There were two things going on with silver fork novels: the unrepentant glorying in the wealth and exclusiveness of rank, and the stories of marriages. They were not always romantic by today's standards. Pelham, the granddaddy of them all (especially the 1828 edition, before Bulwer hyphenated his name and toned down his cheerfully impudent
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Tangential, but what you said in your last paragraph got me thinking about what makes things *hard*. The real constraints on women made their choices hard, and that can make for drama, pathos, complexity--an interesting novel, in other words. But it's not flamboyant. It's not usually exciting--at least, not in the way smugglers, spies, and vampires are. But it can have real depth and can really linger with you. This was brought to mind to me the other day when I was exclaiming over "The Long Black Veil." I was wanting, essentially, to change it into the equivalent of something with smugglers and spies--mainly because I wanted some heroism for the woman rather than the shame of letting her lover go to his death--but one of the commenters brought up the real-life pathos and depth of emotion (and realism) that goes with making the other choice.
I mean, I'd still like heroism for the woman in the song, but being reminded of the other thing made me appreciate the song more deeply. There's room for both, I know--regency romances with spies and vampires, but also ones that look at the reality of the society at the time.
...only with great conversation and raised eyebrows. I mean, I don't want to forget that they're romances, after all :-)
(Do let me know about the Austen novels with prostitutes, though.. I wandered off topic in this comment, but I'm curious.)
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Lady Susan? (Is there a novel by that title, or is that a character in a novel?)
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Adding my two cents worth on Lady Susan. It is a truly remarkable production that can transform one's views of Miss Austen, but mostly I grieve anew that she died so young with so many veins untapped.
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