I had two opportunities to talk about writing today with writers, which is really weird and unusual and lovely and should happen more often. Both of these too-brief conversations were held before the beginning of a class, and inevitably there were other (non-writer) people listening. In my Clarissa seminar the guy who sits across from me noticed my
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The problem with space-time bending city story is that its plot is too complex and I did not go into it knowing everything that was going to happen, and also it was a NaNo-novel and as a result is pretty much ~50k of me whining about the polar desires of academic life, i.e. critical distance/emotional engagement, and how they relate to the use of biographical detail in literary criticism.
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