Art and Fanmix: The End Opening Into New Ends Always
I swear to god I will post something other than art and mixes eventually.
about: Companion art and mix for literary_critic's 1920s Castle AU, The End Opening Into New Ends Always. It's a fabulous murder mystery.
The mix is mainly contemporary covers of semi-period music, with some contemporary and semi-period music mixed in (actually, the music is more 1930s-40s, but it worked out better this way. Hush).
New York City, 1925, Katherine Beckett walks into a joint and starts asking questions about a murder, capturing the attention of one Richard Castle, struggling writer extraordinare. Inspired, he tags along as they unravel the mystery surrounding her mother's murder years before.
Death Letter (organized noize Remix) ◊ Johnny Farmer
I got a letter this morning,
This is the way my letter read.
Sing, Sing, Sing (With a Swing) ◊ James Horner
[Instrumental]
Anything Goes ◊ Cole Porter
Good authors too who once knew better words,
Now only use four letter words writing prose
Straighten Up and Fly Right ◊ Dianne Reeves
Ain't no use in divin'
What's the use in jivin'
Straighten up and fly right
I Happen to Like New York ◊ John Barrowman
I like to go to Battery Park and watch those liners booming in
Cheek to Cheek ◊ Ella Fitzgerald
And the cares that hung around me through the week
Seem to vanish like a gambler’s lucky streak
When we’re out together dancing cheek to cheek
You're the Top ◊ Jeanne Aubert and Jack Whiting
Your words poetic are not pathetic.
On the other hand, babe, you shine
I Ain't Takin' Orders From No One ◊ Sophie Tucker
I like what I love
And love when I like
But I'm not taking orders from no one
Bei Mir Bist Du Shon ◊ Benny Goodman and Martha Tilton
Bei mir bist du schön, you've heard it all before
but let me try to explain
Ev'ry Time We Say Goodbye ◊ Ray Charles and Betty Carter
Why the gods above me who must be in the know
Think so little of me they allow you to go
Let's Do It (Let's Fall in Love) ◊ Alanis Morisette
The dragonflies in the reeds do it,
Sentimental centipedes do it,
Let’s do it, let’s fall in love.
Mazda ◊ Blue Foundation
[Instrumental]
[ZIP with art]
Base art: Where There's Smoke There's Fire (Russell Patterson) and Redhead Flapper Girl at the Gate (1926 Litho by The Jahn and Oliver Company of Chicago)
about: Companion art and mix for literary_critic's 1920s Castle AU, The End Opening Into New Ends Always. It's a fabulous murder mystery.
The mix is mainly contemporary covers of semi-period music, with some contemporary and semi-period music mixed in (actually, the music is more 1930s-40s, but it worked out better this way. Hush).
New York City, 1925, Katherine Beckett walks into a joint and starts asking questions about a murder, capturing the attention of one Richard Castle, struggling writer extraordinare. Inspired, he tags along as they unravel the mystery surrounding her mother's murder years before.
Death Letter (organized noize Remix) ◊ Johnny Farmer
I got a letter this morning,
This is the way my letter read.
Sing, Sing, Sing (With a Swing) ◊ James Horner
[Instrumental]
Anything Goes ◊ Cole Porter
Good authors too who once knew better words,
Now only use four letter words writing prose
Straighten Up and Fly Right ◊ Dianne Reeves
Ain't no use in divin'
What's the use in jivin'
Straighten up and fly right
I Happen to Like New York ◊ John Barrowman
I like to go to Battery Park and watch those liners booming in
Cheek to Cheek ◊ Ella Fitzgerald
And the cares that hung around me through the week
Seem to vanish like a gambler’s lucky streak
When we’re out together dancing cheek to cheek
You're the Top ◊ Jeanne Aubert and Jack Whiting
Your words poetic are not pathetic.
On the other hand, babe, you shine
I Ain't Takin' Orders From No One ◊ Sophie Tucker
I like what I love
And love when I like
But I'm not taking orders from no one
Bei Mir Bist Du Shon ◊ Benny Goodman and Martha Tilton
Bei mir bist du schön, you've heard it all before
but let me try to explain
Ev'ry Time We Say Goodbye ◊ Ray Charles and Betty Carter
Why the gods above me who must be in the know
Think so little of me they allow you to go
Let's Do It (Let's Fall in Love) ◊ Alanis Morisette
The dragonflies in the reeds do it,
Sentimental centipedes do it,
Let’s do it, let’s fall in love.
Mazda ◊ Blue Foundation
[Instrumental]
[ZIP with art]
Base art: Where There's Smoke There's Fire (Russell Patterson) and Redhead Flapper Girl at the Gate (1926 Litho by The Jahn and Oliver Company of Chicago)