Jan 15, 2014 10:44
* design element - lace,
# accessories- other,
# dress- op,
* design element - boning,
! project registration,
* design element - shirring,
* design element - a-line,
* fabric motif - chiffon,
* style - period lolita,
* design element - long sleeves,
* design element - embroidery,
# accessories- hat,
* fabric motif - solid,
^ personal challenge
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I know you're shirring the back, but to get that gorgeous structured look, are you stiffening your fabric in any way? Or is structure not the point of this one? :D
Something that may be helpful: Truly Victorian's Vest Basque pattern. I made one at the end of last year and dear heavens do I love it. (actually I want to make like four more, in various colors, and wear them everywhere... now to get more shirts that look appropriate under that neckline.)
It's not terribly expensive, and has a very similar shape to its bodice - a little more hourglassy perhaps, but that's not very difficult to modify. It also has instructions for boning, and while it's not an -easy- pattern, it is a -simple- one. If you used something similar for your bodice and swapped the skirt and sleeves, it might take some of the worst guesswork out of it.
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The way *I* would do it just on pure aesthetics as a costumer vs Lolita seamstress would be to make basically a robe a l'anglaise with a funny skirt, but while it'd be fairly easy to modify that for the lolita silhouette, it's not really the same structurally as the typical OP or JSK. Still, looking at 17th c costuming might give you some good ideas for ways to structure that bodice more than your typical lolita look, which if you're wanting it to o some smoothing might nt be a bad thing.
I keep thinking it'd be fun to do a Lolita robe polonaise......
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I don't know that the "very warm" will be as important at SakuraCon, but underlining makes a HUGE difference.
For what it's worth, I didn't bone mine, and it didn't seem to affect the garment in a negative way at all.
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