For me, the hardest thing about functioning in a foreign language was not the long hours it took me to get through a text, not the heightened anxiety, accompanying every social interaction, but the sense of reduced personality that comes with limited verbal expression. For someone who prided herself on writing music criticism for one of the largest Russian newspapers Vedomosti, a branch of The Financial Times, this was a bitter pill to swallow. Even though I communicated perfectly fine, I missed being able to say more with less, to say the same thing in several ways, to express character, not only literal sense. What came out of my mouth felt crude, stiff, and trite.
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