Why I love Frank Rich...Reason #562:
His review of WALL-E...a few excerpts below.
Let oil soar above $140 a barrel. Let layoffs and foreclosures proliferate like California’s fires. Let someone else worry about the stock market’s steepest June drop since the Great Depression. In our political culture, only one question mattered: What was Wesley Clark saying about John McCain and how loudly would every politician and bloviator in the land react?
Unable to take another minute of this din, I did what any sensible person might do and fled to the movies. More specifically, to an animated movie in the middle of a weekday afternoon. What escape could be more complete?
[snip]
...Indeed, sitting among rapt children mostly under 12, I felt as if I’d stepped through a looking glass. This movie seemed more realistically in touch with what troubles America this year than either the substance or the players of the political food fight beyond the multiplex’s walls.
While the real-life grown-ups on TV were again rebooting Vietnam, the kids at “Wall-E” were in deep contemplation of a world in peril - and of the future that is theirs to make what they will of it. Compare any 10 minutes of the movie with 10 minutes of any cable-news channel, and you’ll soon be asking: Exactly who are the adults in our country and who are the cartoon characters?
[snip]
One of the great things about art, including popular art, is that it can hit audiences at a profound level beyond words. That includes children. The kids at “Wall-E” were never restless, despite the movie’s often melancholy mood and few belly laughs. They seemed to instinctually understand what “Wall-E” was saying; they didn’t pepper their chaperones with questions along the way. At the end they clapped their small hands. What they applauded was not some banal cartoonish triumph of good over evil but a gentle, if unmistakable, summons to remake the world before time runs out.
Let oil soar above $140 a barrel. Let layoffs and foreclosures proliferate like California’s fires. Let someone else worry about the stock market’s steepest June drop since the Great Depression. In our political culture, only one question mattered: What was Wesley Clark saying about John McCain and how loudly would every politician and bloviator in the land react?
Unable to take another minute of this din, I did what any sensible person might do and fled to the movies. More specifically, to an animated movie in the middle of a weekday afternoon. What escape could be more complete?
[snip]
...Indeed, sitting among rapt children mostly under 12, I felt as if I’d stepped through a looking glass. This movie seemed more realistically in touch with what troubles America this year than either the substance or the players of the political food fight beyond the multiplex’s walls.
While the real-life grown-ups on TV were again rebooting Vietnam, the kids at “Wall-E” were in deep contemplation of a world in peril - and of the future that is theirs to make what they will of it. Compare any 10 minutes of the movie with 10 minutes of any cable-news channel, and you’ll soon be asking: Exactly who are the adults in our country and who are the cartoon characters?
[snip]
One of the great things about art, including popular art, is that it can hit audiences at a profound level beyond words. That includes children. The kids at “Wall-E” were never restless, despite the movie’s often melancholy mood and few belly laughs. They seemed to instinctually understand what “Wall-E” was saying; they didn’t pepper their chaperones with questions along the way. At the end they clapped their small hands. What they applauded was not some banal cartoonish triumph of good over evil but a gentle, if unmistakable, summons to remake the world before time runs out.