Note: of tangential relevance at best to the general warnings discussion. Rather than engaging with the dos/don’ts, I’m talking here about the meaning I give to particular terms, mainly “dub-con” or dubious consent. I’m interested in others’ definitions and usages, but it is unlikely I will stop enjoying dub-con in fanfic and I value having a way
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You're right about MacKinnon, though she might say that one effect of power is to make resistance sexier than nonresistance, or at least sexy in a different way.
Myself, I don't define purely internal conflicts as dubcon (though "consenting, dubiously" might cover it); I need a mistake or an external stressor/mind-influencer. For me, the kink of "Dean doesn't want to have sex with Sam but consents to keep him closer" is Sam not knowing Dean's reason, which (Dean knows) would destroy the pleasure for him--the gap in communication, as well as the gap in power, and how that makes the power relations even more tangled. This is why that one story of torch's where Mulder is having sex with Skinner to keep the X-Files is one of my ur-fics. But there are all kinds of places on the spectrum, and that's why I like the tropes/summaries as ( ... )
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I would draw the lines somewhat differently, because there are situations where threats are too coercive for me to think of them as dubcon, "have sex or I'll kill you" being the core one and extending at least to "have sex or I'll kill your brother."
Because in stories we control the narrative, we get to distinguish based on intent and effect in ways that don't mimic real life; if the character setting up the circumstance--or, even better for me, a third character--intends that the target character enjoy the sex and achieves that goal, I'm much more inclined to call it dubcon, even though I'd definitely call the same scenario rape for a person.
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I think pleasure is hard enough to find that I would never ask anyone for consistency, especially when I think we do need to examine our pleasures for various problems they may be reinforcing out in the world. If you can write it but not read it, that's just how it works for you--and I think control is really important; writing it allows you to thread a very fine needle just the way you want it threaded.
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I love the way you've explained this, as I've been struggling to get this clear in my own mind for a long time. Dub-con is my favorite place to be as a reader, but it's too raw for me to tolerate in het.
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