There's no dirty, sweaty feeling quite like how you feel after a day spent tracking drums in a practice room for the majority of a full-length album. We got drums for 8 songs tracked and that means 3 more to do Tuesday night. I totally got a pretty good drum sound using 3 mics - one kick, one snare, and one overhead
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The drummer in Tough Luxury, Jason, is really adept at playing to a click track while following along to some of the worst scratch vocal/guitar tracks known to mankind. Actually, the scratch track for one song turned out so well, we were joking about including it on our "Anthology" disc someday -- complete with sung guitar solos and synth parts!
We averaged about 5 takes per song, keeping all takes to frakenstein the best drum performances; although, all songs had complete takes that were anywhere from usable to excellent. Despite the heat, the fast food, and the lame bands on either side of our studio/practice space, we did quite well. Our bass player is recording his parts to some songs today. He'll be using either his own bass or one of mine and doing a combination of DI and mic'ing his cab with the Beta 52a. Tomorrow night, we'll track drums for the remaining 3 songs (we left everything setup from yesterday, we're the only band in our space), and I'll start the guitar and keyboard trackss.
If we stay properly motivated, we could have everything tracked in a few weeks, and send it off to be mastered and released by our friend's label.
If you haven't heard Tough Luxury (and really, how could you? considering only 3 shows played downtown vs. 5 shows played in the suburbs), you can hear Reason drum versions on our MySpace page.
www.myspace.com/toughluxury
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When you do the bass parts (you may already know this)...it may be worth your time to go into PT and nudge the "mic" track forward a hair. It will (technically) be about a half a millisecond behind the "DI" track, which may or may not cause phase issues. Your mileage may vary. :)
-n
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