That Knowledge has Trapped You
It's said David Lynch never intended to reveal Laura Palmer's killer on Twin Peaks and that he only did so when the network forced him. I can see how not revealing the killer may have made for a better show--though it seems like Lynch made up for it by tracing out a million insoluble mysteries within the one. But the episode in which the killer is revealed, episode seven of season two, really is a masterpiece.
I love the sense of disturbing disorientation Lynch achieves with the scene in the Great Northern where Mike tries to identify Bob. It starts with the familiar exterior of the waterfalls which dissolves into a little painting of the falls on a shelf. As the camera very slowly pulls back, we hear strange, percussive sounds along with Mike saying, "No" at intervals in a distressed, somewhat irritated tone. It's not until after the camera has pulled out a good a deal that we see the sounds are coming from people in military dress uniform practicing with tennis balls. Who are they? What are they doing? As is so often the case with Lynch, it's absurd yet credible. Hotels do get all manner of strange customers and a military band practicing some kind of routine with tennis balls in the lobby isn't very far fetched. But it adds to the general atmosphere of urgent, confused anxiety so perfectly.
I like how the killer is revealed to the viewer without anyone on the show but the new victim sharing in the discovery. I love how everyone at the roadhouse seems to sense something is wrong anyway. It's after the buildup that begins with the Log Lady telling Cooper something is happening, that there are owls at the roadhouse. There we see Donna crying for no apparent reason and Bobby looking faintly lost. Bobby's feeling can be explained by his recent fight with Shelly after his reaction to her financial trouble is impulsively to distance himself from her. He's a scared kid. Donna's distress is totally mysterious, like the girl running across the school yard in the pilot.
I notice Cooper touches his finger to see if the ring's there, the one the Giant took in the premiere. His hand is concealed by his mug so we can't quite see if he has the ring or not, so it's not implausible that it turns up a few episodes down the line. But why did Cooper reach for it? I suspect Lynch intended to convey that it had returned, and it's one of the things that makes me suspect the episodes not directed by Lynch or involving him are not part of the same timeline.
Twitter Sonnet #1483
The numbers add to five but minus two
A seven times an eight was half a cup.
In forty feet, a mile's width's the clue.
The twenty axis shifts a little up.
A cycle eye revisits towns for clouds.
Expensive bread was built of cheaper parts.
The flour coats the water's drizzling shrouds.
The seven cards have swooshed beyond the deck.
The cherry curtains push the eyes within.
The ticking vinyl cools the empty flame.
The standing horse betides what must begin.
The bloody cup contains a vagrant name.
Returning beats announced the whisp'ring hem.
The watching wind disturbs the hoary limb.