Реальный 19 век. Правда быта - Королева всех доказательств. 44. Фотографии 1892 года.
Bieber Family
Kaiser Wilhelm II
1892
Cabinet card
Private collection of T. Max Hochstetler
© Klaus Niermann - studioniermann.de/html/bieber.html
LL/14239
Bieber Family
Otto von Bismarck
1892
Cabinet card
Private collection of T. Max Hochstetler
© Klaus Niermann - studioniermann.de/html/bieber.html
LL/14240
Window & Grove
Ellen Terry as Queen Katherine
1892 (taken) 1906 (published)
Cabinet card
Private collection of T. Max Hochstetler
LL/28286
Alfred Stieglitz
The Asphalt Paver, New York
[Camera Work, 41, 1913 (reprinted in)]
1892
Photogravure, Hand-pulled
5 1/2 x 7
Andrew Cahan: Bookseller, Ltd
LL/2016
Alfred Stieglitz
The Terminal
1892
Photogravure, on Japanese tissue, Camera Work
5 x 6.5
Peter Fetterman Gallery
LL/568
Axel Lindahl
Gudbrandsdalen, Rødsheim
1892
Albumen print
16.5 x 22.5 cm
Galleri Balder
LL/47091
Bond & Co
Couple
1892
Cabinet card, back
Antiq-Photo
Courtesy of Anthony Davis - Antiq-photo / Rainbow creations (www.19cPhoto.com)
LL/9463
The photograph was taken by Bond & Co, 91 Rundle St, Adelaide, Australia.
The significance of this photograph is that the cabinet card was mailed from Australia to England long before real photo postcards with a "Western Australia" two pence stamp on the reverse. The postmarks are 1892.
[Please note that the scan colors may not exactly match those on the original.]
E. Heinrichs
[Child through a foreground]
1892
Book illustration
British Library
LL/52511
Ernest Ashton
An Arab Household
1892
Photographic print
10.8 x 17.8 cm
British Library
Shelfmark: 1757.b.20, Item number: 22
LL/40168
The 'Amateur Photographer' Album of Prize Photographs, 1893
Prize-winning photograph in the 'Portraiture and Figure Studies' category of the 'Amateur Photographer' Monthly Competition No. 40, October 1892
"'An Arab Household' (E. R. Ashton - Bronze Medal). A captial study of Oriental life, of more than ordinary pictorial quality and of very fine technique. Mr. Ashton was, we are glad to say, also successful in securing a silver medal in our Holiday Tour Competition, and we congratulate him upon his double success. He has a penchant for rough-surfaced papers, and has successfully overcome the difficulties which many workers experience in getting good tones, for all his prints are of a pleasing, warm, sepia colour, which has been not badly reproduced in our collotype illustration."
Georges Poulet
Groupe d’indigènes à la betancie Isramaïs à ojos de agua
[Aurora Argentina]
1892
Cyantotype
Daniel Blau Ltd
LL/50721
Georges Poulet
Cañada Toba
[Aurora Argentina]
1892
Cyantotype
Daniel Blau Ltd
LL/50729
J. Craig Annan
On A Dutch Shore
[Die Kunst in der Photographie (Art Folio #5)]
1892 (taken) 1900 (photogravure)
Photogravure, Chine-collé
13.9 x 20.9 cm
Photoseed
Photograph courtesy PhotoSeed.com
LL/18695
J. Craig Annan
The Road Through the Dunes
[Die Kunst in der Photographie (Art Folio #5)]
1892 (taken) 1900 (photogravure)
Photogravure, Chine-collé
14.6 x 20.1 cm
Photoseed
Photograph courtesy PhotoSeed.com
LL/18696
Ledru Mauro
Etna - Eruzione 1892, Crateri visti a 100m.
1892
Albumen print
19.3 x 25.1 cm
Royal Academy of Arts
Photo: R.A., © Copyright protected
LL/39306
Ledru Mauro
Eruzione di lave, Lapillo e Massi
1892
Albumen print
19.3 x 24.3 cm
Royal Academy of Arts
Photo: R.A., © Copyright protected
LL/39307
Norman and Burnide (Newport, Wales)
W.S. Penley as "Dona Lucia from Brazil" in "Charley's Aunt"
1892
Cabinet card
Paul Frecker
LL/34104
Paul Martin
On Yarmouth Sands
1892 (taken)
Platinum print / Platinotype
7.6 x 9.8 cm
Victoria and Albert Museum
Copyright Estate of Paul Martin, Museum number: 258-1978
LL/44621
Paul Martin
An Incident at Yarmouth
1892
Gelatin silver print
15.6 x 20.6 cm
Harry Ransom Humanities Research Center at the University of Texas at Austin
HRC
LL/6123
S.H. Parsons (St. John's, Newfoundland, Canada)
Aftermath of 1892 Fire, St. John's, View looking west [Newfoundland, Canada]
1892
Albumen print
Steven Evans Vintage Photography
LL/16501
Sidney Alfred Beer
A photograph of unfinished bridge (New Tower Bridge over the Thames)
1892
Photographic print
National Archives
Catalogue Reference: COPY 1/408/164, No known copyright restrictions.
LL/42974
Available on flickr (January 2011).
Stjepan Tomlinovic
Maritsa Sablyichevna, Serbian Teacher in Mostar
1892
Carte de visite
Private collection of Fr. Gregor
LL/50873
Unidentified photographer
Cannibal, Solomon Islands, Melanesia
1892
Albumen print
140 x 96 mm
Oceania-Ethnographica
Courtesy of www.oceania-ethnographica.com (B005)
LL/14386
Annotation in ink reads: Solomon Islander - 21 years of age - sentenced to be shot by Captain Davis (of HMS Royalist) for killing a trader and eating him. 1892.
Unidentified photographer
Group of clergy on board the mission ship 'Southern Cross', Melanesia
1892
Albumen print
Cambridge University Library, Royal Commonwealth Society
© Cambridge University Library, RCS Y309A/55
LL/40099
Unidentified photographer (Italian)
[Lava fields, Italy]
1892
Albumen print
6 1/2 x 9 ins
Northern Light Gallery
LL/41567
William Henry Jackson
Four men climbing Cliff Canyon [Mesa Verde, Colorado]
1892
Albumen print
Peabody Museum of Archaeology and Ethnology
Peabody Number: 47-12-10/100260.1.93
LL/53099
HillÆs Photographic Studio (New Bedford, Massachusetts)
Lizzie Borden
1892
Ordinary Light
LL/18910
This is possibly the most famous in the series of Nineteenth Century American Murder cases. Lizzy Borden was acquitted of giving her parent the notorious "40 Whacks" with an axe. Although only Lizzie and the maid were in the house at the time, there was no incriminating evidence to link Lizzie to the case. A handless hatchet was found in the basement and Lizzie had apparently burned a dress a few days after the killings under weak explanations. None the less she was acquitted under lack of evidence.
Explanations abound the current research about who did the killing. Some speculate that Lizzie was having a lesbian affair with the maid and was caught by her stepmother thus bringing on a pact of murderous license with the maid as accomplice. Others have pointed out repeatedly that the strength of the axe blows and the resulting damage had to have been caused by an outsider of larger proportions. To this day, the case remains unsolved.
http://www.luminous-lint.com/app/tags/6/1892/
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