Commentary on the Kinetic Aesthetics of One S.R. Kowalski, CPD, and, By Association, Callum Keith Rennie:
Y'know, you can't tell me that
this scene wasn't choreographed, because if Callum can do that without the music, then he's not just talented, he's some kind of alien moving thing (the jury is actually still deliberating on this idea).
Which means it must have been rehearsed and rehearsed, with the music. Which is probably why it's so, um. Well, just LOOK at it. Because some things just connect.
This has been a PSA brought to you by CKR, Hugh Dillon, and my own weird, overactive brain. No actual Real People were harmed in the making of this flight of fantasy.
P.S. For those of you who've never heard the music as a whole lovely thing, here you go:
The Headstones - Cubically Contained Gorgeous thing, so it is.
This song (from the tiny snippet in the scene) was my intro to the band, and to the sheer poetry of Hugh Dillon.
My inner music!geek was all, FIND OUT WHAT THIS IS AND WHO RECORDED IT.
NOW, KID.
I always listen to my inner music!geek. She is far wiser than I.
As for Hugh, I heart him. With BIG GIANT FLUFFY RED HEARTS THAT HE'D HATE.