Реальный 19 век. Правда быта - Королева всех доказательств. 14. Фотографии 1862 года.
Оригинал взят у sandra_rimskaya в Реальный 19 век. Правда быта - Королева всех доказательств. 14. Фотографии 1862 года.
Unidentified photographer/creator
Kit Carson and Edwin Perrin
1862
Carte de visite
Be-Hold
Courtesy of Larry Gottheim - Be-Hold (45 / 43)
LL/10894
This 1862 double portrait shows Carson as Colonel in the N. Mexico Volunteers, with Colonel Perrin, who was sent down there to bolster the arms of the N. Mexico troops. This has the "EA" backmark for Edward Anthony.
Unidentified photographer/creator
#81 Glass, by Messrs, Naylor & Co.
[The International Exhibition of 1862]
1862
Stereocard, detail
Jefferson Stereoptics
Courtesy of John Saddy (Auction, Oct 15, 2008 # 8-03, Lot 36)
LL/31416
Barnard & Gibson
Fortifications at Manassas
[Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 11]
1862
Albumen print
7 x 9 in
Lee Gallery
Courtesy of Lee Gallery (Z1352)
LL/14041
"Negative by Barnard & Gibson. March, 1862. Entered according to Act of Congress in the year 1865, by A. Gardner, in the Clerk's Office of the District Court of the District of Columbia. Incidents of the War. Fortifications at Manassas. Published by Philp & Solomons, Washington. Positive by A. Gardner, 511 7th St., Washington" printed in margin recto,
Duchenne & Adrien Tournachon
From "Mecanisme de la Physionomie Humaine ou Analyse Electro-Physiologique de L'Expression des Passions" (Paris: Chez ve Jules Renouard, Libraire, 1862)
[Mecanisme de la Physionomie Humaine ou Analyse Electro-Physiologique de L'Expression des Passions]
1862
Swann Galleries - New York
Courtesy of Swann Galleries (Auction, May 22, 2007, #2115, Lot 59)
LL/19221
With 20 photographic plates, comprising 9 composite montages (each with 16 images) and 11 medium-format studies of women patients from the "Figures esthétiques." Albumen prints, the composites are 5 1/4x4 1/4 inches (13.3x 10.8 cm.) and the studies are 4 1/2x3 1/2 inches (11.4x8.8 cm.), each with a letterpress title, credit, and plate number on mount recto. Tall 4to, original 1/2 calf. Parr/Badger I 50. first edition. Paris: Chez ve Jules Renouard, Libraire, 1862
A work of utmost rarity, this copy with 20 photographic plates.
The great nineteenth-century French neurologist Duchenne de Boulogne combined his intimate knowledge of facial anatomy with his skill in photography and expertise in using electricity to stimulate individual facial muscles, producing a fascinating interpretation of the ways in which the human face portrays emotions. According to R. Andrew Cuthbertson, who edited the reprint of this 19th-century masterwork, " [Duchenne's] fascinating photographs and insightful commentary provided generations of researchers with information about the perception and communication of human facial affect. Scientists from Darwin to Ekman all acknowledge their debt to Duchenne. This important photographically illustrated book, with its truly remarkable images, continues to have currency today."
Duchenne's principal photographic subject, "The Old Man," was afflicted with almost total facial anaesthesia. This circumstance made him an ideal subject for Duchenne's investigations, because the stimulating electrodes he used were certainly somewhat uncomfortable, if not actually painful to those who could feel them.
The collation of this volume is the same as the one in the BibliothÞque Charcot, Paris. (See Duchenne de Boulogne 1806-1875, p. 255). Not in Norman, not in the Parcival Bailey Collection; Waller no. 2606 (copy with only 10 plates). Not in Osler nor in Cushing. Tauregg p. 200. Copies of the first edition were typically issued with different numbers of photographs.
The book was published in fascicules containing the introduction first, followed by the scientific section; an aesthetic section was published some months later. This sequential publication had the advantage that criticisms made by reviewers of, for example, the scientific section, were answered by Duchenne in the subsequent Aesthetic section. Together, the three fascicules constituted the "text." They were either purchased already bound together or bought loose and bound in the purchaser's preferred style. This volume features the preface, an "avvertisement" for the aesthetic section, followed by Series One and Two of the Aesthetic Section.
Southwell Brothers
Jimmy Rogers as Miss Eily O'Connor in a burlesque of Dion Boucicault's "the Colleen Bawn"
1862
Carte de visite
Paul Frecker
LL/34093
Mathew Brady's Studio
Brady Gallery photographic team for the Civil War, Berlin, Maryland
1862
Albumen print
Private collection of Larry West
Courtesy of Larry J. West, © West Companies, Inc., 2005. [From the book: Tokens of Affection and Regard]
LL/8597
From left to right:
Silas Holmes
Stephen (a cook)
E.T. Whitney
Hodges
Jim (teamster)
Mathew Brady
David B. Woodbury
One of the rare photographs that shows the people who actually took the photography for Brady.
Adolphe Terris
Rue des Icardins [Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
19,5 x 25 cm (image) 29 x 39 cm (mount)
Vintage-Photos
LL/56183
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56188
Rénovation de la Vieille Ville de Marseille, ouverture de la Rue Impériale, 1862. Album photographique des Anciennes Rues démolies pour l'ouverture de la Rue Impériale,
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56189
Rénovation de la Vieille Ville de Marseille, ouverture de la Rue Impériale, 1862. Album photographique des Anciennes Rues démolies pour l'ouverture de la Rue Impériale,
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56190
Rénovation de la Vieille Ville de Marseille, ouverture de la Rue Impériale, 1862. Album photographique des Anciennes Rues démolies pour l'ouverture de la Rue Impériale,
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56191
Rénovation de la Vieille Ville de Marseille, ouverture de la Rue Impériale, 1862. Album photographique des Anciennes Rues démolies pour l'ouverture de la Rue Impériale,
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56192
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56193
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56194
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56195
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56196
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56197
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56198
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56199
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56200
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56201
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56202
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56203
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56204
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56205
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56206
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56207
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56208
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56209
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56210
Adrian J. Ebell [Attributed to]
People escaping from the Indian massacre of 1862 in Minnesota, at dinner on a prairie
1862
Stereocard, right half
Creative Commons - Wikipedia
Library of Congress, Digital ID: cph 3a13425 http://hdl.loc.gov/loc.pnp/cph.3a13425
LL/55814
Alexander Gardner
Antietam Bridge, MD
[Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 19]
1862
Albumen print
7 x 9 in
Lee Gallery
Courtesy of Lee Gallery (Z1355)
LL/14024
Alexander Gardner
Burnside Bridge, Across Antietam Creek, Maryland
[Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 20]
1862
Albumen print
17.8 x 22.9 cm (7 x 9 in)
American Art Museum, Smithsonian Institution
Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment
LL/7565
Alfred Saint-Ange Briquet
Alexis Godillot. Campement, équipement, coiffure, chaussure, ambulances. Types de l'Armée française. [Page de titre]
1862
Tirage sur papier albuminé d'après négatif sur verre au collodion,
23.5 x 17.5 cm
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Estampes et Photographie. Eo 121 folio tome 3. Ancienne collection Georges Sirot
LL/7042
Alfred Saint-Ange Briquet
Alexis Godillot. Campement, équipement, coiffure, chaussure, ambulances. Types de l'Armée française - Equipement pour la cavalerie
1862
Tirage sur papier albuminé d'après négatif sur verre au collodion,
24 x 18 cm
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Estampes et Photographie. Eo 121 folio tome 3. Ancienne collection Georges Sirot
LL/7043
Alfred Saint-Ange Briquet
Alexis Godillot. Campement, équipement, coiffure, chaussure, ambulances. Types de l'Armée française - Ustensiles pour les hôpitaux
1862
Tirage sur papier albuminé d'après négatif sur verre au collodion,
23.5 x 17.5 cm
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Estampes et Photographie. Eo 121 folio tome 3. Ancienne collection Georges Sirot
LL/7044
André Adolphe-Eugène Disdéri
Princess Pauline de Metternich
1862
Carte de visite
Paul Frecker
LL/13414
Princess Pauline Metternich was the life and soul of high society during the Second Empire. A close personal friend of the Empress Eugénie, she was a constant attendant at all the balls at the Tuileries and a regular houseguest at CompiÞgne. Her memoires, published in two volumes, offer a fascinating behind-the-scenes glimpse of life at court. Possessed of exquisite taste, although unfortunately not the most beautiful of women, she was known as 'the best dressed monkey in Paris', a soubriquet she coined herself.
André Adolphe-Eugène Disdéri
Prince Richard Metternich and Princess Pauline Metternich
1862
Carte de visite
Paul Frecker
LL/13415
This portrait shows Princess Pauline with her husband, Prince Richard Metternich, the Austrian ambassador to the court of Napoléon III. The carte-de-visite was copied by Degas for his portrait of the Princess (cropped at the waist, and with her husband omitted altogether) which now hangs in the National Gallery, London, one of the earliest known examples of an artist basing a painting entirely on a photograph.
Carl Curman
Carl Curman and consul Johan Gabriel Mollén (1790-1863). "Young doctor and old consul". Photo taken with self-timer.
1862
Carte de visite
Swedish National Heritage Board
LL/35770
Charles Fuchs
View of the Petri Church, Hamburg
1862
Albumen print
26 x 20.5 cm
Bassenge Photography Auctions
Courtesy of Bassenge, Berlin (Photography, Dec 2, 2009, Sale: 94, Lot: 4038)
LL/33490
Mounted to board (slightly soiled), photographer's name printed in lower right corner on the mount; annotated in ink and 2 collection stamps on the verso.
Charles Fuchs was a lithographer and is well known for his early calotypes of Hamburg.
Lit.: Fritz Lachmund. Alt-Hamburg durch die Camera. Hamburg 1971.
Eugène Cuvelier
Farmyard
1862
Salted paper print from a paper negative
25.80 x 19.60 cm (10 1/8 x 7 11/16 ins) (image)
Cleveland Museum of Art
Purchase from the J. H. Wade Fund, Accession No.: 2008.112
Eugène Cuvelier
Dormoir aux Vaches
1862
Albumen print from waxed paper negative
7-13/16 x 10-3/16 in (200 x 260 mm)
Charles Isaacs Photographs, Inc
Courtesy of Charles Isaacs Phototographs (www.charlesisaacs.com - o1236)
LL/9201
Francis Bedford
Erechtheum general view from the east
1862
Albumen print
10.2 x 12.7 cm (image) 19 x 24 cm (mount)
J. Paul Getty Museum
Getty Research Library, Special Collections and Visual Resources, Gary Edwards collection of photographs of Greece, 1842-1959, Id: 92.r.84_04-06-06
LL/41632
Title from inscription on mount, lower right: "Plate 48. Athens. The Erechtheum General View from the East." "Photographed by Francis Bedford during / [the Tour in the] the East on which by Command / [he accompanied] His Royal Highness / The Prince of Wales"--inscribed on mount, lower left, with text missing where mount is torn. "168 [?] / Athens / FBedford / May 30/62"--inscribed in negative, lower right.
Henry P. Moore [American, 1835-1911]
Slaves of General Thomas F. Drayton
1862
Albumen silver print
13 x 20.8 cm (5 1/8 x 8 3/16 in)
J. Paul Getty Museum
Object number: 84.XM.483.25
LL/50664
Luigi Montabone
Nasser Eddin Schiah
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph, hand-coloured
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 1, scheda 251c
LL/52773
Luigi Montabone
[S.M.I. Nasser Eddin Schiah]
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph, hand-coloured
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 2, scheda 252b
LL/52774
Luigi Montabone
[S.M.I. Nasser Eddin Schiah]
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph, hand-coloured
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 3, scheda 253c
LL/52775
Luigi Montabone
[S.M.I. Nasser Eddin Schiah]
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 4, scheda 254b
LL/52776
Luigi Montabone
Palazzo del governatore generale del Caucaso in Tiflis
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 5, scheda 188b
LL/52777
Luigi Montabone
Piazza di Erivan in Tiflis
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 6, scheda 190b
LL/52778
Luigi Montabone
Capitano Cosacco
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 7, scheda 195b
Henry Draper
Henry Draper in Civil War uniform
1862
Tintype
Hastings Historical Society
Courtesy of the Hastings on Hudson Historical Society, Ph09909T
LL/38248
Henry Draper (1837-1882) followed in his famous father's footsteps as a medical doctor and amateur photographer. He served as a surgeon in the Twelfth Regiment of the New York State Militia for three months in the summer of 1862. By this time he had already built his astronomical observatory in Hastings-on-Hudson, and a year later he took his famous photographs of the moon.
Luigi Montabone
Missione Italiana
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 59, scheda 229b
LL/52831
Oscar Gustave Rejlander
Night in Town
1862
Albumen print
20.3 x 15.4 cm (8 x 6 1/16 in.)
Princeton University Art Museum
Museum purchase, gift of Mrs. Max Adler, Object Number: x1986-13
LL/44637
Samuel Montague Fassett (S.M. Fassett, Artist, 122 & 124 Clark St., Chicago, Ill.)
Robert Kennicott, Naturalist
1862
Carte de visite
Wisconsin Historical Society
Increase Allen Lapham: Papers, 1825-1930, carte-de-visite collection, WHS Image id: WHi-47793
LL/32878
Carte-de-visite of Robert Kennicott (1835-1866), American Naturalist. After 1853 he worked for Spencer Fullerton Baird at the Smithsonian Institution in Washington, D.C., and was a prominent member of their Megatherium Club. In 1865, Kennicott worked for the the Western Union Telegraph Expedition, attempting to find a possible route for a telegraph from the United States to Russia. Shown here in costume, possibly from an expedition to northern Canada. Handwritten inscription at the bottom reads, "Bob Kennicott."
© Wisconsin Historical Society
Philippe Potteau
Ethnographic portrait: Feradji Soungui
1862
Albumen print
11.5 x 8.6
Artcurial
courtesy of Artcurial (Sale 1170, Lot 177)
LL/19539
Silas Holmes
Mathew Brady and his employees - D. Woodbury, E.T. Whitney, Ruins of the Arsenal, Harper's Ferry, West Virginia
1862
Albumen print
Library of Congress, Prints and Photographs Division
Ref: 4a39558u
LL/42985
Timothy H. O'Sullivan
[Slaves, J. J. Smith's Plantation, near Beaufort, South Carolina]
1862
Albumen silver print
21.4 x 27.3 cm (8 7/16 x 10 3/4 in)
J. Paul Getty Museum
Object number: 84.XM.484.39
LL/50663
Milton M. Miller Studio
Japanese Mission to Europe
1862
Albumen print
288 x 230mm
Old Japan
Images and text courtesy of Terry Bennett (Old Japan - www.old-japan.co.uk - EB-30018)
LL/9206
Officers of the 1862 Takenouchi Mission to Europe, Hong Kong, 1862, rich dark vintage albumen print, 288 x 230mm, in fine condition, mounted on contemporary album page, 353 x 273mm, with a pasted-on printed caption beneath the image: 198. Japanese Ambassadors to Europe. Annoyed that the first mission in 1860 had gone to the United States, the British and French ministers to Japan, Alcock and de Bellecourt respectively, persuaded the Tokugawa government of the importance of visiting Europe. Without any real enthusiasm for the idea, the government nominated a team of thirty-six six of whom had been on the earlier American mission. Passing through Hong Kong on their way to Europe, two senior members of the delegation, Matsudaira Yasunao and Kyogoku Takaaki, were photographed at Miller's studio. Milton Miller is rightly acclaimed as one of the greatest portrait photographers of nineteenth-century Asia, and this is a particularly fine example of his handiwork
Luigi Montabone
Commendatore M. Marcello Cerruti
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 60, scheda 185b
LL/52832
http://www.luminous-lint.com/app/tags/6/1862/
Александра Римская 16.01.2015 г., 663 , Anno Domini. Xikrik to river Novogor
Список статей Сандры Римской
Сайт Армия Карусов
Группа ВК "История
Unidentified photographer/creator
Kit Carson and Edwin Perrin
1862
Carte de visite
Be-Hold
Courtesy of Larry Gottheim - Be-Hold (45 / 43)
LL/10894
This 1862 double portrait shows Carson as Colonel in the N. Mexico Volunteers, with Colonel Perrin, who was sent down there to bolster the arms of the N. Mexico troops. This has the "EA" backmark for Edward Anthony.
Unidentified photographer/creator
#81 Glass, by Messrs, Naylor & Co.
[The International Exhibition of 1862]
1862
Stereocard, detail
Jefferson Stereoptics
Courtesy of John Saddy (Auction, Oct 15, 2008 # 8-03, Lot 36)
LL/31416
Barnard & Gibson
Fortifications at Manassas
[Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 11]
1862
Albumen print
7 x 9 in
Lee Gallery
Courtesy of Lee Gallery (Z1352)
LL/14041
"Negative by Barnard & Gibson. March, 1862. Entered according to Act of Congress in the year 1865, by A. Gardner, in the Clerk's Office of the District Court of the District of Columbia. Incidents of the War. Fortifications at Manassas. Published by Philp & Solomons, Washington. Positive by A. Gardner, 511 7th St., Washington" printed in margin recto,
Duchenne & Adrien Tournachon
From "Mecanisme de la Physionomie Humaine ou Analyse Electro-Physiologique de L'Expression des Passions" (Paris: Chez ve Jules Renouard, Libraire, 1862)
[Mecanisme de la Physionomie Humaine ou Analyse Electro-Physiologique de L'Expression des Passions]
1862
Swann Galleries - New York
Courtesy of Swann Galleries (Auction, May 22, 2007, #2115, Lot 59)
LL/19221
With 20 photographic plates, comprising 9 composite montages (each with 16 images) and 11 medium-format studies of women patients from the "Figures esthétiques." Albumen prints, the composites are 5 1/4x4 1/4 inches (13.3x 10.8 cm.) and the studies are 4 1/2x3 1/2 inches (11.4x8.8 cm.), each with a letterpress title, credit, and plate number on mount recto. Tall 4to, original 1/2 calf. Parr/Badger I 50. first edition. Paris: Chez ve Jules Renouard, Libraire, 1862
A work of utmost rarity, this copy with 20 photographic plates.
The great nineteenth-century French neurologist Duchenne de Boulogne combined his intimate knowledge of facial anatomy with his skill in photography and expertise in using electricity to stimulate individual facial muscles, producing a fascinating interpretation of the ways in which the human face portrays emotions. According to R. Andrew Cuthbertson, who edited the reprint of this 19th-century masterwork, " [Duchenne's] fascinating photographs and insightful commentary provided generations of researchers with information about the perception and communication of human facial affect. Scientists from Darwin to Ekman all acknowledge their debt to Duchenne. This important photographically illustrated book, with its truly remarkable images, continues to have currency today."
Duchenne's principal photographic subject, "The Old Man," was afflicted with almost total facial anaesthesia. This circumstance made him an ideal subject for Duchenne's investigations, because the stimulating electrodes he used were certainly somewhat uncomfortable, if not actually painful to those who could feel them.
The collation of this volume is the same as the one in the BibliothÞque Charcot, Paris. (See Duchenne de Boulogne 1806-1875, p. 255). Not in Norman, not in the Parcival Bailey Collection; Waller no. 2606 (copy with only 10 plates). Not in Osler nor in Cushing. Tauregg p. 200. Copies of the first edition were typically issued with different numbers of photographs.
The book was published in fascicules containing the introduction first, followed by the scientific section; an aesthetic section was published some months later. This sequential publication had the advantage that criticisms made by reviewers of, for example, the scientific section, were answered by Duchenne in the subsequent Aesthetic section. Together, the three fascicules constituted the "text." They were either purchased already bound together or bought loose and bound in the purchaser's preferred style. This volume features the preface, an "avvertisement" for the aesthetic section, followed by Series One and Two of the Aesthetic Section.
Southwell Brothers
Jimmy Rogers as Miss Eily O'Connor in a burlesque of Dion Boucicault's "the Colleen Bawn"
1862
Carte de visite
Paul Frecker
LL/34093
Mathew Brady's Studio
Brady Gallery photographic team for the Civil War, Berlin, Maryland
1862
Albumen print
Private collection of Larry West
Courtesy of Larry J. West, © West Companies, Inc., 2005. [From the book: Tokens of Affection and Regard]
LL/8597
From left to right:
Silas Holmes
Stephen (a cook)
E.T. Whitney
Hodges
Jim (teamster)
Mathew Brady
David B. Woodbury
One of the rare photographs that shows the people who actually took the photography for Brady.
Adolphe Terris
Rue des Icardins [Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
19,5 x 25 cm (image) 29 x 39 cm (mount)
Vintage-Photos
LL/56183
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56188
Rénovation de la Vieille Ville de Marseille, ouverture de la Rue Impériale, 1862. Album photographique des Anciennes Rues démolies pour l'ouverture de la Rue Impériale,
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56189
Rénovation de la Vieille Ville de Marseille, ouverture de la Rue Impériale, 1862. Album photographique des Anciennes Rues démolies pour l'ouverture de la Rue Impériale,
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56190
Rénovation de la Vieille Ville de Marseille, ouverture de la Rue Impériale, 1862. Album photographique des Anciennes Rues démolies pour l'ouverture de la Rue Impériale,
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56191
Rénovation de la Vieille Ville de Marseille, ouverture de la Rue Impériale, 1862. Album photographique des Anciennes Rues démolies pour l'ouverture de la Rue Impériale,
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56192
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56193
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56194
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56195
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56196
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56197
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56198
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56199
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56200
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56201
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56202
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56203
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56204
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56205
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56206
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56207
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56208
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56209
Adolphe Terris
[Marseille, France]
[Rénovation de la Vieille Ville de Marseille]
1862
Albumen print
Leclere, Maison de Ventes
12/10/13, Lot: 33
LL/56210
Adrian J. Ebell [Attributed to]
People escaping from the Indian massacre of 1862 in Minnesota, at dinner on a prairie
1862
Stereocard, right half
Creative Commons - Wikipedia
Library of Congress, Digital ID: cph 3a13425 http://hdl.loc.gov/loc.pnp/cph.3a13425
LL/55814
Alexander Gardner
Antietam Bridge, MD
[Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 19]
1862
Albumen print
7 x 9 in
Lee Gallery
Courtesy of Lee Gallery (Z1355)
LL/14024
Alexander Gardner
Burnside Bridge, Across Antietam Creek, Maryland
[Gardner's Photographic Sketch Book of the War. Incidents of the War, pl. 20]
1862
Albumen print
17.8 x 22.9 cm (7 x 9 in)
American Art Museum, Smithsonian Institution
Smithsonian American Art Museum, museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment
LL/7565
Alfred Saint-Ange Briquet
Alexis Godillot. Campement, équipement, coiffure, chaussure, ambulances. Types de l'Armée française. [Page de titre]
1862
Tirage sur papier albuminé d'après négatif sur verre au collodion,
23.5 x 17.5 cm
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Estampes et Photographie. Eo 121 folio tome 3. Ancienne collection Georges Sirot
LL/7042
Alfred Saint-Ange Briquet
Alexis Godillot. Campement, équipement, coiffure, chaussure, ambulances. Types de l'Armée française - Equipement pour la cavalerie
1862
Tirage sur papier albuminé d'après négatif sur verre au collodion,
24 x 18 cm
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Estampes et Photographie. Eo 121 folio tome 3. Ancienne collection Georges Sirot
LL/7043
Alfred Saint-Ange Briquet
Alexis Godillot. Campement, équipement, coiffure, chaussure, ambulances. Types de l'Armée française - Ustensiles pour les hôpitaux
1862
Tirage sur papier albuminé d'après négatif sur verre au collodion,
23.5 x 17.5 cm
Bibliothèque Nationale de France, Département des Estampes et de la Photographie
Estampes et Photographie. Eo 121 folio tome 3. Ancienne collection Georges Sirot
LL/7044
André Adolphe-Eugène Disdéri
Princess Pauline de Metternich
1862
Carte de visite
Paul Frecker
LL/13414
Princess Pauline Metternich was the life and soul of high society during the Second Empire. A close personal friend of the Empress Eugénie, she was a constant attendant at all the balls at the Tuileries and a regular houseguest at CompiÞgne. Her memoires, published in two volumes, offer a fascinating behind-the-scenes glimpse of life at court. Possessed of exquisite taste, although unfortunately not the most beautiful of women, she was known as 'the best dressed monkey in Paris', a soubriquet she coined herself.
André Adolphe-Eugène Disdéri
Prince Richard Metternich and Princess Pauline Metternich
1862
Carte de visite
Paul Frecker
LL/13415
This portrait shows Princess Pauline with her husband, Prince Richard Metternich, the Austrian ambassador to the court of Napoléon III. The carte-de-visite was copied by Degas for his portrait of the Princess (cropped at the waist, and with her husband omitted altogether) which now hangs in the National Gallery, London, one of the earliest known examples of an artist basing a painting entirely on a photograph.
Carl Curman
Carl Curman and consul Johan Gabriel Mollén (1790-1863). "Young doctor and old consul". Photo taken with self-timer.
1862
Carte de visite
Swedish National Heritage Board
LL/35770
Charles Fuchs
View of the Petri Church, Hamburg
1862
Albumen print
26 x 20.5 cm
Bassenge Photography Auctions
Courtesy of Bassenge, Berlin (Photography, Dec 2, 2009, Sale: 94, Lot: 4038)
LL/33490
Mounted to board (slightly soiled), photographer's name printed in lower right corner on the mount; annotated in ink and 2 collection stamps on the verso.
Charles Fuchs was a lithographer and is well known for his early calotypes of Hamburg.
Lit.: Fritz Lachmund. Alt-Hamburg durch die Camera. Hamburg 1971.
Eugène Cuvelier
Farmyard
1862
Salted paper print from a paper negative
25.80 x 19.60 cm (10 1/8 x 7 11/16 ins) (image)
Cleveland Museum of Art
Purchase from the J. H. Wade Fund, Accession No.: 2008.112
Eugène Cuvelier
Dormoir aux Vaches
1862
Albumen print from waxed paper negative
7-13/16 x 10-3/16 in (200 x 260 mm)
Charles Isaacs Photographs, Inc
Courtesy of Charles Isaacs Phototographs (www.charlesisaacs.com - o1236)
LL/9201
Francis Bedford
Erechtheum general view from the east
1862
Albumen print
10.2 x 12.7 cm (image) 19 x 24 cm (mount)
J. Paul Getty Museum
Getty Research Library, Special Collections and Visual Resources, Gary Edwards collection of photographs of Greece, 1842-1959, Id: 92.r.84_04-06-06
LL/41632
Title from inscription on mount, lower right: "Plate 48. Athens. The Erechtheum General View from the East." "Photographed by Francis Bedford during / [the Tour in the] the East on which by Command / [he accompanied] His Royal Highness / The Prince of Wales"--inscribed on mount, lower left, with text missing where mount is torn. "168 [?] / Athens / FBedford / May 30/62"--inscribed in negative, lower right.
Henry P. Moore [American, 1835-1911]
Slaves of General Thomas F. Drayton
1862
Albumen silver print
13 x 20.8 cm (5 1/8 x 8 3/16 in)
J. Paul Getty Museum
Object number: 84.XM.483.25
LL/50664
Luigi Montabone
Nasser Eddin Schiah
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph, hand-coloured
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 1, scheda 251c
LL/52773
Luigi Montabone
[S.M.I. Nasser Eddin Schiah]
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph, hand-coloured
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 2, scheda 252b
LL/52774
Luigi Montabone
[S.M.I. Nasser Eddin Schiah]
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph, hand-coloured
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 3, scheda 253c
LL/52775
Luigi Montabone
[S.M.I. Nasser Eddin Schiah]
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 4, scheda 254b
LL/52776
Luigi Montabone
Palazzo del governatore generale del Caucaso in Tiflis
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 5, scheda 188b
LL/52777
Luigi Montabone
Piazza di Erivan in Tiflis
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 6, scheda 190b
LL/52778
Luigi Montabone
Capitano Cosacco
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 7, scheda 195b
Henry Draper
Henry Draper in Civil War uniform
1862
Tintype
Hastings Historical Society
Courtesy of the Hastings on Hudson Historical Society, Ph09909T
LL/38248
Henry Draper (1837-1882) followed in his famous father's footsteps as a medical doctor and amateur photographer. He served as a surgeon in the Twelfth Regiment of the New York State Militia for three months in the summer of 1862. By this time he had already built his astronomical observatory in Hastings-on-Hudson, and a year later he took his famous photographs of the moon.
Luigi Montabone
Missione Italiana
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 59, scheda 229b
LL/52831
Oscar Gustave Rejlander
Night in Town
1862
Albumen print
20.3 x 15.4 cm (8 x 6 1/16 in.)
Princeton University Art Museum
Museum purchase, gift of Mrs. Max Adler, Object Number: x1986-13
LL/44637
Samuel Montague Fassett (S.M. Fassett, Artist, 122 & 124 Clark St., Chicago, Ill.)
Robert Kennicott, Naturalist
1862
Carte de visite
Wisconsin Historical Society
Increase Allen Lapham: Papers, 1825-1930, carte-de-visite collection, WHS Image id: WHi-47793
LL/32878
Carte-de-visite of Robert Kennicott (1835-1866), American Naturalist. After 1853 he worked for Spencer Fullerton Baird at the Smithsonian Institution in Washington, D.C., and was a prominent member of their Megatherium Club. In 1865, Kennicott worked for the the Western Union Telegraph Expedition, attempting to find a possible route for a telegraph from the United States to Russia. Shown here in costume, possibly from an expedition to northern Canada. Handwritten inscription at the bottom reads, "Bob Kennicott."
© Wisconsin Historical Society
Philippe Potteau
Ethnographic portrait: Feradji Soungui
1862
Albumen print
11.5 x 8.6
Artcurial
courtesy of Artcurial (Sale 1170, Lot 177)
LL/19539
Silas Holmes
Mathew Brady and his employees - D. Woodbury, E.T. Whitney, Ruins of the Arsenal, Harper's Ferry, West Virginia
1862
Albumen print
Library of Congress, Prints and Photographs Division
Ref: 4a39558u
LL/42985
Timothy H. O'Sullivan
[Slaves, J. J. Smith's Plantation, near Beaufort, South Carolina]
1862
Albumen silver print
21.4 x 27.3 cm (8 7/16 x 10 3/4 in)
J. Paul Getty Museum
Object number: 84.XM.484.39
LL/50663
Milton M. Miller Studio
Japanese Mission to Europe
1862
Albumen print
288 x 230mm
Old Japan
Images and text courtesy of Terry Bennett (Old Japan - www.old-japan.co.uk - EB-30018)
LL/9206
Officers of the 1862 Takenouchi Mission to Europe, Hong Kong, 1862, rich dark vintage albumen print, 288 x 230mm, in fine condition, mounted on contemporary album page, 353 x 273mm, with a pasted-on printed caption beneath the image: 198. Japanese Ambassadors to Europe. Annoyed that the first mission in 1860 had gone to the United States, the British and French ministers to Japan, Alcock and de Bellecourt respectively, persuaded the Tokugawa government of the importance of visiting Europe. Without any real enthusiasm for the idea, the government nominated a team of thirty-six six of whom had been on the earlier American mission. Passing through Hong Kong on their way to Europe, two senior members of the delegation, Matsudaira Yasunao and Kyogoku Takaaki, were photographed at Miller's studio. Milton Miller is rightly acclaimed as one of the greatest portrait photographers of nineteenth-century Asia, and this is a particularly fine example of his handiwork
Luigi Montabone
Commendatore M. Marcello Cerruti
[Ricordi del viaggio in Persia della missione italiana 1862]
1862
Photograph
Biblioteca Nazionale Marciana
N. inv.: 87266; segn.: 138.C.88. Tavola 60, scheda 185b
LL/52832
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