Barbara Michaels, Be Buried in the Rain; Isabelle Holland, Bump in the Night; Dick Francis, 2nd Wind
Three suspense novels, all of them entertaining reads, none of them in the first rank of those author's works. I'd recommend any of them as airplane reads, since they'd keep you glued to the pages, but could be abandoned without too much of a qualm when you're done. Well, personally, I wouldn't abandon the Holland, but that's because it's out of print and you'd never be able to find it again if you wanted to re-read it.
See my overview of Barbara Michaels for more details on her work. Be Buried in the Rain
is mid-range Michaels, with some intriguing elements but somewhat awkward plotting and a less-than-compelling romantic subplot. Julie is a medical student who gets stuck spending her summer break caring for her grandmother Martha, who has had a stroke, on her picturesquely decaying Virginia mansion with attached Spooky Historic Graveyard (TM). When Julie was a child, her mother left her with the physically and emotionally abusive Martha for several years. At that time Martha managed to cripple Julie's self-esteem, and later destroyed her relationship with a guy named Alan. Alan, now an anthropologist, has returned to Virginia, intent on excavating the Spooky Historic Graveyard (TM); naturally, the romance rekindles, although the most compelling relationship in the book is between Julie and a stray dog she adopts.
This is a little difficult to describe without spoilers, but my problem with the main plot, which involves a mysterious female skeleton found holding a baby's skeleton (Aieeee!), is that it trundles along without much input from Julie, so that her story doesn't seem very integrated with the suspense plot until near the end. If you read this book, I recommend not doing so as bedtime reading. I finished it in bed, and the fucking creepy final paragraph terrorized me not only that night, but for about the next three nights.
Isabelle Holland's Bump in the Night is a non-Gothic suspense novel about Martha (yes, another Martha), an alcoholic divorced mother whose son is kidnapped by a pedophile. It sets up that in order to save him, she must remain sober, but actually the fact that she remains sober throughout the book turns out to be more of a personal victory than the means to saving her son. The son has a more active role than one might expect, which I kind of liked but which also, rather like the Michaels book, made Martha a marginalized player in her own story. This is one of those books which would have had to be substantially rewritten if cell phones had existed at that time, as interminable amounts of verbiage concern people waiting for phone calls and trying in vain to call each other. There are animals in this one too-- the son's cat and a neighborhood cat lady's cats have minor but significant roles.
The hero of Dick Francis' Second Wind
is a weather forecaster whose decision to accompany a friend who wants to fly his private plane into the eye of a hurricane sucks him into an elaborate suspense plot. The plot in question doesn't really hang together for-- I swear I really did read all three of these books in quick succession-- the same reason as the two above: the plot would have worked out in pretty much the same way if the protagonist hadn't existed. Also, the romance is perfuctory. There's a great shipwrecked on a deserted island sequence, though. This one doesn't have any characters named Martha, but a filly and a herd of cows play supporting but crucial roles.
See my overview of Barbara Michaels for more details on her work. Be Buried in the Rain
is mid-range Michaels, with some intriguing elements but somewhat awkward plotting and a less-than-compelling romantic subplot. Julie is a medical student who gets stuck spending her summer break caring for her grandmother Martha, who has had a stroke, on her picturesquely decaying Virginia mansion with attached Spooky Historic Graveyard (TM). When Julie was a child, her mother left her with the physically and emotionally abusive Martha for several years. At that time Martha managed to cripple Julie's self-esteem, and later destroyed her relationship with a guy named Alan. Alan, now an anthropologist, has returned to Virginia, intent on excavating the Spooky Historic Graveyard (TM); naturally, the romance rekindles, although the most compelling relationship in the book is between Julie and a stray dog she adopts.
This is a little difficult to describe without spoilers, but my problem with the main plot, which involves a mysterious female skeleton found holding a baby's skeleton (Aieeee!), is that it trundles along without much input from Julie, so that her story doesn't seem very integrated with the suspense plot until near the end. If you read this book, I recommend not doing so as bedtime reading. I finished it in bed, and the fucking creepy final paragraph terrorized me not only that night, but for about the next three nights.
Isabelle Holland's Bump in the Night is a non-Gothic suspense novel about Martha (yes, another Martha), an alcoholic divorced mother whose son is kidnapped by a pedophile. It sets up that in order to save him, she must remain sober, but actually the fact that she remains sober throughout the book turns out to be more of a personal victory than the means to saving her son. The son has a more active role than one might expect, which I kind of liked but which also, rather like the Michaels book, made Martha a marginalized player in her own story. This is one of those books which would have had to be substantially rewritten if cell phones had existed at that time, as interminable amounts of verbiage concern people waiting for phone calls and trying in vain to call each other. There are animals in this one too-- the son's cat and a neighborhood cat lady's cats have minor but significant roles.
The hero of Dick Francis' Second Wind
is a weather forecaster whose decision to accompany a friend who wants to fly his private plane into the eye of a hurricane sucks him into an elaborate suspense plot. The plot in question doesn't really hang together for-- I swear I really did read all three of these books in quick succession-- the same reason as the two above: the plot would have worked out in pretty much the same way if the protagonist hadn't existed. Also, the romance is perfuctory. There's a great shipwrecked on a deserted island sequence, though. This one doesn't have any characters named Martha, but a filly and a herd of cows play supporting but crucial roles.