ONE
...Ah.
You know, there's a problem if the moment you fall out of a boat in the middle of the sea you land on your head in an empty cell. This isn't water, you know. What's the big idea, animators? Is this some sort of new idea for the season? EPISODE SPLICING? Watch where you put those frames, you bastards! There's this thing called continuity, oi! Being notorious for occasionally going off the beaten track and taking potentially dangerous and sponsor-threatening routes is one thing, but that doesn't mean you can ignore the basic fundamentals of storytelling!! See if you like it when the next time you go out with a girl on the monumental occasion that you actually get time to date someone and just as you're about to kiss her goodnight as appreciation for the evening the camera blacks out and you actually do kiss, but when the lights come back on you realise she's been replaced with her mother for no reason at all. YOU WOULDN'T LIKE THAT, WOULD YOU? Tch. Go stand in the hall and reflect carefully on what you've done.
[Impatient pen tapping. Dots, and more dots.]
... Shit.
Maybe I should've told them to change the scene first.
You know, there's a problem if the moment you fall out of a boat in the middle of the sea you land on your head in an empty cell. This isn't water, you know. What's the big idea, animators? Is this some sort of new idea for the season? EPISODE SPLICING? Watch where you put those frames, you bastards! There's this thing called continuity, oi! Being notorious for occasionally going off the beaten track and taking potentially dangerous and sponsor-threatening routes is one thing, but that doesn't mean you can ignore the basic fundamentals of storytelling!! See if you like it when the next time you go out with a girl on the monumental occasion that you actually get time to date someone and just as you're about to kiss her goodnight as appreciation for the evening the camera blacks out and you actually do kiss, but when the lights come back on you realise she's been replaced with her mother for no reason at all. YOU WOULDN'T LIKE THAT, WOULD YOU? Tch. Go stand in the hall and reflect carefully on what you've done.
[Impatient pen tapping. Dots, and more dots.]
... Shit.
Maybe I should've told them to change the scene first.