The more I read about the Half-Blood Prince movie, the more I feel that WB is really going Hollywood on this one and changing nearly every scene. Just in the past two weeks I have read things that have made me scoff out loud only to discover they were in reputable magazines and from quotes straight from the actors and the director. Things are
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I do see the point about Bill, since he hasn't played much of a role before now. And it does show that Arthur is despised by other Purebloods for being a traitor.
The problem is whether Arthur is going to display werewolf traits after he is bitten, the way Bill did. I like Mr. Weasley, and I guess I just feel a little bad about that for some reason - my gut reaction when I read this last night was "no! NO! Mr. W. cannot be a werewolf hybrid!" *lol*
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The sad fact is, that we probably won't see much of Mr. Weasley even if he is the one bitten by Fenrir. The movies are so condensed that pretty much every character except Harry is left to the sidelines - there isn't much development. That's the problem with adaptations. Ah well.
The only film adaptation that fit into a normal 2-hr movie slot that I truly adored was when they did Michael Chabon's 'The Wonder Boys'. What a fantastic movie! So ... it can be done - it's just not always easy. ;)
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That's interesting about Darcy in the Keira Knightly version because that is true to the book. In the book it is much more clear that Mr. Darcy is sort of chasing Elizabeth especially when they are at Rosings Park. They meet many more times during Elizabeth's walks and Mr. Darcy keeps trying to make conversation but seems at a loss for words. That is one part that is too condensed and ambiguous in the Colin Firth version because he meets her while riding a horse and turns away rudely. That doesn't happen in the book.
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I, too, was appalled when I read that paragraph from Movie Maker. Does this mean that Bill and Fleur aren't getting married? Or (shudder) will they turn it into Lupin and Tonks' wedding? Kingsley's Patronus scene at the wedding was one of my favorites in DH. I think my heart actually stopped beating when I read that, and I had to sit for a moment before I could turn the page. Those are the moments that I want to see most in the movies, and unfortunately, they seem to be the most likely to be cut.
With all the hoopla about protecting her rights to everything because she loves her characters and books, I am always amazed that the screenplays make it past JKR.
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My dream is a BBC version of the books!
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That'd be so awesome. 'Course us poor Yankees probably would have a bit of a time getting a hold of it.
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The Shipping News, for one (no, that is not about Harry/Hermione).
*rotflmao*
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If they introduced Bill now, the movie-goers probably wouldn't have to much of a reaction to him being mauled by Fenrir, they'd be sad it happened for sure but there wouldn't be the familiarity with character. I guess the closest I can think of is say: the Muggle Studies teacher being killed in The Dark Lord Ascending, it's horrible what happened to her but the character is distant to the reader. I hope you understand what I mean.
-Annie
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I go back and forth with this - do the movies need to be catered toward the movie-goers? What is wrong with them having a less-than-emotional moment with Bill being mauled while the rest of us get it?
And I'm not even sure that they really do well with catering to them. At the end of OotP, the two people who had never read the book were supremely confused, and most of the rest of us were bitterly disappointed. That seems to indicate failure on both ends.
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--Annie
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