"SALT" (2010) Review
Ten years ago, I had come to the conclusion that many years had passed since I last saw a movie directed by Philip Noyce. Before 2010, the last one I can recall was 2002’s "THE QUIET AMERICAN". Then along came "SALT", a political thriller starring Angelina Jolie, and I found myself watching one of his films again.
"SALT" told the story of a CIA agent named Evelyn Salt, who is accused of being a KGB sleeper agent. She eventually goes on the run to try to clear her name. At the order of her supervisor, Ted Winters, Salt interrogates a Russian defector named Orlov, who tells her about an operation organized by a powerful Russian since the Cold War; which will lead to the destruction of the United States. Orlov mentions that at the funeral of the late Vice President in New York City, the visiting Russian President will be killed by Russian spy - Evelyn Salt. Shaken at the accusation, Salt attempts to contact her husband Mike, a German arachnologist, fearing for his safety. Meanwhile, Orlov escapes, which prompts Salt to escape. This causes Winters and a counterintelligence agent named Peabody to believe she is a spy. After finding her husband missing at their apartment, Salt grabs a few essentials and continues her flight. After barely escaping a highway pursuit, Salt takes a bus to New York City to deal with the threat of the Russian president being assassinated.
When I first learned about the plot for ”SALT”, the first thing that came to mind was that it was a female variation on the JASON BOURNE movie franchise. And in a way, it is. After all, Jolie portrayed a CIA agent who found herself pursued by her former colleagues. And her character performed stunts that would have made Matt Damon or Jeremy Renner envious . . . or their stunt doubles proud. However, after the movie’s setting had switched to New York City, Kurt Wimmer and Oscar winner Brian Hegeland’s script took an unexpected turn that left me a little breathless. And if that was not enough, another plot twist awaited, once the movie shifted back to Washington D.C. and a plot to kill the U.S. president. Another aspect of "SALT" that had surprised me ten years ago was that its released had occurred on the heels of news about a real Russian spy ring discovered in the U.S. at the time.
Angelina Jolie had come a long way since her two LARA CROFT movies. In her portrayal of Jennifer Salt, she was more assured and matured. And thankfully, she had also dropped the poseur attitude that slightly marred her performances as Lara Croft. Not only did Jolie do a first-rate job with her action sequences, she skillfully guided the emotional turmoil that her character endures throughout the movie. Adding solid support was Liev Schreiber, who portrayed her supervisor, Ted Winters. Beneath the charm and intelligence, Schreiber did a great job in conveying Ted’s emotional reaction to the possibility that Salt might be a Russian deep-cover mole. And Chiwetel Ejiofor was effective as the intense and determined counterintelligence agent, Peabody, who genuinely believed that Salt was a mole. He managed to convey this without indulging in any hammy acting.
Daniel Olbrychski gave a fascinating performance as the Russian defector, Orlov, who accused Salt of being a Russian agent. August Diehl portrayed Salt’s husband, the soft-spoken arachnologist, Michael Krause. Although he hardly had any lines in the film, he quietly conveyed his role as Salt’s emotional center. I was surprised to see Hunt Block, who portrayed the U.S. president. I had not seen him since the 1980s nighttime drama, "KNOT’S LANDING". I was also surprised to see Andre Braugher in the movie. He portrayed one of the President’s aides, yet he only had one or two lines. At first, I thought his career had really taken a nose dive back in 2010, until I remembered that he had been on the TNT television series called "MEN OF A CERTAIN AGE" around the time of the movie's release. So, how did he get stuck in a role that called for only two lines?
Noyce worked well with cinematographer Robert Elswit and film editors Stuart Baird and John Gilroy to create some very interesting action scenes . . . especially the fantastic sequence featuring the attempt to assassinate the Russian president in New York. Jolie contributed to these scenes with some of her own stunt work. Yes, I realize that some of the stunts seemed implausible - especially one that featured a jump by Salt from a Washington D.C. expressway to the top of a moving truck. But I have seen stunts in other movies that I found a lot more implausible. It seemed a pity that the movie was set either during the late fall or the winter. Although the cold season did not take any atmosphere away from the Manhattan sequences, I cannot say the same about the Washington D.C. exterior shots. I have always believed that the capital looked a lot better on film during the spring, summer and early fall seasons.
In the end, I enjoyed "SALT" very much. I believe that it was one of the better summer movies in 2010. Director Philip Noyce did a first-class job with a solid script written by Kurt Wimmer and Brian Hegeland, and skillful performances from a cast led by Angelina Jolie. I noticed that the movie ended on a vague note that I would usually find annoying. However, I had originally given it a pass due to my belief that a sequel would follow. Unfortunately, one never materialized.