Geese Walk Barefoot
Okay so I'm not sure what my damage is, but it seems like I can never get around to my lj anymore. Consider this a post with the intention of putting an end to that. Tomorrow after my classes I'm playing catch-up. And if I can stick to it, hopefully it will be the absolute last time. I feel as if every other post is saying the same few things and the repetitiveness of it is driving me insane. I mean it's only ten-eleven more days until SPN returns and I'm MIA? Shock-horror.
Anyway for now I'm posting this with intention of cross-post later. I doubt anyone will see it for now but it's just a rough copy. If you know the show then feel free to take a gander. It's an oldie. I was recently hooked. Damn that Hulu.
A/N: If anyone actually reads this I'd love some feedback. I think I might continue this, but the fandom isn't really all that out there so I'm still on the fence. Plus it feels one-shot like.
Fandom: The Pretender
Title: The Things She Knows
Characters: Sydney, Lyle, Broots, Raines, Angelo, (mostly mentioned)
Genre: Drama
Disclaimer: If you recognize it then I don't own it. Nor am I claiming ownership. You could sue, but really is my DvD collection and a Great Adventure pen really worth all that trouble? You can totally have the pen.
Summary: She isn’t sure of much. Though there are things she knows. They just never realized how much.
She isn’t sure of much. Though there are things she knows.
She knows they expect her to look more like someone than she does. She knows she is a blending of two someones, two someones who aren’t here. She tries asking once, she asks the older man, the one with the kind eyes who seems so out of place with the rest. He hushes her and tells her that one day she should know. He says that he won’t let the same mistakes be made twice. They say that too, but she’s sure it doesn’t mean the same thing.
Angelo tells her in his way, wherein he says everything the way it’s meant to be said, even if it isn’t clear right away, he says that she isn’t a mixture, she’s what was in common.
Whoever they are, they’re very important.
Everyone is always talking about them. They talk about more than one they, there is the they in which she feels warmth, when their voices hold contempt, and the they in which she feels uncertainty, when their tones speak of fear. All are extremely important groups.
The ‘they’ of better things must have done something very bad. Sometimes she thinks it’s her. But she isn’t sure why she has that impression or what that means. She doesn’t tell anyone. It is hard to understand who they are, eventually it starts to slide into place. They look at her from afar and refer to another “her”. The one she is supposed to resemble more. That is all they ever use, “her”. She often wonders if that is just the only name they have, or if they are afraid to speak her true name. Sometimes she catches fondness in their words. But it is very rare, and very hard to see.
When they speak of “him” lines are more clearly divided. It is obvious that while in awe of whomever he was he caused them much grief. Perhaps he still does. Perhaps she still inspires fond feelings. They do not say. Though they are always spoken of in the past tense. It is difficult to decipher if this is relevant. Angelo speaks of him with much caring, as does her handler, and that means that the warmth at their mentioning is justified. Angelo is never wrong. He and the older man seem to have been attached to “her” as well. But neither will tell her if they have other names.
Sometimes she thinks that things are not supposed to be the way they are. As if outside of here things were quite different and those out there would be shocked to see here. One day she overhears a man who is often with her handler and Angelo, whom gazes on her with sad eyes as if he sees the resemblance they say is lacking, and the man with the squeaking extra appendage having a one-sided conversation. The sad-eyed man, often called “Broots”, was obviously quite uncomfortable as the older one, called “Raines” told him that he was not to be caught trying to compromise the subject again, and then asked him how his daughter was doing in something called U-C-L-A. It will be two years before a project debriefing allows her to understand the concept of universities and their acronyms.
It was another six months after before she realized that she was the subject in question. Angelo is the one that tells her, after speaking of Angelo-Timmy-Angelo.
Her handler brings up the relativism of like and dislike many weeks later. She tells him subject is her least favorite word. The man with the tubes and canister sneers through the glass. When she smiles back, she hears the man with nine fingers whisper, “Now that’s a little of both of them.”
After one encounter with a conversation speaking of that “them” she stares in the mirror for three hours. She traces her features, separates them, mixes them back together again, trying to find out which ones are hers and which are his. Does she have her eyes and his nose? Her complexion and his lips? Her smile or his? In the end she still can’t tell, and her face is sore.
Her handler asks her what her favorite word is, she tells him it’s paradoxical, she thinks “they” is too simple for them to understand.
There are times when she finds people staring at her, but she doesn’t think they see her, she thinks they see “them”. Like when the man with nine fingers, Mr. Lyle, sees her after a project and says to her handler from the rail above, “Dear God, Syd she’s too much like them sometimes. I mean you look at her and you just know. If anyone that knew them saw her…”
Sydney leaned backward and smiled, “You’d loose your precious problem solver.” He paused and patted the other man on the shoulder as he walked towards the stairs, “And you know who would come for her then. God help you all.”
It’s one of the nights she cries.
Angelo always knows though, and he finds her handler, he finds Sydney. They both sit with her and Sydney tells her stories of someone else whose life is not here, but out there. It sounds fantastic and terrifying, she thinks she’d like to try it one day.
The nights she cries, Sydney tells her that it is normal and natural, he asks her why she cries. Her answer is always the same. She cries for what is missing. He always asks her what is missing. There are times when she replies that she is not sure, others where she says she thinks it may be everything.
She is not sure why, but they call her Catherine.
Angelo tells her it’s so someone important can find her.
She asks Sydney if she is lost.
He doesn’t say.
Anyway for now I'm posting this with intention of cross-post later. I doubt anyone will see it for now but it's just a rough copy. If you know the show then feel free to take a gander. It's an oldie. I was recently hooked. Damn that Hulu.
A/N: If anyone actually reads this I'd love some feedback. I think I might continue this, but the fandom isn't really all that out there so I'm still on the fence. Plus it feels one-shot like.
Fandom: The Pretender
Title: The Things She Knows
Characters: Sydney, Lyle, Broots, Raines, Angelo, (mostly mentioned)
Genre: Drama
Disclaimer: If you recognize it then I don't own it. Nor am I claiming ownership. You could sue, but really is my DvD collection and a Great Adventure pen really worth all that trouble? You can totally have the pen.
Summary: She isn’t sure of much. Though there are things she knows. They just never realized how much.
She isn’t sure of much. Though there are things she knows.
She knows they expect her to look more like someone than she does. She knows she is a blending of two someones, two someones who aren’t here. She tries asking once, she asks the older man, the one with the kind eyes who seems so out of place with the rest. He hushes her and tells her that one day she should know. He says that he won’t let the same mistakes be made twice. They say that too, but she’s sure it doesn’t mean the same thing.
Angelo tells her in his way, wherein he says everything the way it’s meant to be said, even if it isn’t clear right away, he says that she isn’t a mixture, she’s what was in common.
Whoever they are, they’re very important.
Everyone is always talking about them. They talk about more than one they, there is the they in which she feels warmth, when their voices hold contempt, and the they in which she feels uncertainty, when their tones speak of fear. All are extremely important groups.
The ‘they’ of better things must have done something very bad. Sometimes she thinks it’s her. But she isn’t sure why she has that impression or what that means. She doesn’t tell anyone. It is hard to understand who they are, eventually it starts to slide into place. They look at her from afar and refer to another “her”. The one she is supposed to resemble more. That is all they ever use, “her”. She often wonders if that is just the only name they have, or if they are afraid to speak her true name. Sometimes she catches fondness in their words. But it is very rare, and very hard to see.
When they speak of “him” lines are more clearly divided. It is obvious that while in awe of whomever he was he caused them much grief. Perhaps he still does. Perhaps she still inspires fond feelings. They do not say. Though they are always spoken of in the past tense. It is difficult to decipher if this is relevant. Angelo speaks of him with much caring, as does her handler, and that means that the warmth at their mentioning is justified. Angelo is never wrong. He and the older man seem to have been attached to “her” as well. But neither will tell her if they have other names.
Sometimes she thinks that things are not supposed to be the way they are. As if outside of here things were quite different and those out there would be shocked to see here. One day she overhears a man who is often with her handler and Angelo, whom gazes on her with sad eyes as if he sees the resemblance they say is lacking, and the man with the squeaking extra appendage having a one-sided conversation. The sad-eyed man, often called “Broots”, was obviously quite uncomfortable as the older one, called “Raines” told him that he was not to be caught trying to compromise the subject again, and then asked him how his daughter was doing in something called U-C-L-A. It will be two years before a project debriefing allows her to understand the concept of universities and their acronyms.
It was another six months after before she realized that she was the subject in question. Angelo is the one that tells her, after speaking of Angelo-Timmy-Angelo.
Her handler brings up the relativism of like and dislike many weeks later. She tells him subject is her least favorite word. The man with the tubes and canister sneers through the glass. When she smiles back, she hears the man with nine fingers whisper, “Now that’s a little of both of them.”
After one encounter with a conversation speaking of that “them” she stares in the mirror for three hours. She traces her features, separates them, mixes them back together again, trying to find out which ones are hers and which are his. Does she have her eyes and his nose? Her complexion and his lips? Her smile or his? In the end she still can’t tell, and her face is sore.
Her handler asks her what her favorite word is, she tells him it’s paradoxical, she thinks “they” is too simple for them to understand.
There are times when she finds people staring at her, but she doesn’t think they see her, she thinks they see “them”. Like when the man with nine fingers, Mr. Lyle, sees her after a project and says to her handler from the rail above, “Dear God, Syd she’s too much like them sometimes. I mean you look at her and you just know. If anyone that knew them saw her…”
Sydney leaned backward and smiled, “You’d loose your precious problem solver.” He paused and patted the other man on the shoulder as he walked towards the stairs, “And you know who would come for her then. God help you all.”
It’s one of the nights she cries.
Angelo always knows though, and he finds her handler, he finds Sydney. They both sit with her and Sydney tells her stories of someone else whose life is not here, but out there. It sounds fantastic and terrifying, she thinks she’d like to try it one day.
The nights she cries, Sydney tells her that it is normal and natural, he asks her why she cries. Her answer is always the same. She cries for what is missing. He always asks her what is missing. There are times when she replies that she is not sure, others where she says she thinks it may be everything.
She is not sure why, but they call her Catherine.
Angelo tells her it’s so someone important can find her.
She asks Sydney if she is lost.
He doesn’t say.