The Phenomenon That Is Kimura Takuya: Part 3 (The Actor: Through the Eyes of Industry Professionals)
Through the years of his career, Kimura Takuya has had the opportunity to work with some of the most talented and skillful professionals in the entertainment industry, from the behind-the-scenes film crews to his fellow actors and actresses. They have worked with him and watched up close as he brought numerous characters to life. They, more than anyone, are the people who know exactly what he is capable of and who he is as Kimura Takuya the actor.
STAFF AND BEHIND-THE-SCENES CREW
Source(s): https://twitter.com/LloydAndo/status/461677763091382272, https://twitter.com/LloydAndo/status/461678539893264384, https://twitter.com/LloydAndo/status/461679442746544128
Kimura-san's facial expression is magnificent, but he is also incredibly proficient in [the way he moves] his fingertips, the way he expresses [emotions] in his body language. The expression of rage, the expression used in every day life and the expression of gentleness/kindness. His fingertips and his eyes, the way he moves his neck, the angle of his back, these gestures are completely calculated; "acting" that is worth researching.
In the dining scene between Nobunaga and Dousan, there is an exchange with their lives at stake, but it is a scene that has no lines. But, if Nobunaga had targetted the things that Dousan had in his hand, Dousan would've lost his life. In that scene, that is smoothly expressed. It is a real shame that people cannot see through to the true essence of that person's [Kimura Takuya's] acting.
Often, I come across the heart-breaking critcism that 'no matter what he does, he's still KimuTaku', but they are only looking at his aura which is at a level comparable to Hagiwara Kenichi, Matsuda Yusaku, Mizutani Yutaka, Tsuruta Koji and Takakura Ken; the way all these legendary actors move their fingertips or the way they turn back, these gestures are comparable to a thousand lines.
(Ueda Hiroki, Producer of "Ando Lloyd ~A.I. Knows Love?~")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
A genius-type actor that is of a contradicting type to Lee Byung Hun. During the make-up process, in English, he made suggestions on the technique of how blood spurts out, the additional marks of wounds, the general area that the wounds should be placed. It is because of his adlibs which had I hadn't thought of, that most of the magnificient images are born.
(Tran Anh Hung, Director and Writer of "I Come with the Rain")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
The ‘naturalness’ in his acting doesn’t mean he’s doing nothing; rather, he is creating a ‘natural [style of] acting’. There are people who mistake a natural style of acting with the person behaving as he normally would, but it doesn’t mean that it isn’t acting. What initially starts off as acting has to be worked on until it becomes natural. I think that this is something which he has an incredible capability in.
(Suzuki Masayuki, Director of "HERO the Movie")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
No matter what character it is, at the stage when it’s still a scenario, even if this might be a little impolite towards the scriptwriter, an extreme way of putting would be that it [the character] is still dead. When the actor first acts as the character, that’s when it gains life. To breathe that life into the character, it is something that Kimura-san is astoundingly good at. The innate nature/disposition of the character, how do I put it, his ability for expression/conception, he has the power of creativity and imagination to add complexity to the character. His capability of creating the performance [of a character] is extraordinary.
The other is, more precisely, the power he has to put something into motion. To act for the screen is indisputably not the type of performance that has the same freedom as stage acting and dancing. There is the restriction of the camera, and even if something is seen to be natural onscreen, the same movement in real life is bound by how unnatural it is. In a place that is completely separate from the emotions of the character, the rhythm of the actor is halted unnaturally and then [the actor is told], "Please start moving [again]" or "Walk while your leg is still bent". On top of that, that same thing is repeated from the test time. In reality, it is a really restricted acting. Amidst all this, he brings forth the naturalness that is desired in acting while splendidly answering to the requirements that contrasts to that [naturalness]. He has the extremely rare talent of bringing together both the creative and the technical aspect in his performance [of a character].
When Kimura-san acts as Kuryuu Kouhei, he makes the difficult parts clear and simple, like waving a magic wand, completely naturally, he conveys it easily to the audience. The way he explains a case, what he has discovered, his revelations, and even his doubts or his disagreement, those emotions that move his heart, all of it is easily understood and clearly conveyed, and undoubtedly, the audience will share those sentiments of agreement, of relief or of doubt as he goes along. Saved by this power of his, I think that it is this power that breathes life into the story of "HERO".
(Ishihara Takashi, Producer of "HERO the Movie")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
When your partner is facing you and talking to you, to act like you can't see the person is really difficult. He's skillful at that.
(Watanabe Hiroshi, Cameraman in "Bushi no Ichibun")
Source(s): http://www.cinematoday.jp/page/N0007775, http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
Ten years ago, at a particular party, when I crossed paths with Kimura Takuya-kun, I felt that 'here is a "dignified/awe-inspiring young samurai [1]'... He had an aura that was like Takakura Ken's, a "truth" that connected him, [and] his eyes were especially charming/attractive.
I had always thought that he wasn't just a run-of-the-mill person, but when I actually worked with him, Kimura-kun is truly profound... Truly [a] massive [presence], he gave me the determination/resolution to see the job through to the end. Even though he's young, the richness of his expressions... Every day was truly beyond what I imagined, filled with many surprises, that is something that the staff and everyone else would agree on.
Because he has learnt kendo [2] since he was young, the fact that he could do kenjutsu [3] was an incredible surprise to me.
How do I put it, he is humble, the approach he uses as he immerses himself in his character. In the finest details that seem unimportant, 'to act like this' or 'to create this expression', it's not something as simple as that [for him]; rather, to truly grasp the character in a deeper, more profound sense, that was something he had. An actor is a part. In the case of films, the shooting of it, from lighting to set design to props, from make-up to hair-styling, to audio recording, there is a large team of tens, and sometimes hundreds, of people that gather to make the film. He truly understands what it is to work in a group. It's quite a sight to behold.
By becoming a character and thinking like that character, that's where ideas are born. 'A bokutou [4] is made out of heavy material, so you wouldn't swing it like that,' [he would say].
(Yamada Yoji, Director of "Bushi no Ichibun")
NOTE:
[1] "Samurai" - The warrior class of feudal Japan. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Samurai
[2] "Kendo" - Literally translated to "the way of the sword", it is a modern Japanese martial arts. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Kendo
[3] "Kenjutsu" - The umbrella term for all schools of Japanese swordsmanship. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Kenjutsu
[4] "Bokutou" - Also known as a "bokken", it is a type of Japanese wooden sword used for training. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Kenjutsu
Source: SMAStation episode dated 2006.12.02
Translation Credits: SmappieSubs
People always ask me, "Isn’t that Kimura’s adlib?", but he almost always follows the script when he acts, and he analyzes his characters very deeply.
(Inoue Yumiko, Writer of "Gift", "Chuusingura 1/47", "GOOD LUCK!!" and "Engine")
Source: SMAStation episode dated 2006.12.02
Translation Credits: SmappieSubs
How is it that such a superstar with such a presence, which is how everyone describes him, can act in normal roles, like a regular office worker, so naturally? It was unbelievable how he could act in such ordinary roles and still be able to empathize with the characters. He really becomes those characters, so viewers are sucked into his dramas very easily. Normally, with a superstar like him, whatever he does, people only see "Kimura Takuya" and not the different roles. He was able to become those characters, like people see him as "Sena" in "Long Vacation". He can make people see him as the characters.
(Oota Tooru, Producer of "PRIDE")
Source: SMAStation episode dated 2006.12.02
Translation Credits: SmappieSubs
He is a very good actor to begin with. I really think he stands out from all the other actors from his generation. I have always thought that he is very talented. It’s something that I’ve thought, even in the past [1].
(Mitani Koki, Writer of "Furuhata Ninzaburou")
NOTE:
[1] When Mitani-san gave this interview, it was in 2006. The past he was referring to was the time that Kimura Takuya guest starred in the "Furuhata Ninzaburou" series as the only criminal that the detective ever hit. Kimura Takuya is also, to date, the only actor to have guest starred two times in the series: once as a solo actor and the other as a member of SMAP.
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
He has become an incredible actor. Usually, when someone gets a break [in their career], unexpectedly, they can't grow after that. They have to present the thing [within them] that has been acknowledged by the era, and because they have been produced that way, they're up to their necks doing so. But, how do I put it, Kimura-kun hasn't lost sight of himself. His physical capability as someone who acts is of a high level. On top of that, he's serious. He analyzes the script [discerns the layered meanings between the lines] with utmost courtesy. I was surprised at the scent that he thinks of how he can fully utilize a narrow area in his acting; he is someone who really thinks about things. Even though he would protest (LOL), was it the scene where he hugged Miki? In that kind of acting, he is unparalleled. Without destroying the great sense of entertainment, he can convey the scene in such a way that it touches your heart; that is his Dandyism.
(Kawake Shunsaku, Director of "GIFT")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
As expected, nobody else can compare to Kimura-kun's sense; it is something that towers above [everyone else]. For the person Kimura Takuya, it isn't "just popularity". At the core, supporting it [that popularity] is actual talent and the genuine makings of a genius. No matter what type of scene, he doesn't persist with one acting method, but he has the approach of challenging different ways of acting, and the reality is, he succeeds. Because of this, to be in the spotlight and have such attention, if I had to say it, it's natural, it's something that should happen. It is something he is destined for.
(Yagi Yasuo, Producer of "Kyousokyoku")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
I am said to be strict on actors, [and] when it came to Takuya, it wasn't said lightly (LOL). From his first stage, he was someone who was stubborn and strong-willed; even during rehearsals, he would never show his tears or complain about anything. With that unique characteristic, at his core, he was kind/gentle. Kind of like a "wild beast bearing it's fangs", I thought that he had the incredible makings of a genius. I think of how I always want young actors to truly grasp the "sensitivity of the era", but contrary to that, he instead becomes a symbol of the "era"; he can express the varied emotions of the young men of his era. At times, he would perform for us things that production crew hadn't even thought of. Like James Dean, a young Marlon Brando or Leonardo Dicaprio, he contains a unique tension, the scent of an adroginity that charms the people; I think he is that type of actor. With that kind of outstanding talent, I would like him to fly out of this narrow Japan, and as quickly as possible, I would like to work with him on a world stage.
(Ninagawa Yukio, Director of "Modouken")
FELLOW CAST MEMBERS
Source: http://www.fujitv.co.jp/HERO/interview/interview_09.html
For me, in any case, I love Kimura-kun's acting. Especially the exchanges we share during the times when there are no lines, kind of like, our [shared] eye contact and the subtle gestures that he skillfully passes [on to me]. On my side, this keeps making it easier for me to act. When he is acting, it's as Kuryuu Kouhei, but it might be because even normally, Kimura-kun and I, even more than 13 years ago, have gotten one step closer to each other. From now on, I would like to try acting together with him more often, no matter how many times.
(Yashima Norito, Actor in "HERO")
Source: http://life.oricon.co.jp/2002663/
I shoot films as well, [Kimura] has a very calm and good voice. It's a different voice from when he's singing, when he's an actor, he takes on an actor's voice, that's what I think. It's really good.
(Beat Takeshi, Director/Actor "Toyota Reborn CM")
NOTE: The article also had this to comment on Captain's acting in the "Toyota Reborn CM",
Kimura, who acted as Nobunaga, during the standby time, he never talked unnecessarily, [he] calmly had his eyes closed while he concentrated on creating the character. In the scene for Honnouji Incident, he talked about the sitting position for the seppuku [1] scene, commenting, '(Rather than sitting cross-legged,) sitting in a seiza [2] position while removing his kimono [3] and yelling, I feel that that is more like Nobunaga.' Besides that personal suggestion, he also asked the conduct/manner coach on what is the most natural way of removing the kimono and showed a performance with that level of detail; we were charmed by his intense acting.
[1] "Seppuku" - A form of Japanese ritual sucide in the form of disembowlment. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Seppuku
[2] "Seiza" - A formal Japanese sitting style. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Seiza
[3] "Kimono" - A traditional Japanese garment. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Kimono
Source: http://www.fujitv.co.jp/PRICELESS/interview/index07.html
This is the first time I’m acting with Kimura-san. He thinks about even the finest of details, and his approach to acting is different from mine, so it was a learning experience for me. He is really good in acting with realism. That is to say, even in his daily life, he often observes different people, and that is reflected in his acting.
(Natsuki Mari, Actress in "PRICELESS ~Aru Wake Ne Darou Nna Mon!~")
Source: http://blogs.yahoo.co.jp/kammy05azuma/12970435.html
The effort that he puts into his work and his sense; they are excellent. That's why, for someone like me, when I co-starred with the likes of Kimura-kun, as expected, I learn an incredible amount of things. Amongst the younger actors/actresses, I do think it is better to maintain a form of senior-junior hierarchy, but once an actor/actress has gain recognition/acknowledgement, that's when there is no longer a hierarchy. Because it is a world based on actual skill/capability. At such a time, as expected, I think that I too would like to aim for the sensitivity that my juniors possess.
(Nakai Kiichi, Actor in "PRICELESS ~Aru Wake Ne Darou Nna Mon!~")
NOTE: This quote was actually taken from the episode of "Bokura no Jidai" dated 2014.06.01, which can be found here: http://www.miomio.tv/watch/cc73453/
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
His kenjutsu skills are very steady/reliable. He has a good form.
(Ogata Ken, Actor in "Bushi no Ichibun")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
To be able to conduct yourself that naturally in front of the camera is, I think, something special that he possesses. Even if something seems to be exaggerated, to do it without [acting] over-the-top. I think that only a few people are able to do that. Because to not exaggerate something, it can come off as insufficient/underacting. But even though it looks like [he] conducts himself naturally, in things like the movement of his eyes, he gives such a rich/complex performance. To be able to pursue such movements at the heart [of acting], I think it is because he possesses an immense disposition as an actor. Additionally, the one thing that I've always admired [about him], is his ability to exist [in the scene] with completely no self-consciousness of this thing called being on camera. Previously, I have asked him such a question, 'Aren't you conscious of the camera?'. His reply was, 'A thing like that, I treat it like the wind.' Even when it's right beside his face, he can treat it like there's nothing there. That is an amazing thing. In my case, I feel conscious [of the camera]. Of course, he is conscious of the camera, but right there, like the reigning king/monarch, he can act like it's nothing. He posseses that capability of overcoming such things. Even during the on-location shooting, he thinks of his movements whilst making general assumptions of what the place will be like, things like that, he even makes such preliminary preparations. I too make such preliminary preparations, but somehow, they never work out. I will end up fixating on how to say my lines in response [to my co-stars], but he thinks about it [his acting] starting with his movements.
(Kodama Kiyoshi, Actor in "HERO")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
When I was filming in Kyoto, it was during the same time that Kimura-san was in the middle of filming "Chuushingura 1/47"; I had heard that Kimura-san was amazing from the staff, such was his reputation, and when I went to watch the filming, I was so deeply moved emotionally that I decided to apply to be part of the cast in the role of the person who beheads him [and do it] without any pay.
(Watanabe Ken, Actor in "Chuushingura 1/47")
NOTE: When Watanabe Ken came to Bistro SMAP in the "SMAPxSMAP" episode that was aired on 2005.06.20, he talked about this as well. You can find a video of that here: Watanabe Ken on his participation in "Chuushingura 1/47"
OTHER INDUSTRY PROFESSIONALS
Source: http://ameblo.jp/smile-osamu/entry-11425520458.html
Yesterday, many voices were heard on Twitter concerning this, so I decided to write more about it here.
It's about Kimura Takuya's drama.
His drama, more than just the content, there are other parts that are always evaluated, aren't there?
If the ratings fall just a little, it gets flamed/attacked terribly, and yet, just a few days ago, when the drama broke the 20% mark, there were only a few net news websites that spread the news; why is this so?
I quite like his current drama [1]. Comedy is very hard to do, and there are truly very few actors who can do comedy without it falling flat/being dull and lame. If you take into account the people who are cool ("kakkoii hito"), the number shrinks even more.
Because of that, it can't be helped that there are expectations.
Even in "Long Vacation" and other dramas, his acting in the comedic parts, it is something I really love.
In SMAPxSMAP, there is a skit called the "Taikan Elevator". In such a skit, to be able to do it so skillfully/deliciously and make it interesting, there is no other actor who can do that.
Because the tone/story of the current drama is cheerful/light, the skillfulness in his comedic technique/art shines even more.
When I read the drama commentary/critique in the magazine, just because it's a drama that Kimura Takuya stars in, there are many who just think of, 'How do we tear into it?'
'We tore into Kimura Takuya this way!', and using this, they try to appeal to people. It is because we have drama writers like that such malignancy/a bad nature/a bad personality exists.
It makes me think, 'Enough with your attention-seeking, and just watch the drama more calmly/with more objectivity.'
Even so, I can't help but think, 'This may be the fate that he has been burdened with.'
For me, who is of the same age as him, I think it is a terribly amazing ("sugoi") road he is walking on, and I respect him from the bottom of my heart.
To be able to fight on, not just in movies/films, but also in television dramas, and to be judged based on the ratings that one produces, it is very tiring. That's why I think that the actors/actresses who fight on in both the movie and drama industries are simply amazing.
(Suzuki Osamu, Writer)
NOTE:
[1] When this entry was written, it was the year 2012; therefore, the drama that Osamu-san is referring to is "PRICELESS ~Aru Wake ne Darou Nna Mon!~"
Source(s): Toji Aida's Facebook, Ms. A
Is he a STAR; is he an ACTOR? Kimura Takuya is not Tamura Masakazu. This is something I recognize.
Therefore, Kimura Takuya is unmistakably the latter. Most likely, the people who criticize him are fascinated by his radiance as a star (even though he, himself, denies it), and it is so dazzling that they don't "see" his acting [ability]. They don't wear sunglasses, and in the first place, they don't own sunglasses. You know, like those people who look at a total solar eclipse with the naked eye, and say, "I can't see anything; it's no different from the usual". (Well, you can still see a solar eclipse with the naked eye; this is just an analogy.)
(Toji Aida, Professional media journalist and writer for Kinejun)
Toji Aida-san has also written several other articles on Captain as an actor:
"Kimura Takuya is always Kimura Takuya" - http://rz-jocelyn.livejournal.com/46389.html
"Kimura, who is a "one of a kind" revolution" - http://rz-jocelyn.livejournal.com/39888.html
Special thanks to Yutakuya for allowing me to use her sources and for helping compile this entry :333
STAFF AND BEHIND-THE-SCENES CREW
Source(s): https://twitter.com/LloydAndo/status/461677763091382272, https://twitter.com/LloydAndo/status/461678539893264384, https://twitter.com/LloydAndo/status/461679442746544128
Kimura-san's facial expression is magnificent, but he is also incredibly proficient in [the way he moves] his fingertips, the way he expresses [emotions] in his body language. The expression of rage, the expression used in every day life and the expression of gentleness/kindness. His fingertips and his eyes, the way he moves his neck, the angle of his back, these gestures are completely calculated; "acting" that is worth researching.
In the dining scene between Nobunaga and Dousan, there is an exchange with their lives at stake, but it is a scene that has no lines. But, if Nobunaga had targetted the things that Dousan had in his hand, Dousan would've lost his life. In that scene, that is smoothly expressed. It is a real shame that people cannot see through to the true essence of that person's [Kimura Takuya's] acting.
Often, I come across the heart-breaking critcism that 'no matter what he does, he's still KimuTaku', but they are only looking at his aura which is at a level comparable to Hagiwara Kenichi, Matsuda Yusaku, Mizutani Yutaka, Tsuruta Koji and Takakura Ken; the way all these legendary actors move their fingertips or the way they turn back, these gestures are comparable to a thousand lines.
(Ueda Hiroki, Producer of "Ando Lloyd ~A.I. Knows Love?~")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
A genius-type actor that is of a contradicting type to Lee Byung Hun. During the make-up process, in English, he made suggestions on the technique of how blood spurts out, the additional marks of wounds, the general area that the wounds should be placed. It is because of his adlibs which had I hadn't thought of, that most of the magnificient images are born.
(Tran Anh Hung, Director and Writer of "I Come with the Rain")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
The ‘naturalness’ in his acting doesn’t mean he’s doing nothing; rather, he is creating a ‘natural [style of] acting’. There are people who mistake a natural style of acting with the person behaving as he normally would, but it doesn’t mean that it isn’t acting. What initially starts off as acting has to be worked on until it becomes natural. I think that this is something which he has an incredible capability in.
(Suzuki Masayuki, Director of "HERO the Movie")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
No matter what character it is, at the stage when it’s still a scenario, even if this might be a little impolite towards the scriptwriter, an extreme way of putting would be that it [the character] is still dead. When the actor first acts as the character, that’s when it gains life. To breathe that life into the character, it is something that Kimura-san is astoundingly good at. The innate nature/disposition of the character, how do I put it, his ability for expression/conception, he has the power of creativity and imagination to add complexity to the character. His capability of creating the performance [of a character] is extraordinary.
The other is, more precisely, the power he has to put something into motion. To act for the screen is indisputably not the type of performance that has the same freedom as stage acting and dancing. There is the restriction of the camera, and even if something is seen to be natural onscreen, the same movement in real life is bound by how unnatural it is. In a place that is completely separate from the emotions of the character, the rhythm of the actor is halted unnaturally and then [the actor is told], "Please start moving [again]" or "Walk while your leg is still bent". On top of that, that same thing is repeated from the test time. In reality, it is a really restricted acting. Amidst all this, he brings forth the naturalness that is desired in acting while splendidly answering to the requirements that contrasts to that [naturalness]. He has the extremely rare talent of bringing together both the creative and the technical aspect in his performance [of a character].
When Kimura-san acts as Kuryuu Kouhei, he makes the difficult parts clear and simple, like waving a magic wand, completely naturally, he conveys it easily to the audience. The way he explains a case, what he has discovered, his revelations, and even his doubts or his disagreement, those emotions that move his heart, all of it is easily understood and clearly conveyed, and undoubtedly, the audience will share those sentiments of agreement, of relief or of doubt as he goes along. Saved by this power of his, I think that it is this power that breathes life into the story of "HERO".
(Ishihara Takashi, Producer of "HERO the Movie")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
When your partner is facing you and talking to you, to act like you can't see the person is really difficult. He's skillful at that.
(Watanabe Hiroshi, Cameraman in "Bushi no Ichibun")
Source(s): http://www.cinematoday.jp/page/N0007775, http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
Ten years ago, at a particular party, when I crossed paths with Kimura Takuya-kun, I felt that 'here is a "dignified/awe-inspiring young samurai [1]'... He had an aura that was like Takakura Ken's, a "truth" that connected him, [and] his eyes were especially charming/attractive.
I had always thought that he wasn't just a run-of-the-mill person, but when I actually worked with him, Kimura-kun is truly profound... Truly [a] massive [presence], he gave me the determination/resolution to see the job through to the end. Even though he's young, the richness of his expressions... Every day was truly beyond what I imagined, filled with many surprises, that is something that the staff and everyone else would agree on.
Because he has learnt kendo [2] since he was young, the fact that he could do kenjutsu [3] was an incredible surprise to me.
How do I put it, he is humble, the approach he uses as he immerses himself in his character. In the finest details that seem unimportant, 'to act like this' or 'to create this expression', it's not something as simple as that [for him]; rather, to truly grasp the character in a deeper, more profound sense, that was something he had. An actor is a part. In the case of films, the shooting of it, from lighting to set design to props, from make-up to hair-styling, to audio recording, there is a large team of tens, and sometimes hundreds, of people that gather to make the film. He truly understands what it is to work in a group. It's quite a sight to behold.
By becoming a character and thinking like that character, that's where ideas are born. 'A bokutou [4] is made out of heavy material, so you wouldn't swing it like that,' [he would say].
(Yamada Yoji, Director of "Bushi no Ichibun")
NOTE:
[1] "Samurai" - The warrior class of feudal Japan. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Samurai
[2] "Kendo" - Literally translated to "the way of the sword", it is a modern Japanese martial arts. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Kendo
[3] "Kenjutsu" - The umbrella term for all schools of Japanese swordsmanship. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Kenjutsu
[4] "Bokutou" - Also known as a "bokken", it is a type of Japanese wooden sword used for training. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Kenjutsu
Source: SMAStation episode dated 2006.12.02
Translation Credits: SmappieSubs
People always ask me, "Isn’t that Kimura’s adlib?", but he almost always follows the script when he acts, and he analyzes his characters very deeply.
(Inoue Yumiko, Writer of "Gift", "Chuusingura 1/47", "GOOD LUCK!!" and "Engine")
Source: SMAStation episode dated 2006.12.02
Translation Credits: SmappieSubs
How is it that such a superstar with such a presence, which is how everyone describes him, can act in normal roles, like a regular office worker, so naturally? It was unbelievable how he could act in such ordinary roles and still be able to empathize with the characters. He really becomes those characters, so viewers are sucked into his dramas very easily. Normally, with a superstar like him, whatever he does, people only see "Kimura Takuya" and not the different roles. He was able to become those characters, like people see him as "Sena" in "Long Vacation". He can make people see him as the characters.
(Oota Tooru, Producer of "PRIDE")
Source: SMAStation episode dated 2006.12.02
Translation Credits: SmappieSubs
He is a very good actor to begin with. I really think he stands out from all the other actors from his generation. I have always thought that he is very talented. It’s something that I’ve thought, even in the past [1].
(Mitani Koki, Writer of "Furuhata Ninzaburou")
NOTE:
[1] When Mitani-san gave this interview, it was in 2006. The past he was referring to was the time that Kimura Takuya guest starred in the "Furuhata Ninzaburou" series as the only criminal that the detective ever hit. Kimura Takuya is also, to date, the only actor to have guest starred two times in the series: once as a solo actor and the other as a member of SMAP.
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
He has become an incredible actor. Usually, when someone gets a break [in their career], unexpectedly, they can't grow after that. They have to present the thing [within them] that has been acknowledged by the era, and because they have been produced that way, they're up to their necks doing so. But, how do I put it, Kimura-kun hasn't lost sight of himself. His physical capability as someone who acts is of a high level. On top of that, he's serious. He analyzes the script [discerns the layered meanings between the lines] with utmost courtesy. I was surprised at the scent that he thinks of how he can fully utilize a narrow area in his acting; he is someone who really thinks about things. Even though he would protest (LOL), was it the scene where he hugged Miki? In that kind of acting, he is unparalleled. Without destroying the great sense of entertainment, he can convey the scene in such a way that it touches your heart; that is his Dandyism.
(Kawake Shunsaku, Director of "GIFT")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
As expected, nobody else can compare to Kimura-kun's sense; it is something that towers above [everyone else]. For the person Kimura Takuya, it isn't "just popularity". At the core, supporting it [that popularity] is actual talent and the genuine makings of a genius. No matter what type of scene, he doesn't persist with one acting method, but he has the approach of challenging different ways of acting, and the reality is, he succeeds. Because of this, to be in the spotlight and have such attention, if I had to say it, it's natural, it's something that should happen. It is something he is destined for.
(Yagi Yasuo, Producer of "Kyousokyoku")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
I am said to be strict on actors, [and] when it came to Takuya, it wasn't said lightly (LOL). From his first stage, he was someone who was stubborn and strong-willed; even during rehearsals, he would never show his tears or complain about anything. With that unique characteristic, at his core, he was kind/gentle. Kind of like a "wild beast bearing it's fangs", I thought that he had the incredible makings of a genius. I think of how I always want young actors to truly grasp the "sensitivity of the era", but contrary to that, he instead becomes a symbol of the "era"; he can express the varied emotions of the young men of his era. At times, he would perform for us things that production crew hadn't even thought of. Like James Dean, a young Marlon Brando or Leonardo Dicaprio, he contains a unique tension, the scent of an adroginity that charms the people; I think he is that type of actor. With that kind of outstanding talent, I would like him to fly out of this narrow Japan, and as quickly as possible, I would like to work with him on a world stage.
(Ninagawa Yukio, Director of "Modouken")
FELLOW CAST MEMBERS
Source: http://www.fujitv.co.jp/HERO/interview/interview_09.html
For me, in any case, I love Kimura-kun's acting. Especially the exchanges we share during the times when there are no lines, kind of like, our [shared] eye contact and the subtle gestures that he skillfully passes [on to me]. On my side, this keeps making it easier for me to act. When he is acting, it's as Kuryuu Kouhei, but it might be because even normally, Kimura-kun and I, even more than 13 years ago, have gotten one step closer to each other. From now on, I would like to try acting together with him more often, no matter how many times.
(Yashima Norito, Actor in "HERO")
Source: http://life.oricon.co.jp/2002663/
I shoot films as well, [Kimura] has a very calm and good voice. It's a different voice from when he's singing, when he's an actor, he takes on an actor's voice, that's what I think. It's really good.
(Beat Takeshi, Director/Actor "Toyota Reborn CM")
NOTE: The article also had this to comment on Captain's acting in the "Toyota Reborn CM",
Kimura, who acted as Nobunaga, during the standby time, he never talked unnecessarily, [he] calmly had his eyes closed while he concentrated on creating the character. In the scene for Honnouji Incident, he talked about the sitting position for the seppuku [1] scene, commenting, '(Rather than sitting cross-legged,) sitting in a seiza [2] position while removing his kimono [3] and yelling, I feel that that is more like Nobunaga.' Besides that personal suggestion, he also asked the conduct/manner coach on what is the most natural way of removing the kimono and showed a performance with that level of detail; we were charmed by his intense acting.
[1] "Seppuku" - A form of Japanese ritual sucide in the form of disembowlment. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Seppuku
[2] "Seiza" - A formal Japanese sitting style. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Seiza
[3] "Kimono" - A traditional Japanese garment. A more detailed explanation can be found here: http://en.wikipedia.org/wiki/Kimono
Source: http://www.fujitv.co.jp/PRICELESS/interview/index07.html
This is the first time I’m acting with Kimura-san. He thinks about even the finest of details, and his approach to acting is different from mine, so it was a learning experience for me. He is really good in acting with realism. That is to say, even in his daily life, he often observes different people, and that is reflected in his acting.
(Natsuki Mari, Actress in "PRICELESS ~Aru Wake Ne Darou Nna Mon!~")
Source: http://blogs.yahoo.co.jp/kammy05azuma/12970435.html
The effort that he puts into his work and his sense; they are excellent. That's why, for someone like me, when I co-starred with the likes of Kimura-kun, as expected, I learn an incredible amount of things. Amongst the younger actors/actresses, I do think it is better to maintain a form of senior-junior hierarchy, but once an actor/actress has gain recognition/acknowledgement, that's when there is no longer a hierarchy. Because it is a world based on actual skill/capability. At such a time, as expected, I think that I too would like to aim for the sensitivity that my juniors possess.
(Nakai Kiichi, Actor in "PRICELESS ~Aru Wake Ne Darou Nna Mon!~")
NOTE: This quote was actually taken from the episode of "Bokura no Jidai" dated 2014.06.01, which can be found here: http://www.miomio.tv/watch/cc73453/
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
His kenjutsu skills are very steady/reliable. He has a good form.
(Ogata Ken, Actor in "Bushi no Ichibun")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
To be able to conduct yourself that naturally in front of the camera is, I think, something special that he possesses. Even if something seems to be exaggerated, to do it without [acting] over-the-top. I think that only a few people are able to do that. Because to not exaggerate something, it can come off as insufficient/underacting. But even though it looks like [he] conducts himself naturally, in things like the movement of his eyes, he gives such a rich/complex performance. To be able to pursue such movements at the heart [of acting], I think it is because he possesses an immense disposition as an actor. Additionally, the one thing that I've always admired [about him], is his ability to exist [in the scene] with completely no self-consciousness of this thing called being on camera. Previously, I have asked him such a question, 'Aren't you conscious of the camera?'. His reply was, 'A thing like that, I treat it like the wind.' Even when it's right beside his face, he can treat it like there's nothing there. That is an amazing thing. In my case, I feel conscious [of the camera]. Of course, he is conscious of the camera, but right there, like the reigning king/monarch, he can act like it's nothing. He posseses that capability of overcoming such things. Even during the on-location shooting, he thinks of his movements whilst making general assumptions of what the place will be like, things like that, he even makes such preliminary preparations. I too make such preliminary preparations, but somehow, they never work out. I will end up fixating on how to say my lines in response [to my co-stars], but he thinks about it [his acting] starting with his movements.
(Kodama Kiyoshi, Actor in "HERO")
Source: http://ameblo.jp/yuri-naoki-miwa-ryo/entry-11535110107.html
When I was filming in Kyoto, it was during the same time that Kimura-san was in the middle of filming "Chuushingura 1/47"; I had heard that Kimura-san was amazing from the staff, such was his reputation, and when I went to watch the filming, I was so deeply moved emotionally that I decided to apply to be part of the cast in the role of the person who beheads him [and do it] without any pay.
(Watanabe Ken, Actor in "Chuushingura 1/47")
NOTE: When Watanabe Ken came to Bistro SMAP in the "SMAPxSMAP" episode that was aired on 2005.06.20, he talked about this as well. You can find a video of that here: Watanabe Ken on his participation in "Chuushingura 1/47"
OTHER INDUSTRY PROFESSIONALS
Source: http://ameblo.jp/smile-osamu/entry-11425520458.html
Yesterday, many voices were heard on Twitter concerning this, so I decided to write more about it here.
It's about Kimura Takuya's drama.
His drama, more than just the content, there are other parts that are always evaluated, aren't there?
If the ratings fall just a little, it gets flamed/attacked terribly, and yet, just a few days ago, when the drama broke the 20% mark, there were only a few net news websites that spread the news; why is this so?
I quite like his current drama [1]. Comedy is very hard to do, and there are truly very few actors who can do comedy without it falling flat/being dull and lame. If you take into account the people who are cool ("kakkoii hito"), the number shrinks even more.
Because of that, it can't be helped that there are expectations.
Even in "Long Vacation" and other dramas, his acting in the comedic parts, it is something I really love.
In SMAPxSMAP, there is a skit called the "Taikan Elevator". In such a skit, to be able to do it so skillfully/deliciously and make it interesting, there is no other actor who can do that.
Because the tone/story of the current drama is cheerful/light, the skillfulness in his comedic technique/art shines even more.
When I read the drama commentary/critique in the magazine, just because it's a drama that Kimura Takuya stars in, there are many who just think of, 'How do we tear into it?'
'We tore into Kimura Takuya this way!', and using this, they try to appeal to people. It is because we have drama writers like that such malignancy/a bad nature/a bad personality exists.
It makes me think, 'Enough with your attention-seeking, and just watch the drama more calmly/with more objectivity.'
Even so, I can't help but think, 'This may be the fate that he has been burdened with.'
For me, who is of the same age as him, I think it is a terribly amazing ("sugoi") road he is walking on, and I respect him from the bottom of my heart.
To be able to fight on, not just in movies/films, but also in television dramas, and to be judged based on the ratings that one produces, it is very tiring. That's why I think that the actors/actresses who fight on in both the movie and drama industries are simply amazing.
(Suzuki Osamu, Writer)
NOTE:
[1] When this entry was written, it was the year 2012; therefore, the drama that Osamu-san is referring to is "PRICELESS ~Aru Wake ne Darou Nna Mon!~"
Source(s): Toji Aida's Facebook, Ms. A
Is he a STAR; is he an ACTOR? Kimura Takuya is not Tamura Masakazu. This is something I recognize.
Therefore, Kimura Takuya is unmistakably the latter. Most likely, the people who criticize him are fascinated by his radiance as a star (even though he, himself, denies it), and it is so dazzling that they don't "see" his acting [ability]. They don't wear sunglasses, and in the first place, they don't own sunglasses. You know, like those people who look at a total solar eclipse with the naked eye, and say, "I can't see anything; it's no different from the usual". (Well, you can still see a solar eclipse with the naked eye; this is just an analogy.)
(Toji Aida, Professional media journalist and writer for Kinejun)
Toji Aida-san has also written several other articles on Captain as an actor:
"Kimura Takuya is always Kimura Takuya" - http://rz-jocelyn.livejournal.com/46389.html
"Kimura, who is a "one of a kind" revolution" - http://rz-jocelyn.livejournal.com/39888.html
Special thanks to Yutakuya for allowing me to use her sources and for helping compile this entry :333