Реальный 19 век. Правда быта - Королева всех доказательств.8/1. Фотографии 1856 года.
Cundall & Howlett
Heroes of the Crimean War
[Crimean Heroes]
1856
Albumen print
8 5/8 in x 7 5/8 ins
Archive Farms
LL/38891
Additional information provided by Archive Farms.
Joseph Cundall and Robert Howlett were commissioned by Queen Victoria to create a series of photographs of Crimean Heroes when the war was over. Cundall was responsible for studio portraits showing the successful heroism of Victoria's men. Howlett worked on location at the naval dockyards and the veterans' hospital recording the underside of war, in the portraits of those who were severely wounded. These portraits have recently been reused on a series of postage stamps in England.
Gustave Le Gray
Brig on the Water
1856
Albumen print
12¢ x 16¢ in (31.8 x 42 cm)
Swann Galleries - New York
LL/21782
With Le Gray's stamped signature at the lower right corner of print recto, his partial blind stamp and the numeric notation "4," in pencil, on mount recto; professionally mounted to an archival secondary support mount.
Gustave Le Gray, whose most admired works are his seascapes, merged photography's technical advances with a painter's 'sthetic vision. He photographed maritime subjects at the Normandy coast, Sainte-Adresse and Le Havre, and Mediterranean, for about four years.
This photograph was included in a lot sold at the Swann Galleries auction "Important 19th & 20th Century Photographs" (New York, Mon Oct 15, 2007).
Gustave Le Gray
Le Soleil Couronné -- Océan
1856
Albumen print
12¥ x 16 3/8in. (32.3 x 41.1 cm)
Christie's - London
Courtesy of Christies, London (Sale: 7434 - Photographs, Lot: 41 - Nov 13, 2007)
LL/24270
Red ink facsimile signature stamp on recto; numbered 'No.13,421.', embossed credit stamp and paper supplier's monogram 'EB' [Ernest Binant], printed label with title and negative number 'No.21' on mount.
Aubenas et al., Gustave Le Gray 1820-1884, BibliothÞque national de France, 2002, p.111, pl.131, no.119.
Janis remarks: 'If there is some confusion regarding the exact time of day (for here too the effect is like a theatrical sunset, not high noon), Le Gray maintained a strong degree of intimacy with the landscape as a whole. Even in these large and dramatic prints, we feel united across space with the little boats whose perfectly rendered forms seem to beckon us into halcyon infinities beyond the horizon' (p.81).
Gustave Le Gray
Effet de soleil dans les nuages, océan
1856
Albumen print
31 x 40.5 cm
Sotheby's - Paris
Courtesy of Sotheby's Paris (Photographs, Fri, 20 Nov 09, 4:00 PM, PF9027, Lot 140)
LL/33739
Tampon humide du fac-similé de la signature a l'encre rouge sur l'image en bas a droite.
Sylvie Aubenas, Gustave Le Gray 1820- 1884, Paris, BibliothÞque Nationale de France/Gallimard, 2002, ill. P. 314.
Gustave Le Gray
The Empress Eugénie at Prayer, Saint-Cloud [Empress Eugénie on a Prie-dieu]
1856
Albumen silver print, from glass negative
23.4 x 18.3 cm (9 3/16 x 7 3/16 ins) (image) 23.4 x 18.3 cm (9 3/16 x 7 3/16 ins) (mount)
Metropolitan Museum of Art
Gilman Collection, Purchase, Harriette and Noel Levine Gift, 2005, Accession Number: 2005.100.258
LL/40548
Gustave Le Gray
The Road to Chailly, Fontainebleau
1856
Albumen print
10 1/16 x 13 15/16 in
J. Paul Getty Museum
The J. Paul Getty Trust (84.XM.347.3)
LL/7338
Cundall & Howlett
Noble, Dawson and Harper, 72nd (Duke of Albany's Own Highlanders) Regiment of Foot
[Crimean Heroes]
1856
Albumen print
National Army Museum
Negative No. 23533, Accession No. NAM. 1964-12-154-6-14
LL/41337
Cundall & Howlett
Sergeant William Powell, 3rd Battalion, the 1st (or Grenadier) Regiment of Foot Guards
[Crimean Heroes]
1856
Albumen print
National Army Museum
Negative No. 23524, Accession No. NAM. 1964-12-154-6-5
LL/41358
Cundall & Howlett
Colour-Sergeant J Stanton, Royal Sappers and Miners
[Crimean Heroes]
1856
Albumen print
National Army Museum
Negative No. 23538, Accession No. NAM. 1964-12-154-6-19
LL/41359
Cundall & Howlett
Piper David Muir, 42nd (The Royal Highland) Regiment of Foot
[Crimean Heroes]
1856
Albumen print
National Army Museum
Negative No. 23532, Accession No. NAM. 1964-12-154-6-13
LL/41360
Cundall & Howlett
Reynolds, Temple and Judd, Scots Fusiliers Guards
[Crimean Heroes]
1856
Albumen print
National Army Museum
Negative No. 23529, Accession No. NAM. 1964-12-154-6
LL/41361
Johnson & Henderson
Vallabhacharya Maharajas
[The Oriental races and tribes, residents and visitors of Bombay, A Series of Photographs, with Letter-press Descriptions, vol I, Page: Pl. IV]
1856
Albumen print, letterpress
26 x 18 cm (sheet)
National Gallery of Australia
Accession No: NGA 2009.640.4
Johnson & Henderson
XXII Mehmans
[The Oriental races and tribes, residents and visitors of Bombay, A Series of Photographs, with Letter-press Descriptions, vol I, Mumbai, India]
1856
Albumen print, letterpress
26 x 18 cm (sheet)
National Gallery of Australia
Accession No: NGA 2009.640.22
LL/45924
Robertson, J. & Beato, F.
Fontaine dans la cour de la mosquée de la citadelle, Le Caire, Égypte
1856
Albumen print
30.4 x 26 cm
Piasa
Photographs, 25 May 2012, Lot: 12
LL/48165
Southworth & Hawes
The Niagara Suspension Bridge
1856
Daguerreotype, full plate
21.5 x 16.5 cm
George Eastman House
© 2004 George Eastman House
LL/6404
Adolphe Braun
Camelias and Lilacs
1856
Albumen print
44.5 x 48.6 cm
George Eastman House
1981:1005:0004
LL/57174
Adrien Tournachon
Vache Parthenaise, agée de 5 ans
1856
Gelatin-coated salt print (vernis-cuir) from wet collodion negative
7-15/16 x 10 11/16
Charles Isaacs Photographs, Inc
LL/4188
Alexander Greenlaw
Hampi (Vijayanagar) Bellary District: Virupaksha Temple, Eastern Gopura.
1856 (taken) 1910 (print)
Silver gelatin print, from waxed paper (calotype) negative
Victoria and Albert Museum
Museum number: 3768-1910
LL/36263
Amateur British colonial photographer, Alexander Greenlaw was the first to extensively photograph the site in 1855-56. The resulting series of waxed paper negatives were made available to the V&A and printed in 1910. These are the earliest known prints.
http://www.luminous-lint.com/app/tags/6/1856/
Alexander Greenlaw
Hampi (Vijayanagar) Bellary District: Shiva Temples.
1856 (taken) 1910 (print)
Silver gelatin print, from waxed paper (calotype) negative
28.1 x 37.8 cm (image)
Victoria and Albert Museum
Museum number: 3766-1910
LL/36264
Amateur British colonial photographer, Alexander Greenlaw was the first to extensively photograph the site in 1855-56. The resulting series of waxed paper negatives were made available to the V&A and printed in 1910. These are the earliest known prints.
Alexander Greenlaw
Hampi (Vijayanagar) Bellary District: Virupaksha Temple Complex, Interior, Eastern Sanctuary.
1856 (taken) 1910 (print)
Silver gelatin print, from waxed paper (calotype) negative
29.6 x 37.9 cm (image)
Victoria and Albert Museum
Museum number: 3770-1910
LL/36265
Amateur British colonial photographer, Alexander Greenlaw was the first to extensively photograph the site in 1855-56. The resulting series of waxed paper negatives were made available to the V&A and printed in 1910. These are the earliest known prints.
Alexander Greenlaw
Vittala Temple, Gopura and Dipa-stambha
1856
Waxed paper negative
30.5 x 38 cm
Alkazi Collection of Photography
99.01.0054
LL/52980
Alfred Capel Cure
Blasted Tree at Badger
1856
Albumen silver print
7 x 8 7/8 in (17.8 x 22.5 cm)
Metropolitan Museum of Art
Thomas Walther Collection
LL/25985
This photograph was included in the exhibition "Impressed by Light: British Photographs from Paper Negatives" at the Metropolitan Museum of Art, New York (September 25, 2007-December 31, 2007)
Allevy
Death Portrait of Doctor Amussat
1856
Daguerreotype, 1/6 plate
George Eastman House
Gift of Eastman Kodak Company: ex-collection Gabriel Cromer, 76:0168:0004
LL/40639
Alphonse-Louis Poitevin
Halles Centrales, a Paris, Vue du pavillon sud-ouest pendant le montage
1856
Poitevin Process photolithograph
Archive Farms
LL/55181
Notes: Vue du pavillon sud-ouest pendant le montage des pavillons Baltard. Published in La Revue generale de l'architecture et des travaux publics, February, 1857, pl 41
Antoine Claudet
Mrs. Hamilton and her Daughter Frances Mary
1856
Daguerreotype, with applied color
7.8 x 6.6 cm each; image: 6.8 x 5.8 cm right (sight)
National Gallery of Canada
Courtesy of the National Gallery of Canada (no. 30621), Gift of Phyllis Lambert, Montreal, 1988
LL/6678
http://www.luminous-lint.com/app/tags/6/1856/
Domenico Bresolin
Palazzo Dario [Venice]
1856
Salt print
Private collection of Marco C. Antonetto
LL/30888
Édouard Baldus
The Rhône in Flood in 1856, Avignon
[Inondations du Rhône à Lyon et Avignon]
1856
Salted paper print from a paper negative
30.5 x 44 cm
Musée d'Orsay
1988, © photo RMN, Hervé Lewandowski, PHO 1988 9, Gift of the Société des Amis du Musée d'Orsay
LL/37311
Édouard Baldus
Lyon (les Brotteaux)
[Inondations du Rhône à Lyon et Avignon]
1856
Salt paper print
Ecole nationale des ponts et chaussées
Identifier : ark:/12148/btv1b1200108s
LL/45299
Édouard Baldus
Les remparts à Avignon
[Inondations du Rhône à Lyon et Avignon]
1856
Salt paper print
Ecole nationale des ponts et chaussées
Identifier : ark:/12148/btv1b1200108s
LL/45300
Eugène Constant
Cloister of San Giovanni in Laterano
1856
Albumen print
29 x 36.8 cm (11 7/16 x 14 1/2 ins)
Princeton University Art Museum
Museum purchase with funds given by David H. McAlpin, Object Number: x1973-64
LL/44559
Francis Frith
Kom Ombo, Egypt
1856
Albumen print, from wet collodion negative, uncut stereo pair
Private collection of John Hannavy
LL/31334
In addition to his many large format views of Egypt, Frith produced some remarkable stereoscopic images, renowned for their crisp 3D effects. (John Hannavy, 2008)
This photograph was included in the book by John Hannavy "Great Photographic Journeys - in the footsteps of Pioneer British Photographers" (Dewi Lewis Publishing, 2008 - # ISBN-10: 1904587542, # ISBN-13: 978-1904587545)
Francis Frith
Karnak, Egypt
1856
Albumen print, from wet collodion negative
Private collection of John Hannavy
LL/31335
"When I reflect upon the circumstances under which many of the photographs were taken, I marvel greatly that they turned out so well. Now in a smothering little tent, my collodion fizzling - boiling up all over the glass the moment it touched - and, yet again, pushing my way backwards on my hands and knees, into a damp, slimy rock tomb to manipulate, - it is truly marvelous that the results should be presentable at all." Francis Frith in 'Egypt and Palastine photographed and described' (1859)
The huge temple at Karnak was partially collapsed, and much of it buried in the desert sands, when Frith visited. (John Hannavy, 2008)
This photograph was included in the book by John Hannavy "Great Photographic Journeys - in the footsteps of Pioneer British Photographers" (Dewi Lewis Publishing, 2008 - # ISBN-10: 1904587542, # ISBN-13: 978-1904587545)
Francis Frith
Philae, Egypt
1856
Albumen print, from wet collodion negative, uncut stereo pair
Private collection of John Hannavy
LL/31341
The location of the Temple of Philae as seen by Frith is now deep beneath the waters of Lake Nasser. As part of a huge UNESCO project in the 1960s which included the huge rock temples of Abu Simbel, the temple at Philae was painstakingly dismantled and rebuilt on a different island above the lake's high water level. (John Hannavy, 2008)
This photograph was included in the book by John Hannavy "Great Photographic Journeys - in the footsteps of Pioneer British Photographers" (Dewi Lewis Publishing, 2008 - # ISBN-10: 1904587542, # ISBN-13: 978-1904587545)
Gustave de Beaucorps
Ponte Vecchio, Florence
1856
Paper negative
11 1/2 x 14 7/8 in (29.21 x 37.78 cm)
SFMOMA - San Francisco Museum of Modern Art
Collection of the Sack Photographic Trust
LL/34356
Henry White
Haystacks
1856
Albumen print
9 3/4 x 6 1/2 ins
Archive Farms
LL/55183
Jacques Moulin
Groupe de femmes arabes à Biskra
1856
Albumen print
Musée de l'Armée
© Paris - Musée de l'Armée, Dist. RMN / Christian Moutarde, 06-509553, Inventory: 2798
LL/45111
The hand written title "Groupe de femmes arabes a Biskra" [Arab women group in Biskra] is not accurate as Ouleds Nails are Berber rather than Arab.
Jacques Moulin
Pierres tumulaires et inscriptions trouvées à Cherchell
1856
Tirage sur papier albuminé d'après négatif sur verre au collodion
19 x 25.5 cm
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Estampes et Photographie. Réserve Oz 110 folio, tome 2. Provient de la bibliothÞque du chÔteau de Fontainebleau
Jane_Martha__St_John
The Colosseum
1856
Albumen silver print
7 5/8 x 9 7/8 in (19.5 x 25 cm)
Metropolitan Museum of Art
The Metropolitan Museum of Art, New York, Gilman Collection, Gift of The Howard Gilman Foundation
LL/25994
This photograph was included in the exhibition "Impressed by Light: British Photographs from Paper Negatives" at the Metropolitan Museum of Art, New York (September 25, 2007-December 31, 2007)
Jane_Martha__St_John
Stone Pines, Villa Pamfili Doria, Rome
1856
Albumen silver print, from paper negative
20 x 24.8 cm (7 7/8 x 9 3/4 ins)
Metropolitan Museum of Art
Gilman Collection, Gift of The Howard Gilman Foundation, 2005, Accession Number: 2005.100.382 (66)
LL/50944
John_Beasly__Greene
Detail of the Tomb of the Christian Woman, Algeria
1856
Salted paper print
21.9 x 22.2 cm
National Gallery of Canada
Gift of Ward C. Pitfield, Toronto, 1981, no. 19018
LL/39073
John Beasly Greene
Burial Mound, Algeria
1856
Salted paper print, from paper negative
24 × 30.5 cm (9 7/16 × 12 in.) (image)
Art Gallery of Ontario - AGO
Malcolmson Collection
LL/54561
John William Draper
Photomicrograph of Algae
1856
Daguerreotype
National Museum of American History
National Museum of American History, Behring Center, Division of Information Technology and Communications, Photographic History Collection, Image No. AFS 146
LL/36187
John Dillwyn Llewelyn
Piscator, No. 2
1856
Albumen silver print
Metropolitan Museum of Art
The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963, Accession Number: 63.606.1.20
LL/50950
Joseph Cundall
Crimean Heroes: William Gardner, Donald McKenzie and George Glen
1856
Albumen print
23.30 x 19.30 cm
National Galleries of Scotland
Courtesy of the National Galleries of Scotland, Purchased 1992 (PGP 140.9)
LL/7693
Langenheim
Mount Webster from Willard Mountain
[White Mountains, New Hampshire]
1856
Glass stereoview
Jefferson Stereoptics
Courtesy of John Saddy (Auction, Tues. August 29th & Thurs. August 31st, 2006, # 06-3, Lot 19)
LL/13792
Maharaja Sawai Ram Singh II
Maharaja Sawai Ram Singh II of Jaipur, photographer-prince (1833-1880), Self-Portrait
1856
Wet collodion plate
Current whereabouts unknown.
LL/55116
Mark Anthony
Wild flowers
1856
Salted paper print from a wet collodion negative
223 x 158mm
Royal Photographic Society
© Royal Photographic Society, 1999
LL/6812
http://www.luminous-lint.com/app/tags/6/1856/
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