: (310) 825-2101.
Sharon Anderson is an artist and writer in southern California. She can be reached at www.mindtheimage.com.
Here's another Light Conditioning Recipe, this one is No. 20. This is from my series about optimum lighting effects according to a General Electric flyer from the 1950's.
In conversation yesterday I remembered that GE is also a military contractor designing, among other things, the switch on the atom bomb that makes it go BOOM! I love the compliant and anesthetized looks of the GE light conditioning participants. They're like characters out of a John Cheever novel.
This woman, the star of No. 20, has commas in her hair. Maybe that's why she paused while ironing.
Now about Paris 1919... this is the piece I wrote for the newspaper for the September issue. John Cale is performing his 1973 album Paris 1919 in its entirety at UCLA Royce Hall on Sept. 30th. I have tickets, of course. It's kind of a big deal to me. As I'm sure a lot of you know, John Cale is one of my all time favorite recording artists and this rare performance will be the only date of this tour in North America. He will perform this concert in Italy, England and France and the fourth show is L.A. Pleased as punch, I am.
Hope you enjoy reading and looking. Take care.
Sharon Anderson
John Cale: When Past & Future Collide- Paris 1919 live at Royce Hall, UCLA
By Sharon Anderson
Efficiency, efficiency they say
Get to know the date and tell the time of day
As the crowds begin complaining
How the Beaujolais is raining
Down on darkened meetings on the Champs-Élysées
--From the title track of Paris 1919 by John Cale
In 1973, John Cale recorded the album Paris 1919 in Los Angeles with the UCLA Orchestra. On September 30, 2010, John Cale returns to UCLA to perform the album in its entirety with his band and members of the UCLA Philharmonic.
John Cale is widely known as a founding member of the legendary rock band The Velvet Underground. Also a composer and producer, Cale is known for his avant-garde and sometimes atonal leanings. Cale has been a chameleon in the music world, creating and adopting genres only to make inspired sharp turns into new artistic directions. A live John Cale performance guarantees the same edgy and improvisational brilliance as contained his prolific collection of recordings which span over forty-five years.
Cale’s best known and most popular work is Paris 1919, declared a “masterpiece” by Rolling Stone magazine and “one of the most ambitious albums ever released under the name of pop.” The album is part travelogue: Tea with Graham Greene in colored costumes, stiffly holding umbrellas… This cinematic vision of the old world British Empire weaves its way through the recording. Paris 1919’s central theme is the Treaty of Versailles which helped to set the stage for what would become the Second World War. The album’s lyrics have a sense of foreboding as events eerily unravel into an unknown future as heard in the final moments of the album’s closing song, Antarctica Starts Here.
Her schoolhouse mind has windows now
Where handsome creatures come to watch
The anesthetic wearing off
Antarctica starts here
Paris 1919’s pop melodies and lush poeticism isn’t the least bit encumbered by what seem like heavy symbolic themes. In the final analysis, it’s just a great pop record. Like any great work of art, Paris 1919 can be enjoyed on many levels. It is a lyrical journey through the past, a recording that hearkens back to the Seventies and the lost art of the “concept album” and yet remains enjoyable for its simple, timeless beauty.
Returning to UCLA to perform the entire album is an unusual moment of symmetry in the unpredictable career of John Cale. When Past & Future Collide-Paris 1919 is a rare performance that should not be missed.
Date: September 30, 2010 at 8:00 p.m. in Royce Hall on UCLA campus. UCLA Live at Royce Hall Address: 340 Royce Drive, Westwood, UCLA Campus Los Angeles. Admission: $38-68. Phone: (310) 825-2101.
Sharon Anderson is an artist and writer in southern California. She can be reached at www.mindtheimage.com.