Contains spoilers for the second season of Roswell, the third season of Alias, the fourth season of Farscape, Superman Returns, Tristan and Isolde and various screwball comediesSeveral recent discussions made me think of one of my least favourite plot devices, which for lack of a better term I'd call The Insignificant Other. You know, the romantic
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And when it's done right - it's actually interesting and moving. I was just reading an interview with writers for General Hospital and they admitted they themselves couldn't decide who they liked leading lady Carly with - Jax or Sonny, since both options worked so well. And that's the sort of triangle that's actually enjoyable to the viewer, darn it.
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My favorite example of the Not-Unsignificant Other recently would have to be Mickey Smith. Sure, he started out as a sort of pathetic, quivering lump, but he had a very satisfying character arc that left him as the sort of man Rose possibly *could* spend the rest of her life with. His rivalry with the Doctor for Rose ended when he decided to pursue his calling, not when Rose rejected him. Gotta love Mickey!
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And definitely yes on Mickey. Another example of how it's possible to make the Other interesting and sympathetic. Mickey for the win!
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With Alias, when I first watched S3, I thought they were doing a really good job making Lauren worthy of respect even if she wasn't the most lovable. The decision to make her evil only came on the heels of massive protests by Syd/Vaughn shippers. It wasn't planned, and you can tell this is the case because Lauren's later evil is frankly OOC. It is totally incompatible with Lauren's actions and emotions in "Breaking Point." It also doesn't fit well with that episode where Lauren gets into a car chase with Syd in the passenger seat and the two come to some sort of mutual understanding.
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The beginning of S3, that is. The part where we see Lauren shoot Sark's father was a total WTF-oh-no-they-didn't-stoop-that-low moment for me.
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Sad to say, Lauren as a corpse in s4 was written better and with more consideration than post EVIL! revelation Lauren in s3...
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As I noted below, The Office has been very impressive with its love triangle that's almost a quadrangle. It may have it easy because it's a comedy and thus doesn't have to focus on the drama so much, but that ends up working in its favor by adding a sense of realism to the whole situation.
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Other (to me) successful BSG emotional triangles would include Helo/Sharon/Tyrol (ending in Chief and Helo becoming friends and Chief deciding to put his feelings for Sharon - any Sharon - behind him), and Baltar/Gina/Head!Six. What do all of these have in common, though? They were never an A-plot...
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And that's how it should be.
And though the quadrangle of doom is just that, at least one cannot say Sam or Dee are written in a way that makes us think the writing staff wants us to disregard their feelings as insignificant.
Yeah, so even while I'm annoyed at having to suffer through the nasty thing episode after episode, I still have faith in BSG's writers. In three years they have made only a few bad blunders, which outstrips any other TV program I know of.
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Do you watch The Office? Because I like that the Unsignificant Others are actually Significant.
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John and Aeryn: like I said, worked for me very well in seasons 1-3 and in PKW, but in s4... *headdesks*
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