"BATMAN BEGINS" (2005) Review
"BATMAN BEGINS" (2005) Review
When Christopher Nolan’s reboot of the BATMAN franchise had first made its debut during the summer of 2005, many critics and moviegoers hailed it as the second coming. They also viewed it as a vast improvement over the four films released between 1989 and 1997. Since then, "BATMAN BEGINS" has been overshadowed by its 2008 sequel, "THE DARK KNIGHT". After a recent viewing of the 2005 movie, I must admit that I have a deeper attachment for it than I do the 2008 movie.
"BATMAN BEGINS" was basically an origin tale about the scion of a wealthy Gotham City family, who endured a personal tragedy before become a costumed vigilante. The movie began in a Chinese prison where Bruce Wayne was serving time for robbery. A mysterious man named Henri Ducard offered to arrange for Bruce’s freedom if the latter would consider joining his organization called the League of Shadows. Once Bruce began his training under Ducard’s tutelage, flashbacks revealed his childhood; his friendship with Rachel Dawes, the daughter of a family servant; his parents’ tragic deaths; and the murder of their killer. Once Bruce’s training ended, Ducard and the League’s head - Ra's al Ghul - ordered the Gotham City native to execute a murderer they had captured. They also revealed their intent to destroy Gotham City, due to its growing corruption. Unwilling to become an executioner and appalled by the League’s plans for Gotham, Bruce began a fight that led to the Temple’s destruction. After Bruce saved Ducard’s life, he returned to Gotham City to commence his life as the vigilante, the Batman.
Aside from a few minor problems that I will discuss later, I must admit that after fourteen years, I enjoyed "BATMAN BEGINS" more than ever. One, I thought that Christopher Nolan and fellow screenwriter David S. Goyer did an exceptional job in revealing Bruce Wayne’s childhood and the circumstances that led him to China in flashbacks. Very exceptional. Also, through Bruce Wayne/the Batman, Henri Ducard and other characters, the screenwriters managed to convey the pitfalls of vigilantism. Considering the movie’s title, I thought Nolan and Goyer also did an excellent job in presenting a examination of the main character.
Speaking of the main character, Christian Bale earned a well deserved Saturn Award for his portrayal of Bruce Wayne/the Batman. I only wish that Bale could have received a Golden Globe or Academy Award nomination, as well. He did a superb job of capturing all of the nuances of Bruce’s personality. Even more impressive was the way he developed the character from an immature and vengeful twenty-something young man to the somewhat more wiser thirty-something man who had learned to restrain himself from allowing his penchant for vigilantism to spiral out of control. Unless Nolan used a stunt man for Bruce/Batman's action scenes, I thought that Bale managed to handle the action - especially the fight scenes - very well. Was this his first time in dealing with heavy action sequences? Someone please let me know.
I must admit that I have been a fan of Liam Neeson for a long time, admiring his array of performances that included a randy Irish ghost, a Jedi Master, the ambiguous Oskar Schindler and a determined ex-CIA agent searching for his kidnapped daughter. I cannot honestly say that his best role was Henri Ducard, Bruce Wayne’s mentor. But I would probably view it as one of his better roles. Most people have compared his Ducard to his performance as Jedi Master Qui-Gon Jinn in "STAR WARS: EPISODE I - THE PHANTOM MENACE". Perhaps. However, I saw major differences in the two roles. Ducard turned out to be a more questionable character, who despite his words of wisdom, was unable to let go of his past tragedy. Instead, he used the latter to inflict his desire to punish the guilty and the corrupt through some of the most Draconian and violent means possible. Neeson did a beautiful job in capturing not only Ducard’s wisdom, but also his subtle, yet psychotic personality. In some ways, his Ducard was a lot scarier than the Joker in "THE DARK KNIGHT". Only, his villainy was not as colorful. And like Bale, he had earned a Saturn Award nomination for his performance.
On the other hand, Katie Holmes was given a Golden Raspberry Award nomination for Worst Supporting Actress for her portrayal of Bruce’s childhood friend and Gotham’s crusading Assistant District Attorney, Rachel Dawes. And for the likes of me, I do NOT understand why. I found nothing wrong with her performance. I thought she did a splendid job portraying Rachel as Bruce and Gotham City’s moral center. I especially enjoyed her scenes with not only Bale, but also her confrontations with Cillian Murphy’s Dr. Jonathan Crane/the Scarecrow. Many have praised Maggie Gyllanhaal’s portrayal of Rachel in "THE DARK KNIGHT". Personally? I think that Holmes was lucky not to appear in the 2008 film. At least her Rachel Dawes had not written as a mere object of desire and a barely irrelevant character.
Speaking of Cillian Murphy, I truly enjoyed his performance as Dr. Jonathan Crane, the cold-blooded and manipulative city psychiatrist who became arch villain, the Scarecrow. He did an excellent job in conveying the character’s subtle villainy and sardonic wit. Another villain that possessed the same wit turned out to be Gotham City’s crime boss, Carmine Falcone. Although Tom Wilkinson portrayed the character with a good deal of wit and verve, it seemed a pity that his performance was nearly ruined by a questionable American accent seemed like a bad parody of a old Warner Brothers gangster character. Michael Caine, Morgan Freeman and Gary Oldman portrayed mentors and allies for Bruce Wayne/the Batman - faithful butler Alfred Pennyworth, Wayne Enterprises executive Lucius Fox and police sergeant Jim Gordon, respectively. And they all did solid jobs; especially Caine, whose wisdom and concern for his employer’s personal life allowed him to be Bruce’s true mentor.
Linus Roache portrayed Thomas Wayne, Bruce’s doomed father. He gave a solid performance, but I found his American accent rather questionable. And I also had other problems with Bruce’s parents. One, they seemed impossibly good - almost pure. And I found that aspect of their portrayal a bore. Two, Thomas and Martha Wayne must have also been incredibly stupid. The Wayne family went to the opera via public transportation. Okay, perhaps I can excuse that on the grounds that perhaps they could not afford a limousine or wanted to save gas. But when Bruce wanted to leave the opera early, they left the theater through the goddamn back door. No wonder that thug, Joe Chill, was able to accost them so easily.
Speaking of problems, I have a few more regarding "BATMAN BEGINS". One, I hate the growl that Bale had used, while portraying the Batman. There were times when I found the actor slightly coherent and I also found it unnecessary and annoying. Unfortunately, he ended up sticking with it for the next two films in The Dark Knight Trilogy. Two, I have a problem with Ra's al Ghul, the so-called leader of the League of Shadows whom Bruce had killed in Tibet (or China). Apparently, Bruce Wayne had killed a psychic manifestation of Ducard’s mind. How Ducard managed to create this manifestation and how Bruce managed to kill it were plot points that Nolan and Goyer failed to explain.
When all is said and done, I must admit that I really enjoyed ”BATMAN BEGINS”. Personally, I feel that Christopher Nolan and David S. Goyer had written a better movie than ”THE DARK KNIGHT”, despite its flaws. The movie not only featured excellent direction from Nolan and an interesting score by Hans Zimmer and James Newton Howard, it also had top-notch performances from Christian Bale, Liam Neeson and the rest of the cast . . . even those with questionable American accents. In fact, I would go as far to say that I consider it to be one of my favorite comic book movies in the past decade or two.