Title: Level of Service Quality: N/A
Setting: Modern AU.
Date: 13th of June, 2012.
Summary: The food is horrendous and the situation itself riddled with boundaries and limitations. That is, until Mireille takes over, once more servering the larger picture into something less boundless and impossible.
(
It kinda gets like feeling bad looks good... )
His comment hangs between them for a long moment as she arranges her hands in her lap, looks out the window at the grand expanses of nothing which is visible at this height; sky and little else. She isn’t so reliant on her make-up that she cannot bear the thought of chemical nudity, not within the borders of their privacy, but she dislikes the thought of putting it on display. Her shortcomings. When they are so visible. “Unlike you, I am in no position to demand sedatives,” she says, finally. Turning her head, in order to glance up at him. Everything considered, the alternative to accept insomnia is to eventually wake up too late. For --
Behind them, a nurse enters. A different one; blonde and blue-eyed, thoroughly Scandinavian in appearance. Undoubtedly one of the nurses on whom Marcel took out his sexual aggressions, during their six-hour wait. Judging from the size of her breasts. And equal lack in regards to natural inhibitions - watching them overtly as she brings her trolley to a halt near the foot of the bed.
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His grip tightens a bit around her. There’s a fine line between protectiveness and the exertion of ownership - and he won’t pretend to know what’s up and down in that balance between them. It doesn’t matter anyway. Instead, he simply goes with the flow of it; that right now, he’d like to make it more comfortable for her because it’s true, isn’t it? As opposed to her, he’s chemically numb from head to toe. Mentally too, by nature; he’s focusing on the next step and refusing to be tripped up by what’s behind them.
The nurse rolls his table into place, a plate of steaming meat and vegetables placed on the tray. She leans in over him to fix the cutlery and for a moment, all he sees are blonde cascades of hair and her massive breasts. This one, apparently, has no respect for your private sphere which really is an unfortunate character trait in a nurse. She draws back, favouring him with a wide smile. “Right there for you, Monsieur State Minister,” she quips, looking ridiculously sunny and ignoring (or failing to properly read) his expression of annoyance. Then, with a quick glance at Mireille, “Oh, and Madame Duroc - can’t have you starving, right? Caretaking is hard work.” And she whips out another tray, stepping quickly around the bed and holding it out, waiting for Mireille to take it.
Jean Louis, meanwhile, is too busy stalling at the word “caretaking” to do much besides stare at the food in question. Which is lucky for the nurse, seeing as most of the words currently clogging up inside his head are distinctly devoid of benevolence.
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“Ehm,” the nurse says. To no one in particular, since both herself and Jean Louis have retreated into wordlessness.
Mireille seats herself, the fabric of her skirt rustling slightly around her legs, her heels muted motion over the floor. After a few seconds, adopting the same pattern, the sound of the squeaking trolley disappears around the corner, down the hallway. This time, everything has been placed within his reach, she notices. Otherwise she would have ensured that it was, of course. She isn’t blind to how it must undoubtedly wound his masculinity, the outcome of his physical wounds - that are, by themselves, a classic test of manhood, but she doesn’t consider herself his caretaker in the current situation, neither in any context of the past. Because, naturally, her approach is less dependent on him. Than on herself. After all, he is not the sole reason that she can’t sleep at night. That she cannot imagine herself and will not consider leaving the hospital, while he is still here…
Thus, she refills his glass before her own, when she leans in to take the carafe of water on his table. Proceeding to place it to the side on the coffee table where it shan’t be in the way for either of them. “I’m being entirely selfish - in this regard,” she tells him, voice low. Level. Eyes running over the contents of her plate, the meat mostly undeterminable. Pork, of some kind. Likely a schnitzel.
She could have made a joke of it; reminded him that he isn’t the centre of the universe, yet she doesn’t. Reality is plural and in hers, he may very well be.
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For at least a good, solid minute, his mind compiles a short list of possible solutions to this... sudden problem. None of which are even remotely useful, perhaps except the last one which involves flinging the schnitzel at Hirsch’s head the moment he shows his ugly face in the ward again. There is no way he can cut that thing up with one hand; and he’s not about to try, either, because the thought alone wears him out. So he’s stuck, actually, just watching this stupid piece of meat laughing at him from this idiotically plain hospital plate and he mostly just wants to throw it out of the nearby window. Except that would take effort, wouldn’t it. Dear God - he’d probably have to sleep for a few hours to manage it!
Picking up the fork with his left hand, he looks from it to the schnitzel and back again, wondering if maybe he should just go ahead and stab the thing. Eat it one bite at a time. Wouldn’t that be a sight - but it’s food and he’d rather like some. And now he's wasted at least five minutes, wondering how to make it happen. Fantastic.
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Another moment, before she looks up at him, his expression dark and turning increasingly darker while his eyes draw a line between the schnitzel and his fork. Back and forth, repeatedly. He’s wholly unaccustomed to the experience of facing an issue that he can’t resolve singlehandedly, can’t order into compliance or fix via status alone, isn’t that so? The meat certainly won’t obey, even if informed of its subordination to the State Minister of Luxembourg.
Wordlessly, she gets to her feet, leaning in to pick up his plate. Balance it on her lap, once she’s sat down again. The schnitzel proves surprisingly unproblematic to cut into pieces when subjected to a knife, if nothing else then a tribute to the efficiency of a proper frying pan. The process is carried out in less than thirty seconds, after which she holds the plate out to him. Fully expecting him to take it himself. Back. Her face neutral without any great, conscious effort.
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It’s not that he can’t handle leaving things to others. If he couldn’t delegate, leading others would wear him out. But in terms of cutting up his food or getting dressed in the morning, there is absolutely no way he can deal with anyone else but her taking over; after all, there is a noticeable difference between pushing people around like puppets - and getting someone else to sort out your own, mixed-up strings. Who’d you want that to be, really, apart from the one person you know you’ve played more or less to perfection? So when she holds out the plate for him, he takes it back quietly, no hesitation, his mood having reached a kind of status quo. Balanced out by her calm approach to the situation and by his own admission that yes, he’s going to have to deal with this. And he will, because of her.
“Appreciated,” he says after a long moment - because it is, if it can’t be any different. Starts eating, slower than normally, even such a dry, uninspiring schnitzel almost too much taste to get down. He’s fairly certain he’s going to leave half the plate uneaten, but surely that’s for him to decide and for them to accept. Most things still are, really, if he thinks about it. The rest is unimportant at length.
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They will both have to establish their everyday life within this setting, isn’t that so? Despite the momentary halt to which the nation was brought and one interpretation of the world with it, in the wake of the assassination attempt... Their surroundings won’t remain suspended in mid-air, simply because their own context has been restricted to the squares of a clinical ward. White walls, disinfectant and medicine on the hour. The glass is cool between her fingers as she picks it up, the enforced silence of drinking brief. “Since I plan to go home tomorrow,” she tells him. Making the familiar sound of ingestion cease immediately. She looks up, only to find him staring at her. The pause extends further, until she realises that he will most likely need the continuation of the statement to appreciate it. “I will have Doctor Hirsch return your Mac.”
She’s been needing fresh clothes for days. Her books, as well. Currently, he's a natural element of the hospital. But she will have to adapt. In every way possible.
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“You’ll wait at least two days,” he says, voice even and face mostly devoid of expression. “The security system must be updated before you can stay there overnight.” Leaning back, he resists the urge to run his hand through his hair, aware that he’d be pulling the IV tube enough to make the movement uncomfortable with the current arrangement. Instead, he reaches for his glass and takes a sip, the water cool in his mouth. Cool, but stale.
If she wants to leave, again, he can’t stop her. But even the thought of Hirsch returning his Mac doesn’t level out the feeling of frustration and helplessness - that if she leaves, he’ll be stuck fighting off incompetence on his own with next to no means of success. And that’s a seriously unpleasant thought, the effect of will power not withstanding.
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However, it doesn’t translate to her voice, does it? When she speaks, to the both of them. She doesn’t allow it to, beyond the persistence in the words themselves. “It shan’t require an overnight stay, for me to gather a large enough wardrobe --” Resting her hands in her lap, she leans back as well. Mirroring him once again, isn’t that so? As they have grown so accustomed to. “To not wear the same clothes two days in a row. The nurses might leak it to the press, after all.” There is no real smile to detect, accompanying the conclusion, but the line of her mouth softens. A lightness to her features in general. Tangible, like the sense of relief. At repeating her wedding vows in a setting not put on public display. Intended for him. Even if not for him solely.
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“You’ll need some private office space,” he says, finally, pushing at the hospital table and sending it rolling to the side, leaving the bed feeling less constricted. “If you’re staying.”
The last thing he wants to do is to appear hesitant or insecure; when every physical fact about him, currently, spells ‘weakness’. But all the same, that last bit is a question without a marker. Something they’re both used to, even if he seldom deploys it towards her. In most cases, he’ll always choose to be direct. This particular question, however, he doesn’t want to ask. Doesn’t want to consider its implications, consequences, the possibility of a ‘no’. It must be posed regardless, but his chosen approach clearly shows exactly how uncomfortable it makes him feel.
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Standing up and thus leaving two-thirds of the schnitzel untouched, she picks up the magazine at the top of the pile - an issue she has already read more than once today, but which features a relatively accurate coverage of the investigation into the background of the three surviving Africans. Amongst the gloss and a recapitulation of conjecture. Five steps and she’s moved around the bed, sitting down on the half that is hers in practice. Places herself next to him, cracks and metal bars apart. Gossip spread out over her lap.
“As I have every intention to.”
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“Good,” he says after a moment. Looks away again, feeling suddenly exhausted. The smell of the leftovers on the plates is nauseating, too, and he reaches down with one hand and pushes the service button once more, to have them come and take the trays away.
He’d lie down, really, if he could move enough to manage it. But for now, he doesn’t try - too tired for that as well. Instead, he leans sideways slightly, just a bit, his good shoulder pressing against hers. Cocking his head, he squints at the contents of her magazine, bangs obscuring most of his vision. Not that it matters. Gossip doesn’t interest him. But it’s a great excuse to rest his chin on her shoulder and so, he does. Waits for the nurse to come barging in; enjoying the quiet for now, for as long as it lasts.
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A nurse enters, yet a different one, who casts a quick look around the room, followed by a longer one in the direction of the bed before she picks up Jean Louis’ tray. First and closest. Doctor Hirsch has indeed made it incontestably clear that his staff isn’t to be considered waiters at personal disposal and as Mireille watches the girl filter out the door, taking with her and thus away their service - in all definitions of the word, it becomes obvious why. That is. She lacks the necessary balance point, her carriage inelegant as a result. Turning the page, Mireille returns her attention to the magazine. Jean Louis’ entire political career mapped out in pictures and headlines; years upon years of rhetoric and agendas in which he’s always acted as the subject. In this, though, he’s made an unmistakable object of himself. It’s the change she’s called for, continuously. Increasingly desperate on both their behalves, isn’t that so?
When she glances to the side, his eyelids have fallen shut. She shall willingly admit that the greater evil wasn’t what went before, because at this point -- She must focus her efforts on ensuring that the lesser evil will cease being an evil altogether.
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