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*see the end of the lyrics for further explanations
undisclosed desires // muse
i want to reconcile the violence in your heart
i want to recognise your beauty's not just a mask
i want to exorcise the demons from your past
i want to satisfy the undisclosed desires in your heart
the day the world went away // nine inch nails
i'd listen to the words he'd say
but in his voice i heard decay
the plastic face forced to portray
all the insides left cold and gray
there is a place that still remains
it eats the fear it eats the pain
the sweetest price he'll have to pay
the day the whole world went away
climbing up the walls // radiohead
i am the key to the lock in your house
that keeps your toys in the basement
and if you get too far inside
you'll only see my reflection
it's always best when the light is off
i am the pick in the ice
do not cry out or hit the alarm
you know we're friends 'til we die
we're in this together // nine inch nails
you and me
we're in this together now
none of them can stop us now
we will make it through somehow
you and me
if the world should break in two
untill the very end of me
untill the very end of you
map of the problematique // muse
life will flash before my eyes
so scattered and lost
i want to touch the other side
and no one thinks they are to blame
why can't we see
that when we bleed we bleed the same
last flowers // radiohead
and i can't face the evening straight
you can offer me escape
houses move and houses speak
if you take me there you'll get relief, relief, relief, relief
it's too much, too bright, too powerful
dissolved girl // massive attack
shame, such a shame
i think I kind of lost myself again
day, yesterday
really should be leaving but i stay
say, say my name
i need a little love to ease the pain
butterflies and hurricanes // muse
revenge will surely come
your hard times are ahead
you // radiohead
you try at working out chaotic things,
and why should i believe myself not you?
it's like the world is going to end so soon,
and why should i believe myself?
you me and everything caught in the fire,
i can see me drowning, caught in the fire
falling away with you // muse
and i'll feel my world crumbling out
i'll feel my life crumbling out
i'll feel my soul crumbling away
and falling away
falling away with you
babe i'm gonna leave you // led zeppelin
it used to really, really good
you made me happy at the simple day
but now i have got to go away
baby, baby, baby, that's when it's calling me
oh, that's when it's calling me back home
england // the national
someone send a runner
through the weather that i'm under
for the feeling that i lost today
someone send a runner
for the feeling that i lost today
we looked like giants // death cab for cutie
we looked like giants in the back of my grey subcompact
fumbling to make contact
as the others slept inside
the rain song // led zeppeling
i cursed the gloom that set upon us, upon us, upon us
but I know that I love you so
sorrow // the national
don't leave my hyper heart alone on the water
cover me in rag and bone sympathy
'cause I don't wanna get over you
i don't wanna get over you
greet death // explosions in the sky
[instrumental]
Notes: I'M ON FIRE! okay, serious now, I feel like I need to apologize for so much Muse in this but I just couldn't resist. Also, I feel like this is too long, apologies for that too, I just wanted to keep putting every bloody song I thought it fit and when I asked for my friend to listen to the 25 songs this first had she just said I was officially insane. Anyway, I hope you guys like it anyway, I put my heart in every minute spent doing this. Oh, I forgot to mention, this is sort of a headcanon of mine about Reichenbach. Moriarty draws John and Sherlock into this really macabre plan that twist everything they know and it feels like a hurricane and in the end, it's just Sherlock and Moriarty falling together after everything. "Greet Death" is about John after Sherlock 'dies' and what is like the three years are without his detective, but still, in the end, there's this glimpse of hope. Sorry, I'm too talkative for my liking.